Berliner Philharmoniker Master Class - Horn Berliner Philharmoniker English Czech

Berliner Philharmoniker Master Class - HornYouTube↗ IA↗(long shot)
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STEFAN DE LEVAL JERZIERSKI: Hi, I'm Stefan de Leval Jezierski

0:00:13.030,0:00:16.720 STEFAN DE LEVAL JERZIERSKI: Dobrý den, jmenuji se Stefan de Leval Jezierski

and I play horn in the Berlin Philharmonic.

a hraji na lesní roh v Berlínské filharmonii.

And I'd like to help you prepare for your audition for

Chtěl bych vám pomoci s přípravou na konkurz

the YouTube Symphony Orchestra.

do Symfonického orchestru YouTube.

First we'll look at the Mozart Concerto Number Four.

Nejdříve se podíváme na Mozartův koncert č. 4.

There are a few things to remember about playing Mozart.

Při hraní Mozarta je třeba mít na pamětí pár zásad.

First thing is don't try to play too fast and don't try

Nesnažte se hrát příliš rychle a nesnažte se

to interpret too much.

příliš interpretovat.

Keep it simple, keep it in tempo, and the rest will

Nic nekomplikujte, udržujte tempo a ostatní

take care of itself.

se dostaví samo.

We'll look at this concerto phrase by phrase now.

Probereme si tento koncert po frázích.

[horn being played]

0:00:53.876,0:01:04.820 [hra na lesní roh]

This is the first thing that people are going to hear.

Tohle uslyší posluchači na začátku.

Common mistakes are when people try to distort

Častou chybou je snaha o pokřivení

the rhythm and play--

rytmu nějak takto –

[horn being played]

[hra na lesní roh]

The sixteenth notes have to be singing.

Šestnáctiny musí prozpěvovat.

The next phrase--

Další fráze –

[horn being played]

[hra na lesní roh]

Keep the eight notes long enough so it doesn't come out--

Zahrajte těch osm tónů dost dlouze, aby nezněly –

[horn being played]

[hra na lesní roh]

--or anything like that and play towards the C sharp.

– ani nijak podobně a směřujte k Cis.

The C sharp in the third bar of this phrase is a dissonance and

Cis ve třetím taktu této fráze je disonance a

Mozart-- one has to lean on the dissonances a little bit.

Mozart – musíte se do té disonance trošku položit.

[horn being played]

[hra na lesní roh]

And don't make a pick up note, the last E flat must not be--

A nezvedejte ten tón. Poslední Es nesmí znít –

[horn being played]

[hra na lesní roh]

I hear this very often and it's a common mistake,

Slýchám to velmi často, je to běžná chyba,

but it's not a good idea.

není to ale dobrý nápad.

OK, for the next phrase--

K další frázi –

[horn being played]

[hra na lesní roh]

The next phrase, it's important to take one's time going

V další frázi je důležité dát si na čas

up to the high B flat.

při přechodu k vysokému Hes.

Don't think of playing after the B flat until you've

Nepokračujte dalšími tóny, dokud se

actually gotten there.

k Hes opravdu nedostanete.

And don't play an accent on the last two notes like--

A nedávejte důraz na poslední dva tóny –

[horn being played]

[hra na lesní roh]

For this phrase just take your time and keep going.

V téhle frázi si dejte na čas a nezastavujte se.

Play up to the high B flat, and don't think about continuing

Hrajte nahoru k Hes a nemyslete na pokračování

past the high B flat until you actually are there.

po Hes, dokud k němu opravdu nevystoupáte.

[horn being played]

[hra na lesní roh]

And it continues.

[horn being played]

[hra na lesní roh]

OK, we'll talk about these phrases a little bit.

U těchto frází se na chvíli zastavíme.

For this phrase--

Tato fráze –

[horn being played]

[hra na lesní roh]

Again, play towards the third measure, towards the B natural.

Znovu, vystoupejte až k H.

And then the pick up notes to the next bar--

A potom přejděte k tónům dalšího taktu –

[horn being played]

[hra na lesní roh]

--make sure they have a bit of direction.

– aby na sebe tóny navazovaly.

[horn being played]

[hra na lesní roh]

[horn being played]

[hra na lesní roh]

And not also faster.

A také ne rychleji.

[horn being played]

[hra na lesní roh]

--or anything like that.

– ani nic podobného.

And the sixteenth notes--

A šestnáctiny –

[horn being played]

[hra na lesní roh]

Please don't play--

Nehrajte prosím –

[horn being played]

[hra na lesní roh]

This is also a very common mistake.

To je také velmi častá chyba.

Then again, for the next two bars play to the second bar.

Potom znovu, další dva takty směřujte ke druhému taktu.

[horn being played]

[hra na lesní roh]

Towards the C sharp, then relax off the dissonance and--

Směrem k Cis, potom uvolněte disonanci a –

[horn being played]

[hra na lesní roh]

[horn being played]

[hra na lesní roh]

Then continuing.

Don't rush this next phrase.

S další frází nespěchejte.

Many people start the whole concerto too fast and when they

Mnoho lidí začne celý koncert příliš rychle a když

get to this part then it's get sloppy, they get in

dospějí sem, začnou ztrácet dech,

trouble technically.

přestanou zvládat hru technicky.

So it's only allegro moderato.

Je to jen allegro moderato.

Most people play this concerto too fast, so take your time.

Hodně lidí hraje tenhle koncert příliš rychle. Nikam nespěchejte.

[horn being played]

[hra na lesní roh]

Here again, play from the B flat to the A.

Zde opět, hrajte z Hes k A

[horn being played]

[hra na lesní roh]

For the one, and then another pick up note to the

U tohoto i následujícího doveďte tón

dissonance and resolution.

k disonanci a ráznosti.

[horn being played]

[hra na lesní roh]

Here comes a part, it's like a little fanfare.

Následující část připomíná krátkou fanfáru.

[horn being played]

[hra na lesní roh]

OK, so after the two little fanfares there's also

Po dvou krátkých fanfárách následuje

direction-- line.

směřování – vyrovnání.

[horn being played]

0:06:43.190,0:06:53.670 [hra na lesní roh]

[horn being played]

[hra na lesní roh]

OK, well I hope this gives you some insights into the

Doufám, že jsem vám pomohl trochu pochopit

Mozart Fourth Concerto.

Mozartův 4. koncert.

Remember, keep the Mozart simple.

Pamatujte si – Mozarta hrajte jednoduše.

Don't interpret too much, play from the heart,

Příliš neinterpretujte, hrajte srdcem

and enjoy the music.

a radujte se z hudby.

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