Song One | Drama Movie | ANNE HATHAWAY | Full Length | Free Movie on YouTube Bjgtjme - Free Movies English Spanish

Song One | Drama Movie | ANNE HATHAWAY | Full Length | Free Movie on YouTubeYouTube↗ IA↗(long shot)
Film & Animation 5.6K views 100 likes 8 dislikes 14 Jan 2021

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- ♪ I SHOULD DRINK OUT ♪ ♪ OF THIS AFTERNOON'S HEART ♪ ♪ SO I FALL ASLEEP ♪ ♪ BEFORE I GO DARK ♪

[gentle guitar music]

♪ BACK IN ♪

♪ POURING RAGE ♪

♪ Señala con ira

♪ I FELL THROWING UP ♪

♪ Fallé ♪ En crecer

♪ I CAN'T SHAKE IT AWAY ♪

♪ No puedo alejarlo

♪ LUCK IS LIKE A MARBLE ♪

♪ La suerte es como mármol

♪ ON THE STAGE ♪

♪ En este día

♪ IT WAITS ♪

♪ Se alejará

♪ FOR OUR BIG BREAK ♪

♪ Porque seré valiente

♪ TO FALL ♪ ♪ ♪

- THE FOLLOWING BROOKLYN-BOUND "L" TRAIN

El siguiente destino a Brooklyn, el tren "L"...

WILL DEPART IN APPROXIMATELY SEVEN MINUTES.

partirá en aproximadamente siete minutos.

- ♪ WHY DID YOU FLY AWAY? ♪

♪ ¿Por qué te alejaste volando?

♪ I'VE BEEN DYING A LITTLE DEATH ♪

♪ He estado muriendo una pequeña muerte

♪ SINCE THAT VERY DAY ♪

♪ Desde ese mismo día

♪ SINCE THAT VERY DAY ♪ ♪ I USED TO LAUGH ♪ ♪ I USED TO LAUGH ♪ ♪ WHEN YOU TOLD ME ♪ [car horn honking]

♪ Solía reír, cuando me lo decías

[indistinct muttering] [giggling] - [speaking Arabic] [camera shutter clicks]

[singing in Arabic] ♪ ♪ [both speaking Arabic]

[both speaking Arabic] [mid-tempo chaabi music] ♪ ♪ [both speaking Arabic]

¿Necesitas que te lleven? Si, si no te importa.

- [speaking Arabic] [speaking Arabic] [telephone ringing]

- MOM? - FRANNY.

- ¿Mamá? - Franny.

- MOM? HELLO? HELLO?

- ¿Hola? - Estoy aquí.

- YOUR BROTHER WAS IN AN ACCIDENT.

Tu hermano tuvo un accidente.

HE'S IN THE HOSPITAL.

Está en el hospital.

YOU NEED TO COME HOME. [mid-tempo chaabi music] ♪ ♪ - [sobbing]

Tienes que venir a casa.

- THE IMPACT OCCURRED IN WHAT'S CALLED THE PTERION,

El impacto se produjo en lo que se llama el pterion,

AN ESPECIALLY VULNERABLE PART OF THE SKULL.

una parte especialmente vulnerable del cráneo.

YOU SEE THIS BRIGHT BICONVEX REGION HERE

Ves esta región biconvexa brillante aquí.

THAT LOOKS LIKE A LENS?

¿Eso que se ve como una lente?

THIS IS WHAT WE CALL A HEMATOMA TO THE BRAIN TISSUE,

Esto es lo que llamamos un hematoma en el tejido cerebral,

A SORT OF BLOOD CLOT--

una especie de coágulo de sangre...

- CAN YOU JUST TELL ME IF HE'S GONNA BE OKAY?

¿Puede solo decirme si él va a estar bien?

- I HAVE TO TELL YOU,

Tengo que decirte,

HE MIGHT NEVER COME OUT OF THIS.

él nunca podría recuperarse de esto.

WE CAN'T REALLY SAY FOR SURE.

Realmente no podemos decirlo con seguridad.

IN THESE SITUATIONS, WE HAVE NO RECOURSE

En estas situaciones, no tenemos nada con que comparar...

OTHER THAN TO BE PATIENT AND WAIT.

aparte de ser pacientes y esperar.

- YOU CUT OFF ALL YOUR HAIR.

Te cortaste todo el cabello.

- I LOVED IT LONG.

Me gustaba largo.

- I WANTED A CHANGE.

Quería un cambio.

- TAXI DRIVER'S NAME IS RUMNESH.

El nombre del conductor del taxi es Rumnesh.

HE HAS A WIFE AND TWO KIDS.

Él tiene una esposa y dos hijos.

THEY THINK HE TRIED TO STOP THE CAR IN TIME,

Ellos piensan que trató de detener el auto a tiempo,

BUT HENRY HAD HIS HEADPHONES ON,

pero Henry tenía sus auriculares,

AND I GUESS HE DIDN'T LOOK WHEN HE WAS CROSSING.

y supongo que él no se fijo cuando estaba cruzando.

I HAVEN'T BEEN PAYING ATTENTION.

Yo no he estado prestando atención.

HE'S BEEN, JUST, LIVING SOMEWHERE IN BROOKLYN.

Él ha estado, simplemente, viviendo en algún lugar en Brooklyn.

HE COMES HOME SOMETIMES TO DO HIS LAUNDRY,

Él viene a casa a veces para lavar su ropa,

BUT IT'S ALL ABOUT MUSIC FOR HIM,

pero es todo sobre la música para él,

AND I'VE BEEN TRYING TO FINISH THE BOOK AND JUST--

y yo he estado tratando de terminar el libro y sólo...

- YOU COULDN'T HAVE STOPPED HIM FROM CROSSING THE STREET.

No podrías haberle impedido cruzar la calle.

- I ALWAYS TOLD HIM TO LOOK BOTH WAYS.

Yo siempre le dije que mirara a ambos lados.

YOU JUST DO YOUR BEST, YOU KNOW?

Solo haces lo mejor que puedes, ¿sabes?

YOU JUST DO YOUR BEST.

Solo haces lo mejor posible.

THANKFULLY YOUR FATHER ISN'T ALIVE TO SEE ALL THIS.

Afortunadamente tu padre no está vivo para ver todo esto.

IT'S JUST A LOT FOR US TO HANDLE, YOU KNOW? OH, UH...

Es sólo un montón para nosotras manejarlo, ¿sabes?

HAVE TO SLEEP IN HENRY'S ROOM.

tener que dormir en la habitación de Henry.

THERE'S SO MANY BOXES IN YOUR ROOM.

Hay tantas cajas, en tu habitación.

- IT'S OKAY. I'LL JUST MOVE THE BOXES.

Está bien. Sólo voy a mover las cajas.

- NO, I GAVE YOUR BED TO SYLVIA.

No, le di tu cama a Sylvia.

- WHO'S SYLVIA?

¿Quién es Sylvia?

- SHE DELIVERS THE MAIL.

Ella entrega el correo.

- WHY'D YOU GIVE HER MY BED?

¿Por qué le diste mi cama?

- BECAUSE, YOU KNOW,

Porque, ya sabes,

I ASKED HER IF SHE WANTED A BED, AND SHE SEEMED SO HAPPY,

le pregunté si quería una cama, y parecía tan feliz,

AND YOU'RE NEVER HERE, FRANNY.

y, tu nunca estás aquí, Franny.

I MEAN, YOU HAVEN'T LIVED HERE IN YEARS,

Quiero decir, no has vivido aquí en años,

AND YOU ALWAYS COMPLAINED ABOUT THAT MATTRESS ANYWAY,

y siempre te quejabas del colchón de todos modos,

SO JUST DON'T GET ALL BENT OUT OF SHAPE.

así que, solo no te molestes.

- I'M NOT BENT OUT OF SHAPE.

No estoy molesta. MARBLE SONG

- HEY, FRANNY, I-- [button clicks]

Hola, Franny, yo...

I KNOW YOU'RE BUSY,

sé que estás ocupada,

AND I KNOW YOU THINK THIS IS A WASTE OF TIME.

y sé que piensas que esto es una pérdida de tiempo.

I'M NOT SURE IF YOU'VE LISTENED TO ANYTHING ELSE I'VE SENT,

No estoy seguro de si has escuchado algo de lo que he enviado,

BUT HERE'S ANOTHER SONG I JUST FINISHED,

pero, aquí hay otra canción que acabo de terminar,

PROBABLY THE FIRST ONE I'M REALLY PROUD OF.

probablemente la primera de la que estoy muy orgulloso.

I HOPE YOU LISTEN TO IT. [acoustic guitar strumming] [gentle guitar music] ♪ ♪

Espero que la escuches.

♪ I HAVE WALKED SO MUCH FARTHER ♪

♪ He caminado tanto

♪ I THOUGHT ♪

♪ Más lejos de lo que pensé

♪ I SHOULD DRINK OUT ♪ ♪ OF THIS AFTERNOON'S HEART ♪

♪ Debo soñar en esta tarde

♪ SO I FALL ASLEEP ♪ ♪ BEFORE I GO DARK ♪ ♪ ♪

♪ Así que me voy a dormir ♪ Antes de que oscurezca

I-I DON'T REALLY--

Yo-En realidad no...

I DON'T REALLY KNOW

Realmente no lo sé.

WHAT TO DO NOW. [zipper unzipping]

El qué hacer ahora.

- ♪ IT WAITS ♪

♪ De una manera

♪ FOR OUR BIG BREAK ♪ ♪ TO FALL ♪ ♪ ♪

♪ Seré grandioso Lo siento bajar por mi espalda, como mil vías que se alejan de la ciudad. JAMES FORESTER

- OKAY. ENJOY. [thumping rock music] ♪ ♪ [indistinct chatter]

Bueno. Disfruta.

- JAMES FORESTER! [cheers and applause]

¡James Forester!

- JAMES FORESTER!

¡James Forester!

HELLO, NEW YORK. [cheers and applause] [wistful guitar music] ♪ ♪

Hola, Nueva York.

♪ YOU GOT YOUR LITTLE HEARTS AND ♪

♪ Alístate tu pequeño corazón

♪ WAITIN' FOR THE DAWN ♪

♪ Esperando al amanecer

♪ YOU'VE BEEN BRAINSTORMIN' ♪

♪ Haz sido valiente

♪ BY MY PLACE ♪

♪ Sobre mi lugar

♪ IN THE SUN ♪

♪ AND MY BULB WENT BLACK ♪ ♪ AND A THOUSAND DIAMONDBACKS ♪

♪ Y mis huesos se volvieron negros ♪ Y mil diamantes de vuelta

♪ CAME SLITHERIN' ♪

♪ Vinieron arrastrándose

♪ AND HUMMIN' ♪ ♪ ♪

♪ Se acercaron

♪ WE BUILD A LITTLE BONFIRE ♪

♪ Construimos una pequeña hoguera

♪ BY THE TWO CENT BRIDGE ♪

♪ Por el puente de dos centavos

♪ YOU WERE DREAMING OF THE CROSSING ♪

♪ Sueñas con cruzarlo

♪ I WAS STARING ♪ ♪ AT THE EDGE ♪

♪ Yo contemplaba Al borde

♪ AND MY JAW WENT SLACK ♪

♪ Y mi trabajo se complicó

♪ AND A THOUSAND RAZORBACKS ♪

♪ Y mil con furia

♪ CAME CHARGIN' ♪

♪ Vinieron a la carga

♪ SCREAMIN' ♪ ♪ OOH, OOH, OOH, OOH ♪ ♪ OOH, OOH, OOH, OOH ♪ ♪ ♪

♪ OOH, OOH, OOH ♪ ♪ OOH, OOH, OOH, OOH, OOH-OOH ♪ ♪ ♪ [looped guitar strumming]

[cheers and applause] [cheers and applause] ♪ ♪ ♪ ♪ [wistful violin music]

♪ ♪ ♪ ♪ [guitar loop stops] [somber violin music]

[cheers and applause]

- THANK YOU, FORESTER.

Gracias, Forester.

- TAKE CARE. - THANK YOU.

Cuídate. Gracias.

- ALL RIGHT, MAN. - BYE.

- Muy bien, hombre. - Adiós.

I-I REALLY LIKED THE SHOW.

Yo-Me gustó mucho la presentación.

- MY BROTHER WAS HIT BY A CAR THIS WEEK.

Mi hermano fue atropellado por un auto esta semana.

- I'M-- I'M SO SORRY TO HEAR THAT. - I'M-- I'M SO SORRY TO HEAR THAT. - HENRY ELLIS. - HENRY ELLIS.

Yo... Siento mucho oír eso.

YOU'RE HIS FAVORITE.

Eras su favorito.

- HE'S AT MEMORIAL INTENSIVE CARE.

HE'S IN A COMA.

Está en Cuidados Intensivos en el Memorial.

- JESUS, I'M SO SORRY.

Está en estado de coma.

- YOU DON'T REMEMBER HIM, DO YOU?

Jesús, lo siento mucho.

HE SENT A LETTER TO YOU OR TO YOUR RECORD LABEL.

No lo recuerdas, ¿verdad? Envió una carta a ti o a tu compañía discográfica.

YEAH, THE LABEL GETS A LOT OF LETTERS, AND THEN IT TAKES 'EM A WHILE TO GET TO ME,

Sí, la disquera recibe una gran cantidad de cartas,

SO UNFORTUNATELY...

y luego se necesita de un tiempo para que lleguen a mí,

así que por desgracia...

WELL, I BROUGHT YOU SOMETHING HE WAS WORKING ON.

Bueno, te traje algo en que estaba trabajando.

I THOUGHT-- IT'S REALLY GOOD.

Pensé... Que es realmente bueno.

I GUESS I'M NOT THE ONLY ONE.

Supongo que no soy la única.

- THANK YOU. THANKS SO MUCH. - IT WAS NICE TO MEET YOU. - SAME HERE.

Gracias. Muchas gracias.

- OH, I'M FRANNY, FRANNY ELLIS.

- Fue un placer conocerte. - Igualmente.

- I HOPE HENRY GETS BETTER.

Oh, soy Franny, Franny Ellis. Espero que Henry se mejore.

HEY, I MADE YOU EGGS.

Oye, te preparé huevos.

I JUST--I CAN'T... I CAN'T EAT RIGHT NOW. HEY, HOW DOES THIS SOUND FOR A TITLE?

Yo sólo... No puedo... No puedo comer ahora. Oye, ¿cómo te suena esto para un título?

MYTHOLOGICAL FOUNDATIONS: TALES OF MONKOKOBAKA AND THE DEKAY TRIBES.

Fundaciones Mitológicas, Cuentos de Monkokobaka y las Tribus Dekay.

- UH, SOUNDS GOOD. - [scoffs]

Eh, suena bien.

- [scoffs] IT'S SO POINTLESS. IT'S SO POINTLESS.

Es tan inútil.

HOW CAN I EVEN DO THIS RIGHT NOW?

¿Cómo puedo incluso hacer esto ahora?

OKAY, WRITE. [upbeat accordion music] ♪ ♪ [vocalizing]

Bien, escribe. PASTOREO NÓMADA E HISTORIA AFRICANA

♪ ♪ - ♪ FALL ♪

PETES CANDY STORE Escuche una banda genial- Jane + the Austens

[spirited folk music] - ♪ ALL DEAD AND GONE ♪ ♪ ALL DEAD AND GONE ♪ - ♪ MY OLD MAN, MY GRANDPAP ♪

Oh, hola. Lo siento.

♪ FIRST WHITE MAN TO THE CUMBERLAND GAP ♪ ♪ MY OLD MAN, MY GRANDPAP ♪ ♪ FIRST WHITE MAN TO THE CUMBERLAND GAP ♪ ♪ ♪

♪ CUMBERLAND GAP ♪ ♪ ♪ ♪ CUMBERLAND GAP ♪ ♪ ALL DEAD AND GONE ♪

♪ ALL DEAD AND GONE ♪ ♪ ALL DEAD AND GONE ♪ [somber music] ♪ ♪

LUGAR FAVORITO 4 a. m. EL COMEDOR DE SAMMY'S

- HEY. - I WAS--

- Hola. - Yo estaba...

- I WAS JUST IN THE AREA AND THOUGHT, UM,

Yo estaba en la zona y pensé, bueno,

MAYBE I'D JUST, YOU KNOW, STOP BY.

tal vez solo, ya sabes, pasaría.

DIDN'T KNOW IF YOU LIKED SUGAR.

No sé si te gusta el azúcar.

I'M OKAY. THANK YOU. UM...

Estoy bien. Gracias.

AREN'T YOU REALLY BUSY?

¿Estás realmente ocupado?

- DEPENDS ON HOW YOU DEFINE "BUSY."

Depende de cómo definas "ocupado".

- I GUESS I ALWAYS THINK OF PEOPLE LIKE YOU HAVING...

Supongo que siempre pienso en la gente como que tiene...

THINGS LINED UP EVERY MILLISECOND OF THE DAY--

cosas en fila cada milisegundo del día...

BACK-TO-BACK MEETINGS WITH IMPORTANT PEOPLE.

Reuniones en espera con personas importantes.

- I LISTENED TO HENRY'S SONG.

Escuché la canción de Henry.

I MEAN, I LIKED IT A LOT.

Quiero decir, me gustó mucho.

- I KNOW. IT'S REALLY GOOD, ISN'T IT?

Lo sé. Es muy buena, ¿no?

YOU KNOW, HE WOULD REALLY FLIP OUT

Sabes, él realmente enloquecería...

IF HE KNEW YOU WERE HERE.

si supiera que estuviste aquí.

HE'S KIND OF OBSESSED.

Es una especie de obsesión.

NOT LIKE IN A FREAKY WAY OR ANYTHING,

No como en un modo extraño, ni nada,

JUST, YOU KNOW.

sólo, ya sabes.

- I COULD PLAY HIM SOMETHING IF--

Yo le podría tocar algo si...

NOT IF-- NOT IF YOU DON'T WANT ME TO.

No si... No si no quieres que lo haga.

I DON'T HAVE TO. - NO, NO.

- No tengo que. - No, no.

THAT WOULD BE GREAT.

Eso sería genial.

I'M SURE HE WOULD LOVE THAT. [acoustic guitar strumming] [reserved guitar music] ♪ ♪

Estoy segura de que le encantaría eso. De acuerdo.

- ♪ DRESSED IN WHITE COTTON ♪

♪ Vestido en algodón blanco

♪ STARING AT THE PHONE ♪

♪ Contemplando el teléfono

♪ I WAS HIDING IN THE ATTIC ♪

♪ Me escondía en el ático

♪ THE DAY YOU LEFT HOME ♪

♪ Él día que se fue de casa

♪ MOTHER, I THOUGHT THAT YOU ♪ ♪ TURNED BACK ♪

♪ Madre pensé que regresarías

♪ THAT THAT BIG BLACK CADILLAC ♪

♪ Que ese gato grande negro Mentía

♪ TOOK YOU ♪ ♪ ♪

♪ MOTHER, I SEE YOU ♪

♪ Madre te veo

♪ BUT ONLY IN DREAMS ♪

♪ Solo en sueños

♪ YOU PUT ME IN A BASKET ♪

♪ Me pones en una cesta

♪ AND YOU PUSH ME UPSTREAM ♪

♪ Y me empujas por la corriente

♪ BUT I'M ALWAYS ♪

♪ Y siempre estoy

♪ DRIFTIN' BACK ♪

♪ A la deriva

♪ WHERE THAT BIG BLACK CADILLAC ♪

♪ Que ese gato grande negro Mentía

♪ TOOK YOU ♪ ♪ WHOO-OOH ♪ ♪ ♪

- OH, MOM. UM...

THIS IS JAMES FORESTER.

Este es James Forester.

THANK YOU SO MUCH FOR COMING

Muchas gracias por venir...

AND FOR THE TEA.

- OH, PLEASE, THIS IS THE LEAST I COULD DO.

Oh, por favor, esto es lo menos que podía hacer.

I'M GOING TO THIS PLACE TONIGHT--

Voy a este lugar esta noche...

THIS CLUB HENRY LIKES-- IF YOU WANT TO COME.

Este club que le gusta a Henry... Si quieres venir.

I-I'VE NEVER BEEN THERE BEFORE,

Yo-Yo nunca he estado allí antes,

BUT THE-- THERE'S A SHOW AT 11:00,

pero... Hay una presentación a las 11:00,

AND I'M PROBABLY GONNA GO TO THIS PLACE BEFOREHAND,

y probablemente iré previamente a este otro lugar,

THIS OTHER PLACE THAT HE LIKES.

este otro lugar que a él le gusta.

YOU'RE PROBABLY REALLY BUSY WITH A LOT OF OTHER THINGS.

Probablemente estás muy ocupado con un montón de otras cosas.

- I-I-I'M NOT--

I'M NOT PLAYING TONIGHT,

No tocaré esta noche,

AND I DON'T HAVE ANY MEETINGS OR ANYTHING THEN EITHER.

y no tengo ninguna reunión, ni nada, entonces tampoco.

- OH, GOOD. YEAH, I GOT IT.

Oh, bueno. Sí, entiendo.

- COOL. - GREAT.

- Genial. - Grandioso.

- OH, WHERE? - WHAT?

- Oh, ¿dónde? - ¿Qué?

- OH, THE-- BERRY AND 11TH--NORTH 11TH

Oh, en... Berry y la 11... La 11 Norte...

IN WILLIAMSBURG.

en Williamsburg.

- 9:00? - UH, OKAY.

- ¿A las 9:00? - Eh, está bien.

- OKAY. [reserved guitar music] ♪ ♪

- ♪ FATHER IS SLEEPIN' ♪

♪ Padre duerme

♪ UPRIGHT IN HIS VEST ♪

♪ En su mejor momento

♪ I BRUSH AWAY THE ASHES ♪

♪ Barro las cenizas

- HE'S THE ONLY 19-YEAR-OLD I EVER SAW WITH A GRAMOPHONE.

Es el único de 19 años de edad, que he visto con un gramófono.

HE WAS TELLING ME THAT IT BROKE A COUPLE OF WEEKS AGO.

Que me estaba diciendo que se rompió hace un par de semanas atrás.

- ♪ YOU TURN BACK ♪

♪ Tu regresaras

♪ THAT THAT BIG BLACK CADILLAC ♪ ♪ IS TURNIN' ROUND ♪ ♪ ♪

♪ Que ese gato grande negro Mentía ♪ Date la vuelta

- UM, WHERE DOES HENRY SLEEP?

Eh, ¿dónde duerme Henry?

- UM, IT'S RIGHT OVER THERE.

Eh, es justo allí.

- HERE? - YEAH.

- ¿Aquí? - Sí.

- Hola. - Hola.

DO YOU HAVE A GRAMOPHONE? - UH, NO.

¿Tienes un gramófono?

JUNK MARKET MIGHT HAVE ONE DOWN BY THE B.Q.E.

Eh, no. El Mercado de la Chatarra podría tener uno.

- THANK YOU. - MM-HMM.

- WHAT ABOUT KEYBOARDS?

¿Qué tal los teclados?

- YEAH, WE JUST GOT IN A VINTAGE '59 RIGALEDO.

Sí, tenemos un '59 Rigaledo Vintage.

- CAN I, UH-- CAN I SEE IT?

¿Puedo, eh... Puedo verlo?

CHECK THIS SWEET THING OUT HERE. - HMM. [laughter, indistinct chatter]

Revisa esta cosa hermosa aquí.

Así que, eh...

WHAT'S YOUR DEAL?

¿Cuál es el trato?

I, UM--YEAH, I PUT OUT AN ALBUM FIVE YEARS AGO,

Yo, eh... Sí, saque un álbum hace cinco años,

BOUGHT ME INDIE FAME AND SORT OF FORTUNE.

me trajo fama indie y una especie de fortuna.

- OKAY, UM, I...

Bien, eh, yo...

I LIVE IN A CABIN IN MAINE.

Yo vivo en una cabaña en Maine.

IT'S WHERE I NORMALLY AM WHEN I'M TRYING TO BE CREATIVE.

Que es donde normalmente estoy, cuando trato de ser creativo.

I HAVEN'T REALLY BEEN ABLE TO WRITE MUCH OF ANYTHING

En realidad no he sido capaz de escribir casi nada...

SINCE THE LAST ALBUM, THOUGH. [sighs]

desde el último álbum, sin embargo.

LAST TIME, I MEAN WITH THE ALBUM,

La última vez, me refiero con el álbum,

I JUST GOT IN MY CAR AND DROVE.

Solo tome mi auto y conduje.

ME AND TESSA, MY EX-GIRLFRIEND.

Yo y Tessa, mi ex-novia.

I MEAN, WELL, WE--

Quiero decir, bueno...

YEAH, WE BROKE UP ABOUT A YEAR AGO. WE WERE TOGETHER A LONG TIME.

sí, nos separamos hace aproximadamente un año.

SHE FOUND SOMEONE ELSE.

Estuvimos juntos mucho tiempo.

Se encontró a otra persona.

- IT'S ALL RIGHT.

WHAT ABOUT YOU?

Todo está bien.

- I'M GETTING MY PhD IN ANTHROPOLOGY.

¿Qué tal tú? Estoy consiguiendo mi Doctorado en Antropología.

NOMADIC TRIBES IN MOROCCO ARE MY SPECIALTY.

Las Tribus Nómadas en Marruecos son mi especialidad.

- COOL. IT MUST BE A LOT OF WORK GETTING A PhD.

Genial. Debe ser un montón de trabajo para conseguirte un Doctorado.

- I GET TO ASK A LOT OF QUESTIONS,

Tengo que hacer un montón de preguntas,

AND I LISTEN TO PEOPLE. IT'S A LOT OF READING.

y escuchar a la gente. Es un montón de lectura.

I'VE BEEN READING HENRY'S JOURNAL.

He estado leyendo el diario de Henry.

HIS--READING HIS MOST PRIVATE THOUGHTS. I...

Sus... Leo sus pensamientos más íntimos. Yo...

I'VE BEEN GOING TO PLACES HE WENT TO. I'VE STARTED RECORDING SOUNDS HE MIGHT RECOGNIZE.

He estado yendo a lugares a los que iba. He comenzado a grabar sonidos que pueda reconocer.

IT'S JUST REALLY MESSED UP.

Esta realmente en mal estado.

- YOU'RE HIS SISTER. I GET IT.

Eres su hermana. Lo entiendo.

- WE HAD A FIGHT,

Tuvimos una pelea,

LIKE, OUR FIRST REAL ADULT FIGHT, YOU KNOW?

como, nuestra primera pelea real adulta, ¿sabes?

HE DROPPED OUT OF COLLEGE TO BE A MUSICIAN.

abandonó la Universidad para ser músico.

I SAID I THOUGHT THAT HE WAS MAKING A HUGE MISTAKE.

Le dije que pensaba que estaba cometiendo un gran error.

I SAID SO MANY AWFUL THINGS.

He dicho tantas cosas horribles.

WE HAVEN'T TALKED IN SIX MONTHS. HE SENT ME ALL THESE LINKS TO VIDEOS HE'D MADE,

No hemos hablado en seis meses. Él me envió todos estos enlaces a vídeos que había hecho,

SONGS HE'D RECORDED, AND... [sighs]

canciones que había grabado, y...

I DIDN'T OPEN A SINGLE ONE.

No abrí una sola.

I'M SORRY. I-- - HEY, IT'S...

- Lo siento. Yo... - Oye, es...

IT'S ALL RIGHT.

todo está bien.

I CAN'T EVEN IMAGINE. - [laughing]

Ni siquiera puedo imaginarlo.

YOU'RE JAMES FORESTER, RIGHT?

Eres James Forester, ¿verdad?

- WILL YOU SIGN MY IPOD?

¿Podrías firmar mi iPod?

- SURE. HERE YOU GO.

- THANK YOU. I LOVE YOUR MUSIC. - THANKS.

Gracias. Me encanta tu música. Gracias.

- ♪ CALL ME ASIDE ♪ ♪ AND I WILL NOW BE ♪

♪ Ven y ahora estaré

♪ AND I WILL BE FINE WITH THAT ♪

♪ Estaré de acuerdo con eso

♪ YOU DON'T LEAVE ME NOW ♪ ♪ YOU MIGHT LOVE ME BACK ♪

♪ No me dejes ahora ♪ Bien podrías amarme de vuelta

♪ DISTANCE IS FINE ♪

♪ Las distancias están bien

♪ I KNOW YOU CAN'T CARE ♪ ♪ AND NOTHING IS BIG LIKE THAT ♪ ♪ DON'T SEE YOU NOW, I DON'T SEE YOU BACK ♪ ♪ ♪

♪ Y sé que no te puede importar ♪ Y nada es más grande que es eso ♪ No me veas ahora ♪ Y no te veré de vuelta

♪ OOH-OOH ♪ ♪ OOH-OOH ♪ ♪ ONE DAY I'LL BE FINE WITH THAT ♪

♪ ONE DAY I'LL BE FINE WITH THAT ♪ ♪ DON'T LEAVE ME NOW ♪

♪ Estaré de acuerdo con eso

♪ DO YOU LOVE ME BACK? ♪

♪ No me dejes ahora ♪ Bien podrías amarme de vuelta

- I DON'T SPEAK PORTUGUESE, - I DON'T SPEAK PORTUGUESE, AND SO THIS ISN'T GONNA BE PRETTY,

Yo no hablo portugués,

AND SO THIS ISN'T GONNA BE PRETTY, BUT I AM THE LAST GUY OF THE NIGHT,

y por lo que esto no va a ser bonito,

SO HERE YOU GO.

pero soy el último tipo de la noche,

[clicking tongue, guitar music] [clicking tongue, guitar music] ♪ ♪ ♪ ♪ [singing in Portuguese]

así que aquí vamos.

♪ ♪ [guitar strumming] - HOW LONG ARE YOU HERE FOR?

- HOW LONG ARE YOU HERE FOR?

¿Cuánto tiempo estarás aquí?

- TWO MORE SHOWS IN NEW YORK,

Dos conciertos más en Nueva York,

A WEDDING. - WHO'S GETTING MARRIED? - WHO'S GETTING MARRIED?

¿Quién se va a casar?

- I DON'T KNOW THEM.

Yo no los conozco.

I'M THE ENTERTAINMENT. - AH.

Soy el entretenimiento.

I NEVER WOULD HAVE PEGGED YOU FOR A WEDDING SINGER.

Nunca te habría imaginado como cantante de bodas.

- 10,000. THREE SONGS.

$10.000. Tres canciones.

- THAT'S NOT BAD.

Eso no es malo.

- I'M NOT PROUD OF IT.

No estoy orgulloso de ello.

LAST SHOW'S IN PHILADELPHIA,

La última presentación es en Filadelfia,

AND THEN THAT IT.

y entonces, es todo.

I'M GOING BACK HOME.

Estaré volviendo a casa.

I'M ACTUALLY KIND OF FREAKED OUT RIGHT NOW.

Estoy realmente como asustado ahora.

THEY'RE TRYING TO GET ME TO GO AND RECORD IN BERLIN AFTER THIS,

Están tratando de conseguir que me vaya y grabar en Berlín después de esto,

BUT THE TRUTH IS, I'M JUST STUCK.

pero la verdad es que sólo estoy atascado.

- WHAT HAPPENS IF YOU DON'T WRITE

¿Qué pasa si no escribes...?

ANY MORE SONGS?

¿más canciones?

- I'M NOT REALLY SURE.

No estoy muy seguro.

YOU KNOW, THE BEST THING ABOUT PLAYING...

Sabes, la mejor cosa acerca de tocar...

YOU KNOW WHEN YOU HAVE A FEELING

eres tú, cuando tienes un sentimiento...

AND YOU DON'T WANT TO FADE AWAY,

y no quieres que se desaparezca,

BUT YOU DON'T REALLY KNOW HOW TO KEEP IT?

¿pero no sabes muy bien cómo mantenerlo?

BUT YOU DON'T REALLY KNOW HOW TO KEEP IT? WELL, THAT FEELING COMES BACK WHEN I PLAY, WELL, THAT FEELING COMES BACK WHEN I PLAY,

Bueno, ese sentimiento regresa cuando toco,

LIKE I CAN KEEP IT.

como si pudiera retenerlo.

NO--NO TALKING,

No... Sin hablar,

NO DISAPPOINTING ANYONE

sin decepcionar a nadie...

FOR THREE TO FIVE WHOLE MINUTES.

durante tres a cinco minutos enteros.

- YOU SHOULD TRY PLAYING LONGER SONGS.

Deberías tratar de tocar las canciones más largas.

- YEAH, I SHOULD.

Sí, debo hacerlo.

- WHY DON'T YOU TRY TO CHOOSE SOMETHING

¿Por qué no tratas de elegir algo...?

AND WRITE A SONG ABOUT IT,

y escribir una canción sobre ello,

como una nariz?

- NOSE? - A NOSE.

- ¿Nariz? - Una nariz.

- I DON'T THINK NOSE SONGS ARE MY THING.

No creo que las canciones sobre narices sean lo mío.

- YOU COULD WRITE THE GREATEST SONG IN THE WORLD

Podrías escribir la canción más genial del mundo...

ABOUT A NOSE...

sobre una nariz...

OR EARS. THERE'S A LOT OF DIFFERENT TYPES OF EARS.

U orejas. Hay un montón de diferentes tipos de orejas.

THERE ARE ENDLESS POSSIBILITIES.

Hay un sinfín de posibilidades.

[guitar strumming] - ♪ I WISH I COULD TURN THIS ♪

♪ Desearía poder voltear

♪ INTO A-- INTO A SONG ♪

♪ Hacia ♪ Hacia el sol

♪ EARS AND NOSES ♪ ♪ EARS AND NOSES ♪ ♪ ♪ ♪ ♪

♪ RHYMES WITH ROSES ♪

♪ Rima con "roses" (rosas)

- ♪ NEUROSIS ♪

- ♪ HALITOSIS ♪

♪ Con "toses"

- ♪ EARS AND NOSES, HALITOSIS ♪

♪ Seria "toses" y "noses"

♪ EARS AND NOSES ♪ [foghorn blaring] [seagulls squawking, water splashing]

♪ Con "roses" (rosas)

- I CAN GET IT FROM HERE.

Puedo encargarme desde aquí.

- YOU ALL RIGHT? - YEAH.

- ¿Estás bien? - Sí.

- GUESS I'LL SEE YOU.

Supongo que nos veremos.

THANKS AGAIN. [tentative organ chords] ♪ ♪

Gracias de nuevo.

I'M REALLY SORRY, HENRY.

Lo siento mucho, Henry.

I DIDN'T MEAN YOU WERE STUPID.

No quise decir que fueras estúpido.

Yo soy la estúpida.

YOU KNOW I SAY THINGS.

Tu sabes que digo cosas.

SOMETIMES I GET TOO OPINIONATED,

A veces me sale demasiado lo obstinada,

SOMETIMES I GET TOO OPINIONATED, TOO STUBBORN. TOO STUBBORN.

lo demasiado terca.

YOU HAVE TO BE OKAY. [Gypsy jazz music] ♪ ♪ [siren wailing, indistinct chatter]

Tienes que estar bien.

♪ ♪ [car horn honking, laughter] ♪ ♪ [water splashing]

[foghorn blaring] [seagulls squawking, water splashing]

- SO I HEARD WHEN YOU'RE NOT ON THE ROAD,

Así que escuché que cuando no estás en el camino,

YOU SPEND MOST OF YOUR TIME IN THE COUNTRY.

pasas la mayor parte de tu tiempo en el campo.

WHAT ARE YOU, LIKE, A HERMIT?

¿Qué eres, como, un ermitaño?

NOT--NOT REALLY.

No... En realidad no.

- YOU ONCE SAID YOU HAVE NO INTEREST

Una vez dijiste que no tenías ningún interés...

IN MODERN TECHNOLOGY,

en la tecnología moderna,

THAT ALL YOU NEED IS MUSIC AND THE PERSON YOU LOVE.

que todo lo que necesitas es la música y a la persona que amas.

- UH, YEAH. YEAH.

MAYBE-- MAYBE I SAID THAT.

Tal vez... Tal vez yo dije eso.

- WHAT'S THE STRANGEST THING THAT'S HAPPENED TO YOU ON TOUR?

¿Que es la cosa más extraña que te ha pasado en la gira?

- I WAS CHASED BY A MOOSE.

Fui perseguido por un alce.

- [laughing] WHAT?

- IN CALIFORNIA. [light guitar music] ♪ ♪

♪ I REMEMBER HER RED TANK TOP ♪

♪ Recuerdo a Hurrington

♪ TUCKED INTO HER VANDERBILT BLUE JEANS ♪

♪ Hablando con la banda de Bee Gees

♪ HER EYEBROWS PAINTED ON LIKE ARCHES OF SAINT ♪

♪ O estaría gritando

♪ LOUIS IN THE MAGAZINES ♪

♪ Sobre mi belleza ♪ Que está en las revistas

♪ I'LL WAIT UNTIL ♪

♪ Te esperare

♪ IRIS INSTILLED ♪

♪ Con arras de acero

♪ IRIS INSTILLED ♪ ♪ I'LL WAIT UNTIL ♪ ♪ I'LL WAIT UNTIL ♪

♪ Te esperare

♪ I'LL WAIT UNTIL ♪ ♪ IRIS INSTILLED ♪ ♪ IRIS INSTILLED ♪

♪ Con arras de acero

♪ I LOVE YOUR ♪ ♪ APRON ♪

♪ HEAVEN ON YOUR HEAD ♪ ♪ ♪ [looped guitar chords] ♪ ♪

♪ El cielo en tu persona

[lush violin music] ♪ ♪ [rhythmic beeping, machine whirring] [clattering]

- WHAT ARE YOU DOING?

¿Qué estás haciendo?

- I AM MAKING PIAYA.

Estoy preparando paella.

both: IT'S JUNE 4TH.

[alarm wailing] - DAMN IT! - GOD! - AHH!

- ¡Maldita sea! - ¡Dios!

GET THE PILLOWCASE OUT OF THE OVEN.

Saca los cupcakes del horno.

- UGH, SO LOUD!

¡Eh, tan fuerte! Me ensordece.

GOD, IT'S SO LOUD.

Dios, es tan fuerte.

YOU BE IN CHARGE OF... MM...

Estas a cargo de...

YOU BE IN CHARGE OF THE GLASSES

Estas a cargo de los vasos...

AND THE DECORATIONS, OKAY?

y las decoraciones, ¿de acuerdo?

THANKS. - ♪ YOU GOT YOUR LITTLE HEARTS AND ♪ ♪ WAITIN' FOR THE DAWN ♪ ♪ YOU'VE BEEN BRAINSTORMIN' ♪

♪ BY MY PLACE ♪ ♪ IN THE SUN ♪ ♪ AND MY BULB WENT BLACK ♪ ♪ AND A THOUSAND DIAMONDBACKS ♪

♪ CAME SLITHERIN' ♪ ♪ AND HUMMIN' ♪ ♪ ♪ ♪ WE BUILD A LITTLE BONFIRE ♪

♪ BY THE TWO CENT BRIDGE ♪

- THERE'S A CAT WAVING AT YOU.

Hay un gato que te saluda.

IT'S ONE OF THOSE MECHANICAL GOOD LUCK ONES. - ♪ I WAS STARING ♪ ♪ AT THE EDGE ♪

Es uno de esos mecánicos de buena suerte.

- LOOK REALLY GOOD IN HERE NOW.

Se ve realmente bien aquí ahora.

ACTUALLY IT LOOKS PRETTY HORRIBLE,

En realidad se ve bastante horrible,

BUT IT'S BETTER THAN IT WAS. - ♪ CAME CHARGIN', SCREAMIN' ♪

pero, es mejor de cómo estaba.

- IT'S YOUR HALF-BIRTHDAY,

Es tu medio cumpleaños,

AND WE'RE CELEBRATING IT. ♪ ♪

y, lo celebramos.

DO YOU REMEMBER WHEN WE WERE IN ZURICH

¿Te acuerdas de cuando estábamos en Zúrich...?

FOR YOUR HALF-BIRTHDAY?

¿para tu medio cumpleaños?

YOU WERE, LIKE, FIVE.

Tenías, como, cinco.

ALL YOU WANTED WERE M&Ms AND LEMONADE,

Todo lo que querías eran M & Ms y limonada,

AND WE COULDN'T FIND ANY.

y no pudimos encontrar nada.

IT WAS JUST EXPENSIVE SWISS CHOCOLATE EVERYWHERE,

Sólo había chocolate suizo caro por todas partes,

AND THEN FINALLY, WE FOUND SOME M&Ms

y, entonces finalmente, encontramos algunos M & Ms...

AFTER HOURS OF SEARCHING,

después de horas de búsqueda,

AND MOM BOUGHT YOU, LIKE, 50 PACKS,

y, mamá te compró, como, 50 bolsitas,

BOUGHT OUT THE STORE. BOUGHT OUT THE STORE. [laughs] [laughs]

se compró la tienda.

- HAPPY HALF-BIRTHDAY, HENRY.

Feliz medio cumpleaños, Henry.

SORRY ABOUT ALL THIS.

Lo siento por todo esto.

- HAPPY HALF, HENRY.

Felicidades a medias, Henry.

- SORRY IF I'M INTERRUPTING.

Lo siento si estoy interrumpiendo.

- YOU-- YOU ARE NOT.

Tú... No lo haces.

COME ON IN. JOIN THE PARTY. JOIN THE PARTY.

Únete a la fiesta.

I THINK WE EVEN HAVE AN EXTRA HAT.

Creo que aún tenemos un sombrero extra.

- UM, LOOKS NICE.

Eh, se ve bien.

- IT'S HENRY'S HALF-BIRTHDAY.

Es el medio cumpleaños de Henry.

- KEYBOARD LOOKS GOOD TOO.

El teclado también se ve bien.

- HEY, HAVE SOME PERSECCO.

Oye, toma algo de Persecco.

DON'T TELL THE NURSES.

No le digas a las enfermeras.

both: CHEERS. - [speaking Russian]

THANK YOU. [speaking Russian]

TURN LEFT. [all speaking Russian]

Da vuelta a la izquierda.

PLEASE. [all speaking Russian]

- YOU DIDN'T EVEN SPEAK RUSSIAN.

Ni siquiera hablas ruso.

WHY DID YOU WANT HENRY TO LEARN IT?

¿Por qué querrías que Henry lo aprenda?

- I WANTED US TO LEARN IT TOGETHER.

Quería que lo aprendiéramos juntos.

SECRET LANGUAGE.

Lenguaje secreto.

- YOURS AND 150 MILLION OTHER PEOPLE'S SECRET LANGUAGE. - I DON'T SPEAK RUSSIAN.

El tuyo y el lenguaje secreto de otros 150 millones de personas.

[both speaking Russian]

Yo no hablo ruso.

- WHY DO THEY ALWAYS MAKE YOU LEARN THAT?

¿Por qué siempre haces que aprenda eso?

IT IS OBVIOUS YOU DON'T SPEAK RUSSIAN.

Es obvio que no hablas ruso.

WHY DO YOU HAVE TO GO AROUND STATING THAT?

¿Por qué tienes que ir por ahí diciendo eso?

WHY DO YOU HAVE TO GO AROUND STATING THAT? - MOM, I JUST-- - MOM, I JUST--

Mamá, yo sólo...

I WISH YOU COULD LISTEN FOR TWO MINUTES. - OH. OH.

Me gustaría que pudieras escucharte durante dos minutos.

Lo siento mucho.

THAT IS GOOD COMING FROM...

Eso es bueno viniendo de...

- NO, NO, NO, NO. COME ON, MOM.

No, no, no, no. Vamos, mamá.

TELL ME. WHAT WERE YOU GOING TO SAY?

Dime. ¿Que ibas a decir?

- I WAS GOING TO SAY THAT THAT IS GOOD

Iba a decir que es bueno...

COMING FROM A GIRL WHO DIDN'T EVEN CALL

viniendo de una chica que ni siquiera puede llamar...

HER OWN BROTHER BACK TO SAY SHE WAS SORRY.

a su propio hermano de nuevo para decir que lo sentía.

- YOU CAN'T TELL ME THAT YOU

No me vas a decir que...

THOUGHT THAT DROPPING OUT OF COLLEGE WAS A GOOD IDEA.

pensaste que él abandonando la Universidad era una buena idea.

- FRANNY, HE DID NOT WANT TO GO BACK.

Franny, él no quería volver.

WHAT WAS I SUPPOSED TO DO?

¿Qué se supone que debía hacer?

- YOU NEVER WOULD HAVE LET ME DO THAT.

Nunca me habrías dejado a mi hacer eso.

- YOU NEVER WOULD HAVE WANTED TO HAVE DONE THAT EVER.

Nunca hubiera querido que hubieras hecho eso tampoco.

AND SPEAKING OF YOU,

Y hablando de ti,

YOU BASICALLY DROPPED OFF THE GRID FOR SIX MONTHS.

tú, básicamente, te saliste de la vista por seis meses.

FOR SIX MONTHS,

Durante seis meses,

WE DIDN'T HEAR ANYTHING FROM YOU AND--

no supimos nada de ti y...

OH, IS THAT OKAY?

Oh, ¿eso te parece bien?

- NO, I CALLED YOU. I DID TEXT.

No, yo te llamé. Mandé mensaje de texto.

- OH, YEAH. THE FAMOUS TEXT, YEAH. - WELL, IF YOU WOULD EMPTY YOUR VOICEMAIL

Oh sí. El famoso mensaje de texto, sí.

EVERY ONCE IN A WHILE.

Bueno, si vaciaras tu buzón de voz...

- OH, THAT'S IT.

de vez en cuando.

YUP, THAT'S IT.

Oh, eso es todo.

YOU'RE RIGHT. YOU HAVE ALL THE ANSWERS.

Sí, eso es todo.

YOU CAME OUT OF MY WOMB HAVIN' ALL THE ANSWERS, MAN.

Tienes razón. Tú tienes todas las respuestas. Saliste de mi vientre teniendo todas las respuestas, hombre.

- GOD! - OH, MY GOD. - [speaking Russian] - [laughing]

- ¡Dios! - Oh, Dios mío.

WOULD YOU LIKE TO COME OVER FOR DINNER?

¿Te gustaría venir a cenar?

- I HAVE A SHOW TONIGHT.

Tengo una presentación esta noche.

- OKAY. TOMORROW NIGHT THEN.

Bueno. Mañana por la noche entonces.

YOU-- YOU DON'T HAVE TO, REALLY.

Tu... No tienes que, de verdad.

- I WOULD LOVE TO. - I WOULD LOVE TO. [sorrowful guitar music] [sorrowful guitar music]

Me encantaría.

- ♪ TEMPERATURE ♪

♪ La temperatura

♪ KEEPS RISING LIKE ♪

♪ Sigue subiendo

♪ A HELIUM BALLOON ♪

♪ Como si estuviera sola

♪ SOUND OF THE HELICOPTERS ♪

♪ El sonido de los helicópteros

♪ ECHO IN THE BEDROOM ♪ ♪ ♪ [knocking]

♪ Hacen eco en la habitación ♪ Y no sé qué hacer ♪ Cuando la gente...

- HI. - OH, HI.

- Hola. - Oh, hola.

- I'M-- I'M GLAD YOU CAME.

Yo... Me alegro de que hayas venido.

DECIDED TO LAST MINUTE, YEAH.

lo decidí a último minuto, sí.

- DO YOU WANT...

DO YOU WANT A STAR FRUIT?

¿Quieres una chirimoya?

- NO, THANK YOU.

- YEAH, I'M NOT BIG ON STAR FRUIT EITHER.

Sí, yo no soy muy fanático de la chirimoya tampoco.

- LET ME SEE THAT.

Déjame ver eso.

- JAMES, YOU'RE UP. [muffled cheers and applause]

James, te toca.

- GOOD LUCK OUT THERE. THEY'RE WILD TONIGHT. [gentle guitar music] [gentle guitar music] ♪ ♪ ♪ ♪

Buena suerte ahí fuera. Están enloquecidos esta noche.

- ♪ WE SLIPPED OUT ♪

♪ Dormimos en casa

♪ UNDER COVER OF CHAMPAGNE ♪

♪ Cubiertos y con champagne

♪ YOU TRIED TO KISS ME BY THE DOLLAR SAVE ♪

♪ Trataste de besarme ♪ Por el amor de Dios

♪ INSTEAD I TOOK YOUR HAND ♪

♪ En vez te lleve a casa

♪ AS WE RODE AROUND THE AISLE ♪

♪ Mientras rondamos por el lugar

♪ FILLIN' UP OUR POCKETS WITH ASPARTAME ♪

♪ Llenando nuestros bolsillos ♪ Con expectativas

♪ AND YOUR LITTLE YELLOW DRESS ♪ ♪ MADE ME GO BALLISTIC ♪

♪ En tu pequeño vestido amarillo ♪ Me puse optimista

♪ BEGGED YOU NOT TO CHANGE IT ♪

♪ Te ruego no te cambies

♪ AND YOU NEVER DID ♪ ♪ I'M SO GLAD ♪

♪ Y nunca lo hiciste ♪ Estoy tan contento

♪ THAT YOU ♪

♪ DISAPPEAR WHEN THINGS GOT BAD ♪

♪ Desapareciste, cuando las cosas se pusieron mal

♪ AND I CUT OFF ALL MY HAIR ♪ ♪ AND I CUT OFF ALL MY HAIR ♪ ♪ ♪ ♪ ♪

♪ Y te saque de mi cabeza

♪ YOU SWORE I WOULD STAY FOREVER ♪

♪ Juraste me quedaría por siempre

♪ PISTON BOOTS AND JEANS ♪

♪ Usando botas y jeans

♪ PEGGED AT THE ANKLE BY THE SEAMS ♪

♪ Yendo por el mar

♪ YOU CHECKED OUT ♪

♪ Tu checaste eso

♪ BEFORE I STARTED RIDING ♪

♪ Antes de que empezara a montar

♪ BEFORE I STARTED RIDING ♪ ♪ COULD YOU HEAR THE SIRENS FROM THE BACKSEAT? ♪ ♪ COULD YOU HEAR THE SIRENS FROM THE BACKSEAT? ♪

♪ ¿Puedes oír las sirenas?... ♪... ¿desde los asientos traseros?

♪ AND YOUR LITTLE YELLOW DRESS ♪

♪ Y tu pequeño vestido amarillo

♪ GOD, YOU'RE SO SADISTIC ♪

♪ Es tan sadístico

♪ LET ME UNDERNEATH IT ♪

♪ Dejarme con nada

♪ NOW YOU KEEP IT HID ♪

♪ Ahora lo guardas aquí

♪ OH, I'M SO GLAD ♪

♪ Estoy tan contento

♪ THAT YOU ♪

♪ DISAPPEARED WHEN THINGS GOT BAD ♪

♪ Desapareciste, cuando las cosas se pusieron mal

♪ AND I CUT OFF ALL MY HAIR ♪ ♪ ♪

♪ Y te saque de mi cabeza

♪ I STILL KEEP MY MONEY ♪ ♪ IN THE PILLOW ON MY BED ♪

♪ Aún así guarde mi dinero ♪ En una almohada en mi cama

♪ YES, THE BLACK DOG ♪ ♪ STILL FOLLOWING ♪

♪ Si, el perro negro... ♪ Aun sigue

♪ YOU WOULD FIND IT FUNNY ♪ ♪ MAYBE HYSTERICAL ♪

♪ Lo encontrarías gracioso ♪ Tal vez histérico

♪ BUT I STILL BELIEVE IN MIRACLES ♪

♪ Que todavía creo en Milagros...

♪ AND YOUR LITTLE YELLOW DRESS ♪

♪ Y tu pequeño vestido amarillo

♪ THOUGHT YOU WERE A MYSTIC ♪

♪ Pensé que serias optimista

♪ THOUGHT YOU COULD PREDICT IT ♪ ♪ BUT YOU NEVER COULD ♪

♪ Pensé que podrías predecir ♪ Pero nunca pudiste

♪ YOUR LITTLE YELLOW DRESS ♪

♪ Tu pequeño vestido amarillo

♪ MADE ME GO BALLISTIC ♪

♪ Me puso optimista

♪ NEVER WILL FORGET IT ♪

♪ Nunca lo olvidare

♪ AND I NEVER SHOULD ♪

♪ Y nunca debería

- YEAH, I'M A BIT OLD-FASHIONED.

Sí, soy un poco a la antigua.

THIS IS MY FAVORITE SONG IN THE WORLD.

Esta es mi canción favorita en el mundo.

[muffled R&B music] - ♪ I LIKE IT WHEN YOU DO IT LIKE THAT ♪

♪ Me gusta cuando lo haces así

♪ YEAH, LIKE THAT ♪ ♪ ♪

- THIS IS YOUR FAVORITE SONG?

¿Esta es tu canción favorita?

- ♪ I LIKE IT WHEN YOU DO IT LIKE THAT ♪ - OKAY, OH. NOT THAT ONE.

Está bien, oh. No esa.

TH-THAT'S A GUILTY PLEASURE.

Esa-Esa es un placer culpable.

IT'S AN OLD MIX.

Es una vieja mezcla.

Aguarda. Espera.

OKAY, I THINK YOU'RE GONNA LOVE IT. [Nina Simone's My Baby Just Cares For Me playing]

Bueno, creo que te va a encantar.

[smooth jazz music] ♪ ♪

- ♪ MY BABY DON'T CARE FOR SHOWS ♪

♪ Mi bebé es el rey de los zapatos

♪ MY BABY DON'T CARE FOR CLOTHES ♪

♪ Mi bebé es el rey de las ropas

♪ MY BABY JUST CARES ♪

♪ Mi bebé solo puede

- THIS IS FOR YOU FROM KATIE JOHNSTONE.

Esto es para ti de Katie Johnstone.

"HEY, JAMES. GIVE 'ER A LISTEN."

Oye, James. Vamos escúchala.

I THINK HE'S TRYING TO SPEAK TO YOU AS YOU.

Creo que él está tratando de hablar contigo como tú.

- GIVE 'ER. GIVE US A LISTEN.

Dale. Vamos escúchanos.

"DEAR JAMES, I HAVE BEEN"...

Querido James, he estado...

- YEAH, IT'S AN EPIC.

Sí, es una epopeya.

- "I WOULD BE EXTREMELY STOKE...

Estaría muy complacida...

"ED TO GET A COFFEE,

De tomar un café...

"OR IN MY CASE, A HOT CHOCOLATE

O en mi caso, un chocolate caliente.

BECAUSE I DON'T LIKE COFFEE VERY MUCH."

Porque no me gusta el café mucho.

[laughing] - YOU'RE KIDDING ME.

- Te veré... - ¿Me estás tomando el pelo?

- "YOU WOULD LIKE IT."

- SHE SOUNDS LIKE SHE JUST DRANK A HELL OF A LOT OF COFFEE. - WOW.

Suena como que acaba de beber una tremenda cantidad de café.

SHE SORT OF GOT THE EYES RIGHT.

En cierto modo tiene los ojos así.

- WHAT? - YEAH, THIS IS HILARIOUS.

- ¿Qué? - Sí, esto es hilarante.

- OH, MY GOOD--

Oh, Dios mío...

"DIE, JAMES, DIE... JAMES." [laughing]

Muere, James, muere... James.

- AND CHECK OUT THIS SIDE.

Y echa un vistazo a este lado.

- "I'M COMING, JAMES.

JAMES, JAMES, JAMES, JAMES." - [laughing]

James, James, James, James.

THAT'S MY FAVORITE ONE.

Ese es mi favorito.

LOOK AT THE EYES.

- I JUST GOT KIND OF WORRIED ABOUT YOU.

Como que estoy un poco preocupada por ti.

- LOOK AT THE EYES.

Mírale los ojos.

- THEY'RE GONNA HYPNOTIZE ME. [laughing] [gasps]

Me van a hipnotizar.

YOU HAVE TO TRY IT ON.

Tienes que probártelo.

- IT'S GONNA BE WAY TOO SMALL.

Va a ser demasiado pequeña.

- IT'S A MEDIUM.

- IT'S A CHILDREN'S MEDIUM.

Es mediana pero para niños.

- I DON'T--IT'S COTTON. IT'LL STRETCH.

Yo no... Es algodón. Se va a estirar.

- REALLY? - YEAH. ♪ ♪

- ¿En serio? - Sí.

- FOR YOU. ♪ ♪

- [laughing] SORRY.

- I'M READY TO GO OUT NOW. [moody soul music] [moody soul music] - ♪ WELL, I ASK MYSELF ♪ - ♪ WELL, I ASK MYSELF ♪

Estoy listo para salir ahora.

♪ WHAT HAVE YOU DONE ♪ ♪ MY SISTERS AND BROTHER? ♪ ♪ I DON'T KNOW ♪ ♪ I DON'T KNOW ♪

♪ SAY YOU TOLD YOUR LIE ♪ ♪ WITHOUT NO SHAME ♪ ♪ MMM, MMM, MMM ♪ ♪ MMM, MMM LISTEN, Y'ALL ♪

♪ IT AIN'T EASY ♪ ♪ THERE'LL BE NOWHERE TO RUN ♪ ♪ WELL, YOU SHOULDA GONE AND PAID ♪ ♪ YEAH ♪

♪ FOR WHAT YOU DONE ♪ [subway rumbling] [bright guitar music] ♪ ♪

- YOU KNOW, THIS IS REALLY GOOD.

Ya sabes, esta es realmente buena.

- IT'S NOT MINE, THE ZOMBIES. - IT'S NOT MINE, THE ZOMBIES. ♪ ♪ ♪ ♪ [humming]

No es mía, es de Los Zombis.

- HOW DOES THE MELODY LINE GO?

¿Cómo va la línea de la melodía?

- SOMETHING LIKE...

Algo así como...

- SOMETHING LIKE... ♪ CAN'T NOBODY ♪ ♪ CAN'T NOBODY ♪ ♪ LOVE ME ♪ [vocalizing]

♪ Nadie puede decir

- ♪ DO YOU WANT TO SEE THE VIEW ♪

♪ ¿Quieres ver la vista?

♪ FROM THE TOP OF THE EMPIRE STATE BUILDING? ♪

♪ De la cima del edificio Empire State

- ♪ DEFINITELY NOT ♪

♪ Definitivamente no

♪ I'M AFRAID OF HEIGHTS ♪ ♪ ♪

♪ Le temo a las alturas

- ♪ YOU DON'T WANT TO GO UP HIGH? ♪

♪ ¿No quieres ir allá arriba?

♪ DON'T WANT TO TOUCH THE SKY? ♪

♪ ¿No quieres tocar el cielo?

♪ 'CAUSE YOU'RE AFRAID ♪

both: ♪ AFRAID OF HEIGHTS ♪ both: ♪ AFRAID OF HEIGHTS ♪ ♪ ♪ ♪ ♪ [rhythmic beeping, machine whirring]

♪ Temes a las alturas

- "ULYSSES NOW LEFT THE HAVEN

Ulises ahora dejo el refugio.

"AND TOOK THE ROUGH TRACK UP THOUGH THE WOODED COUNTRY

Y tomó el camino escabroso hasta el campo boscoso.

"AND OVER THE CREST OF THE MOUNTAIN

Y sobre la cresta de la montaña.

TILL HE REACHED THE PLACE WHERE MINERVA HAD SAID."

Hasta que llegó al lugar que Minerva le había dicho.

I ACTUALLY DON'T MIND THE SMELL OF SMOKE IN MY HOUSE

En realidad no me importa el olor a humo en mi casa...

BECAUSE IT REMINDS ME OF PRESANITIZED TIMES, YOU KNOW,

porque me recuerda a veces tiempos más limpios, ya sabes,

LIKE PARIS IN THE '70s.

como París en los años '70.

- WERE YOU THERE IN THE '70s?

¿Estuvo allí en los años '70?

- WHO WASN'T? - UM... - UM... [laughter] [laughter]

¿Quién no estuvo?

OKAY, A LOT OF PEOPLE WEREN'T,

Bien, mucha gente no estuvo,

YOU TWO FOR EXAMPLE,

ustedes dos, por ejemplo,

BUT MY GOD, I'M SORRY YOU WEREN'T.

pero Dios mío, siento que no estuvieran.

IT WAS SO GREAT.

Fue tan genial.

I GOT MY MASTER'S,

Obtuve mi Maestría,

LOVERS-- I WON'T SAY HOW MANY.

amantes... No voy a decir cuántos.

No se preocupen...

I WAS AN ARKANSAS GIRL IN PARIS.

Yo era una chica de Arkansas en París.

HOW GREAT IS THAT?

¿Cuán genial es eso?

AND THEN OF COURSE, I DID DATE A FAMOUS ROCK STAR.

Y luego, por supuesto, si salí con una famosa estrella del rock.

- [groans] - WHO?

- I-- SHE HASN'T EVEN TOLD ME.

Yo... Ella ni me lo había dicho.

I'M NOT EVEN SURE IT'S TRUE.

Ni siquiera estoy segura de que sea cierto.

- OF COURSE IT'S TRUE.

Por supuesto que es cierto.

WHY WOULD I MAKE THAT UP?

¿Por qué iba a inventarlo?

THIS GUY WAS AMAZING.

Este chico era increíble.

HE TAUGHT ME ONE OF THE HARDEST SONGS

Él me enseñó una de las canciones más duras...

EVEN TO LEARN ON THE GUITAR.

para aprender en la guitarra.

- BLACKBIRD BY THE BEATLES.

Blackbird por los Beatles.

- MM, GREAT SONG.

Mm, genial canción.

NEVER LEARNED IT.

Nunca la aprendí.

- OH, IT IS A GREAT ONE, JAMES.

Oh, esa si es una buena, James.

- OH, IT IS A GREAT ONE, JAMES. OH, MY GOD. OH, MY GOD.

I GAVE HENRY ONE TIME FOR CHRISTMAS,

Se lo di a Henry una vez para la Navidad,

AND HE LOVED IT SO MUCH,

y él lo amó tanto,

THIS UNBELIEVABLE GREEN ACCORDION,

este acordeón verde increíble,

AND HE SLEPT WITH IT.

y durmió con él.

IT WAS A TEDDY BEAR.

Era un oso de peluche.

IT WAS LIKE HIS TEDDY BEAR, YOU KNOW?

Era su osito de peluche, ¿saben?

- MY MOM GAVE ME MY FIRST GUITAR WHEN I WAS 13.

Mi mamá me dio mi primera guitarra cuando tuve 13 años.

- MY MOM GAVE ME MY FIRST GUITAR WHEN I WAS 13. - YEAH, DID IT HAVE A PICTURE OF A HULU DANCER ON IT? - YEAH, DID IT HAVE A PICTURE OF A HULU DANCER ON IT?

Sí, ¿tenía una imagen de una bailarina de Hulu en ella?

- NOPE, UNFORTUNATELY--

No, por desgracia...

- OH, TA-DA, TA-DA, TA-DA!

¡Oh, ta-da, ta-da, ta-da!

- OH, HEY, COME ON.

Oh, oye, vamos.

YOU ARE A VERY GOOD GIRL.

Eres una chica muy buena.

I DON'T KNOW HOW YOU ARE MY DAUGHTER.

No sé cómo puedes ser mi hija.

- WELL, YOU RAISED ME WELL.

Bueno, me criaste bien.

- YEAH, SO WELL. [chipper accordion music] ♪ ♪ [fitful accordion music]

THAT WAS SO BAD. [laughter and applause]

Eso fue tan malo.

WHY, THANK YOU.

Por eso, gracias.

FRANNY, WHAT WAS THE SONG THAT YOU WERE SO OBSESSED WITH

Franny, ¿cuál era la canción con que estabas tan obsesionada...?

FRANNY, WHAT WAS THE SONG THAT YOU WERE SO OBSESSED WITH THAT, UM... THAT, UM...

BY AMERICA? BY AMERICA.

¿De America? De America.

- OH, I DON'T REMEMBER.

Oh, no me acuerdo.

- OH, YOU REMEMBER.

Oh, si te acuerdas.

OH, MY GOD. YES, YOU DO.

Oh Dios mío. Sí, así es.

OH, MY GOD. YES, YOU DO. SHE REMEMBERS. SHE REMEMBERS.

SHE SANG IT NONSTOP, ALL THE TIME,

Ella cantaba sin parar, todo el tiempo,

OVER AND OVER AND OVER AND OVER.

una y otra y otra y otra vez.

OVER AND OVER AND OVER AND OVER. SHE SANG IT IN THE SCHOOL TALENT SHOW SHE SANG IT IN THE SCHOOL TALENT SHOW

Cantó en el concurso de talentos de la escuela...

BECAUSE IT WAS THE '92 ELECTION,

porque era la elección del '92,

AND SHE BELIEVED THAT IT HAD POLITICAL SUBTEXT

y ella creía que tenía subtexto político...

ABOUT HOW MUCH THE COUNTRY NEEDED

de lo mucho que el país necesitaba...

TO HAVE BILL CLINTON ELECTED AS PRESIDENT.

hacer que Bill Clinton fuera elegido como presidente.

Tenía ocho años.

- AND HERE IT IS.

- OH, NO. NO! - NO, COME ON. - NO, COME ON.

- NO, COME ON. YOU DID SO GOOD. - NO. YOU DID SO GOOD. - NO.

- Lo hiciste muy bien. - No.

- COME ON. YOU WERE SO GOOD.

Vamos. Estuviste tan bien.

- NO, I WASN'T. - SO GOOD.

- No, no fue así. - Tan bien.

- MOM, COME ON. THIS--THIS IS EMBARRASSING.

Mamá, vamos. Esto... Esto es vergonzoso.

- I DON'T BELIEVE IN EMBARRASSMENT.

Yo no creo en la vergüenza.

- I AM KIND OF CURIOUS NOW.

Estoy un poco curioso ahora.

- COME ON, FRANNY. IT'LL JUST MAKE ME SO HAPPY.

Vamos, Franny. Sólo va a hacerme tan feliz.

- ♪ WE USED TO LAUGH ♪ ♪ WE USED TO CRY ♪

♪ Solíamos reír, solíamos llorar

- ♪ WE USED TO BOW OUR HEADS ♪ ♪ THEN WONDER WHY ♪

♪ Solíamos inclinar nuestras cabezas ♪ Me pregunto por qué

♪ AND NOW YOU'RE GONE ♪ ♪ I GUESS I'LL CARRY ON ♪

♪ Y ahora que te has ido Supongo que seguiré adelante

♪ AND MAKE THE BEST ♪ ♪ OF WHAT YOU'VE LEFT TO ME ♪

♪ Y haciendo lo mejor que me has dejado

♪ LEFT TO ME ♪ ♪ LEFT TO ME ♪

♪ Que me dejaste Que me dejaste

♪ I NEED YOU ♪ ♪ LIKE THE FLOWERS NEED THE RAIN ♪

♪ Te necesito, como las flores necesitan de la lluvia

♪ YOU KNOW I NEED YOU ♪

♪ Tu sabes que te necesito

♪ GUESS I'LL START IT ALL AGAIN ♪

♪ Supongo comenzaré todo de nuevo

♪ YOU KNOW I NEED YOU ♪

♪ Sabes que te necesito

♪ LIKE THE WINTER NEEDS THE SPRING ♪

♪ Como el invierno necesita la primavera

♪ YOU KNOW I NEED YOU ♪

♪ Sabes que te necesito

♪ I NEED YOU ♪ [laughs] ♪ ♪

♪ Te necesito

- ♪ AND EVERY DAY ♪

♪ Y cada día

♪ I'D LAUGH ♪

♪ Me rio al alejarse las horas

- MOM. - ♪ JUST KNOWING YOU WERE THINKIN' OF ME ♪

I HAVE TO GO TO BED. [sniffles]

Me tengo que ir a la cama.

BEAUTIFUL. ♪ ♪ ♪ FOR EVERY STORY TOLD ABOUT ME ♪ ♪ ABOUT ME ♪

- SHE'LL BE OKAY. - ♪ ABOUT ME ♪ ♪ I NEED YOU ♪ ♪ I NEED YOU ♪ [thumping electronic music]

Ella va a estar bien.

[thumping electronic music] [thumping electronic music] ♪ ♪ ♪ ♪ - [vocalizing]

♪ ♪ [intense vocalizing] [wild electronic music] [wild electronic music] ♪ ♪

♪ ♪ [vocalizing] ♪ ♪ [soft guitar music, humming]

[soft guitar music, humming] ♪ ♪ ♪ ♪

- IS THAT SOMETHING NEW?

¿Es algo nuevo?

NO, SOMETHING BEEN THINKIN' OF.

No, algo que he pensado.

MIGHT BE NOTHING. ♪ ♪

Podría ser nada.

- WHEN ARE YOU HEADING BACK HOME?

¿Cuándo regresarás a casa?

- DAY AFTER TOMORROW,

Pasado mañana,

RIGHT AFTER THE SHOW IN PHILLY.

justo después de la presentación en Filadelfia. ¿DONDE ESTÁS? ME LO PREGUNTO... TERMINÉ DE GRABAR UNA CANCIÓN.

- COME ON. [whimpering]

Vamos. ¡Vamos!

- HEY. - HEY, THANKS, MAN.

- Hola. - Hola, gracias, hombre.

YOU WERE GREAT, REALLY MADE LISA'S NIGHT.

Estuviste genial, realmente le hiciste la noche a Lisa.

- THANKS. - THANK YOU.

- Gracias. - Gracias a ti.

- JAMES. THANK YOU.

James. Gracias.

I JUST WANT TO GET ONE PICTURE.

Sólo quiero conseguir una foto.

Bien. Es genial.

ALL RIGHT, THAT'S ENOUGH.

Bien, eso es suficiente.

PROBABLY GET BACK IN, YOU KNOW?

Probablemente regrese, ¿sabes?

- THANK YOU. - COME ON.

- Gracias. - Vamos.

I KNOW. HE'S AMAZING. YOU'RE WELCOME.

Lo sé. Él es increíble. De nada. De nada.

- I KNOW. THIS IS KIND OF SHORT. [acoustic guitar tuning]

Lo sé. Esto es un poco corto.

THIS, UH-- THIS IS SOMETHING I'VE BEEN WORKING ON--

Esto es algo en que he estado trabajando...

SOMETHING NEW, UM,

Algo nuevo, eh,

STILL IN PROGRESS, BUT I HOPE YOU LIKE IT. [humming, acoustic guitar strumming] [laughs]

todavía en curso, pero espero que te guste.

ALL RIGHT. THAT WASN'T IT. [subdued guitar music, humming] ♪ ♪

Bien. Eso no era.

[crying] HEY. HENRY.

HENRY, CAN YOU HEAR ME?

Henry, ¿me oyes?

NO, NO, NO, NO. NO, NO, NO.

No, no, no, no. No, no, no.

COME BACK. COME BACK.

Regresa. Regresa.

HENRY, COME ON. COME ON, WAKE UP.

Henry, vamos. Vamos, despierta.

I NEED SOMEBODY. MY BROTHER--

Necesito a alguien. Mi hermano...

I NEED SOMEBODY. MY BROTHER-- I NEED A NURSE. I NEED-- I NEED A NURSE. I NEED--

Necesito una enfermera. Necesito...

HE-- HE OPENED HIS EYES.

Él... Abrió sus ojos.

I SAW IT. HE-- I SAW IT. HE-- [sobs]

[sobs] - I'M GOING TO GO TALK TO THE DOCTOR,

Voy a ir a hablar con el doctor,

AND HE'LL TALK TO YOU.

y él va a hablar contigo.

- COME ON, HENRY.

HENRY WAKE UP, PRETTY PLEASE.

Henry despierta, Henry por favor.

IT'S ME AND FRANNY.

Soy yo y Franny.

WE KNOW YOU CAN HEAR US, AND WE'RE HERE.

Sabemos que nos puede escuchar, y estamos aquí.

- ♪ I BROKE UP ♪

♪ WITH THE MAN IN THE MOON LAST NIGHT ♪

♪ Con Matt por la mañana ♪ De anoche

SORRY. [playing scales] ♪ ♪

HENRY. - [mouthing words]

- [mouthing words] FRANNY?

FRANNY? - YES. - YES. - YES. YEAH. YEAH.

[crying and laughing]

Sí. Oye Henry, lo siento.

Lo siento mucho. Yo...

YOU NEED TO KEEP YOUR EYES OPEN.

Necesitas mantener los ojos abiertos.

OH, EXCUSE ME. - YES, DEAR?

- Oh, perdón. - ¿Sí, querida?

- HAVE YOU SEEN A GUY WITH A GUITAR CASE?

¿Ha visto a un tipo con un estuche de guitarra?

- SORRY, I HAVEN'T. [somber rock music] ♪ ♪ - [sighs]

Lo siento, no lo he visto.

I FINALLY REALIZED HOW HUNGRY I AM.

Finalmente me di cuenta de lo hambrienta que estoy.

YOU WANT SOME? MMM.

¿Quieres un poco?

FRANNY, NO. NO.

Franny, no. No.

THAT IS SO, SO BAD FOR YOU.

Esto es tan, tan malo para ti.

- [laughs] - I KNOW.

I AM A HYPOCRITE, THE WORST KIND.

Soy una hipócrita, de la peor clase.

HE'S GONNA BE FINE.

Él va a estar bien.

HEY. - [whimpers]

- HEY. [breezy guitar music] [breezy guitar music] ♪ ♪ ♪ ♪

Oye. JAMES FORESTER ÚLTIMA PRESENTACIÓN ESTA NOCHE MUSIC HALL DE FILADELFIA

- ♪ FLOATIN' IN THE MOTEL POOL ♪ ♪ TILL ALL THE ROOMS WERE CLEAN ♪

♪ Registrándome en el motel ♪ Todas las habitaciones estaban limpias

♪ IMAGINE ANGELS IN THE SKY ♪

♪ En mi sueño los ángeles en el cielo eran...

♪ WERE PRETTIEST I'D EVER SEEN ♪

♪ Los más hermosos que haya visto

♪ I'LL WAIT UNTIL ♪

♪ Y ahora espero...

♪ IRIS INSTILLED ♪

♪ Arras de acero

♪ I'LL WAIT UNTIL ♪

♪ IRIS INSTILLED ♪ ♪ ♪ [cheers and applause]

♪ Arras de acero

- CAN I BUY A TICKET INSIDE?

¿Puedo comprar un boleto adentro?

- RIGHT INSIDE THERE.

- I WROTE SOMETHING...

Escribí algo...

- HI, ONE, PLEASE.

Hola, uno, por favor.

- SHOW'S SOLD OUT.

La presentación está agotada.

- IN FACT, I'VE ONLY PLAYED IT FOR TWO PEOPLE.

De hecho, sólo he tocado para dos personas.

I STARTED IT IN NEW YORK FOR SOMEONE I MET THERE.

Empecé en Nueva York para alguien que conocí allí.

THIS ONE WAS A NEW EXPERIENCE FOR ME.

Ésta era una especie de experiencia nueva para mí.

IT'S NOT FINISHED, AND I--

No está terminado, y yo...

I WASN'T GONNA PLAY IT TONIGHT,

No iba a tocarlo esta noche,

BUT FOR SOME REASON...

pero por alguna razón...

Es la última presentación.

AND, OKAY, I'LL JUST--

Y, bueno, voy a sólo...

I'M GONNA GET IT OVER WITH NOW. [cheers and applause]

Voy a terminar de una vez ahora.

♪ I REMEMBER THAT DAY ♪

♪ Estaba solo ese día

♪ AND THE ARMS SAID NOON ♪

♪ Por la tarde

♪ AND MY BED WAS IN THE DARK ♪

♪ Con mis mejores pensamientos

♪ UNDERNEATH THE BLUE BALLOON ♪

♪ Debajo de la superficie

♪ THEN A SWARM OF LOVE ♪

♪ Entonces mi soledad

♪ SURROUNDED ME ♪

♪ Tan a mi alrededor

♪ AND MY HEAD WAS STANDING ON ITS END ♪

♪ Y mi cabeza no encontraba el sentido

♪ WITH ELECTRICITY ♪

♪ De que nunca me escogiste

♪ AND AS I LOOKED OUT ♪

♪ Y lo deseaba

♪ ON MY OLD LIFE ♪

♪ No te voy a mentir

♪ I WAS SPEEDING THROUGH THE FOREST ♪

♪ Buscaría por el bosque

♪ ON A MOTORBIKE ♪

♪ Sin ningún éxito

♪ I WAVED TO YOU ♪

♪ Espere por ti

♪ BUT YOU COULDN'T SEE ♪

♪ Pero no pudiste ver

♪ I COULD HEAR A CROWD OF PEOPLE ♪

♪ Podía oír a una multitud de gente

♪ CALLING AFTER ME ♪

♪ Llamándome

♪ WAKE UP, LITTLE DREAMER ♪

♪ Despierta pequeño soñador

♪ IT'S TIME TO RISE ♪

♪ Es hora de levantarte

♪ OPEN UP YOUR EYES ♪

♪ Abre tus ojos

♪ I'VE BEEN HOLDING OUT ♪

♪ He estado esperando

♪ FOR A LIFELINE ♪

♪ Por una vida que pase volando

♪ AND I FOLLOWED YOU ♪

♪ Y te seguiré

♪ TO THE DEPTHS OF MY OWN MIND ♪

♪ A las profundidades de mi propia mente

♪ I'VE BEEN WANDERING ♪

♪ Me he preguntado

♪ KIND OF SCATTERSHOT ♪

♪ Observando desde la orilla

♪ BUMPIN' INTO OTHER PEOPLE'S LIVES ♪

♪ Metiéndome en la vida de otras personas

♪ WITHOUT A SECOND THOUGHT ♪

♪ Sin pensarlo dos veces

♪ NOW I DO BELIEVE ♪

♪ Ahora sí creo

♪ IN THE MYSTICAL ♪

♪ En lo místico

♪ THAT WE HAVE SOME VAGUE CONNECTION ♪

♪ De que tenemos alguna conexión

♪ TO THE OTHER WORLD ♪

♪ Con el otro mundo

♪ AND NOW ALL I'VE SAID ♪

♪ Y lo que dicen

♪ AND NOW ALL I'VE SAID ♪ ♪ MAY NOT ALL BE TRUE ♪ ♪ MAY NOT ALL BE TRUE ♪

♪ Quizas no todo sea verdad

♪ BUT THIS SILVER SONG I SING TONIGHT ♪

♪ Pero la canción plateada que canto esta noche

♪ I SWEAR IT'S JUST FOR YOU ♪ [bright guitar music] ♪ ♪

♪ Juro es solo para ti GRACIAS...

- ♪ DO YOU WANT TO SEE THE VIEW ♪

♪ ¿Quieres ver la vista?

♪ FROM THE TOP OF THE EMPIRE STATE BUILDING? ♪

♪ De la cima del edificio Empire State

- ♪ DEFINITELY NOT ♪

♪ Definitivamente no

♪ I'M AFRAID OF HEIGHTS ♪ ♪ ♪

♪ Le temo a las alturas

- ♪ YOU DON'T WANT TO GO UP HIGH? ♪

♪ ¿No quieres ir allá arriba?

♪ DON'T WANT TO TOUCH THE SKY? ♪

♪ ¿No quieres tocar el cielo?

♪ 'CAUSE YOU'RE AFRAID ♪

both: ♪ AFRAID OF HEIGHTS ♪ ♪ ♪ - ♪ NO, I DON'T WANNA GO ♪ ♪ TO THE TOP OF THE EMPIRE STATE BUILDING ♪

♪ Le temas a las alturas

♪ 'CAUSE I'M AFRAID OF HEIGHTS ♪

- OH, THAT'S TOO BAD. IT'S REAL NICE UP THERE. - [humming] ♪ ♪ [humming]

Oh, ¡qué lástima! Es muy bonito allí.

♪ ♪ ♪ NO, 'CAUSE I'M AFRAID OF HEIGHTS ♪ [light guitar music] ♪ ♪

♪ I REMEMBER HER RED TANK TOP ♪ ♪ TUCKED INTO HER VANDERBILT BLUE JEANS ♪ ♪ HER EYEBROWS PAINTED ON LIKE ARCHES OF SAINT ♪ ♪ LOUIS IN THE MAGAZINES ♪

♪ I'LL WAIT UNTIL ♪ ♪ IRIS INSTILLED ♪ ♪ I'LL WAIT UNTIL ♪ ♪ IRIS INSTILLED ♪

♪ HEAVEN ON YOUR ♪ ♪ HEAVEN ♪ ♪ OH, HEAVEN ON YOUR HEAD ♪ ♪ SUN ♪

♪ ♪ ♪ FLOATIN' IN THE MOTEL POOL ♪ ♪ TILL ALL THE ROOMS WERE CLEAN ♪ ♪ IMAGINE ANGELS IN THE SKY ♪

♪ WERE PRETTIEST I'D EVER SEEN ♪ ♪ I'LL WAIT UNTIL ♪ ♪ IRIS INSTILLED ♪ ♪ I'LL WAIT UNTIL ♪

♪ IRIS INSTILLED ♪ ♪ HEAVEN ON YOUR ♪ ♪ HEAVEN ♪ ♪ OH, HEAVEN ON YOUR HEAD ♪

♪ SUN ♪ ♪ I'LL WAIT UNTIL ♪ ♪ IRIS INSTILLED ♪ ♪ I'LL WAIT UNTIL ♪

♪ IRIS INSTILLED ♪ ♪ I'LL WAIT UNTIL ♪ - ♪ I'LL WAIT UNTIL ♪ - ♪ IRIS INSTILLED ♪ ♪ I'LL WAIT UNTIL ♪ - ♪ I'LL WAIT UNTIL ♪

- ♪ IRIS INSTILLED ♪ ♪ HEAVEN ON YOUR ♪ ♪ HEAVEN ♪ ♪ OH, HEAVEN ON YOUR HEAD ♪

♪ SUN ♪ [steady violin and guitar music] ♪ ♪ [steadfast guitar music]

♪ ♪ ♪ THE DAY WE MET MY LIFE WAS CHANGED ♪ ♪ I ALWAYS HEARD THAT LOVE WAS STRANGE ♪ ♪ AND PAINFUL ♪

♪ PAINFUL ♪ ♪ ONE NIGHT YOU SLEPT UPON YOUR SIDE ♪ ♪ TANGLED IN WHITE YOU LOOKED JUST LIKE ♪ ♪ AN ANGEL ♪

♪ AN ANGEL ♪ ♪ SO WHY ♪ ♪ DID YOU FLY AWAY? ♪ ♪ I'VE BEEN DYING A LITTLE DEATH ♪

♪ SINCE THAT VERY DAY ♪ ♪ I USED TO LAUGH ♪ ♪ WHEN YOU TOLD ME ♪ ♪ YOU MUST FORGET AND FORGIVE ♪

♪ TO BE FREE ♪ ♪ ♪ ♪ DOWN BY WATER DRESSED IN BLACK ♪ ♪ I SWORE REVENGE TO GET YOU BACK ♪

♪ HATEFUL ♪ ♪ HATEFUL ♪ ♪ I MADE MY CAMP UPON THE HILL ♪ ♪ DRANK WHISKEY FROM THE SECRET STILL ♪

♪ BLAMEFUL ♪ ♪ BLAMEFUL ♪ ♪ SO WHY ♪ ♪ DID YOU FLY AWAY? ♪

♪ DID YOU FLY AWAY? ♪ ♪ I'VE BEEN DYING A LITTLE DEATH ♪ ♪ I'VE BEEN DYING A LITTLE DEATH ♪ ♪ SINCE THAT VERY DAY ♪ ♪ I USED TO LAUGH ♪

♪ WHEN YOU TOLD ME ♪ ♪ YOU MUST FORGET AND FORGIVE ♪ ♪ TO BE FREE ♪ ♪ AND I NEVER COULD ADMIT ♪

♪ THE PART I HAD IN THIS ♪ ♪ SO THIS IS WHAT I GET ♪ ♪ MY FRIEND ♪ ♪ NOW I KNOW WHY ♪

♪ YOU RAN AWAY ♪ ♪ AND I'VE BEEN DYING A LITTLE DEATH ♪ ♪ SINCE THAT VERY DAY ♪ ♪ I USED TO LAUGH ♪

♪ WHEN YOU TOLD ME ♪ ♪ YOU MUST FORGET AND FORGIVE ♪ ♪ YOU MUST FORGIVE JUST TO LIVE ♪ ♪ YOU MUST FORGET AND FORGIVE ♪

♪ TO BE FREE ♪

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