Complex Beatmaking with Ableton Live Seed to Stage English Japanese

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Hey friends, in today's lesson, we're going to use Ableton to create generative and random

やあみんな今日はグリッチを不規則に自動生成して

glitch effects so that we can create interesting drum patterns and drum rhythms.

ドラムのおもしろいパターンやリズムを作ります

I've got three different methods that I want to show

紹介する方法は3種類

and the first one is kind of one that I feel like is my own signature way to do this.

最初に紹介するのは僕ならではの方法かも

What I have is this little drum loop, check it out goes -

こんなドラムループがあります

Just a hastily made drum pattern. Okay.

急ぎで作ったドラムパターンです

What I've got underneath of it here... I've made a bunch of different effect racks.

画面下にあるのは作成したエフェクト・ラックです

In this first one, each one of them is fed by a Beat Repeat.

こちらは Beat Repeatの音をエフェクトに流しています

So, the Beat Repeat is making glitches

Beat Repeatは反復音でグリッチを鳴らします

and let's just listen to the Beat Repeat as it is without any of these effects on it.

エフェクトなしで Beat Repeatを聞いてみましょう

The Beat Repeat is set to Mix mode at this point

［Mix］を選んでいるので

and that means that the repeats, as well as the original beat, are going to come through. So it sounds like -

原音と反復音の両方がこんなふうに出力されます

Right, so that's what's going on there.

こんな感じですね

The way that I do this method is instead of using Mix, I set the output mode to Gate.

最初の方法では出力モードを［Mix］ではなく［Gate］にします

So what that means is that it's only going to make an output

そうすると出力される音が

when the Beat Repeat is making a glitch or making a repeat.

Beat Repeatの反復音になります

Whenever it actually is firing, that's when it's going to make a sound.

どんな音を使っていても反復音しか出力しません

Well, why would you want to do this? Well I'm going to show you that. So, let me turn these effects back on.

詳しく見ていきましょうエフェクトを有効に戻しますね

And all this is is just a Beat Repeat signal chain that I made into a group. Right?

ここでは Beat Repeatの音が別のエフェクトに流れます

What I can do is I can create an audio track...

オーディオトラックを作成しましょう

So here's a new audio track, and I'm going to grab the output of Drum Loop

このドラムループの音を入力します

and I'm just going to record it. Okay. The next thing I'm going to do is I'm going to duplicate this loop -

アームを有効にして録音を始めるまえにこのループを複製します

I don't know, this many times - Okay. So what's going to happen is when I hit record...

このくらいかな画面上のボタンを押すと

(I'm in Arrangement View also)

アレンジメント録音ボタンですね

All I'm going to be recording is the Gate output of the Beat Repeat being processed by these effects.

そうするとエフェクトで処理された Beat Repeatの音が録れます

And I'm going to make myself some glitch sounds. So check it out.

ではグリッチを鳴らします

I'll just turn this off too.

ここは無効にしてと……

That's enough. Okay. So what I have here now are some elements. These elements are all synced to time. So if I just turn this effect off, and I just play these two together, check it out -

もういいかなテンポに同期したグリッチが録れましたエフェクトを無効にしてドラムと一緒に聞くと……

Alright, so I can just call this like wah wah, whatever.

トラック名を“wah wah whatever”にして

Alright, so now that's a track done.

このトラックはこれで完了です

Mute it. Start another one. Okay. I am going to do the same thing... going to get the drum loop into this new track.

ミュートして次を始めます今回もドラムループをこのトラックに入力します

Okay. I'm going to now go back to the drum loop, and I'm just going to close this down...

さっき使ったエフェクト・ラックを閉じて

and open the second one. So this is what the second one sounds like, we've got -

次は 2番目を聞いてみましょう

I've got a Flanger and a Redux and I'm using an LFO to change the down sampling rate.

FlangerとReduxです LFOで［Downsample］を変えています

It doesn't matter what's actually, you know, going down. You can take a Beat Repeat

どんな設定にしてもOKです

scramble its settings, and then just set it to Gate mode.

Beat Repeatをどんな設定にしても［Gate］を押せば

So, you're only processing with effects the output of the Beat Repeat when it's making an actual repeat right? So here we go again, we're going to record it.

反復音だけが出力されてエフェクトで処理されますでは録音します

Cool. So now we've got some more stuff. Mute it. Make a new audio track.

さらに素材が録れましたミュートしましょう

This will be...

トラック名は――

“Flangduxxx”

Okay. So the next track, same thing, Drum Loop is the input,

次のトラックでもドラムループを入力して

record it and we're going to enable our third effect. Okay.

3番目のエフェクトを使います

What's this one? What magic is lying in...? Wait. Okay, so I think this was the...

これ何だっけ？どんなエフェクトだったかな？

Yeah, this is the Corpus. I just set Corpus on Tube mode. I've got it set to Gate and I've got an Erosion at the end to add some of the top end back in. So let's record it.

あこれはCorpusでしたモードを“Tube”にしています最後に Erosionで高域を加えたものを録音します

Okay, I've got some sounds there! Sweet. Now, one more time.

音が録れましたねでは次です

This last effect, it doesn't matter what's in it.

どんなエフェクトを使っても構いません

What matters is the concept. The concept is grabbing audio and recording it for later use.

今日大事なのは録音したあとの作業です

Okay, muting this track now going to this one.

ここをミュートしてと……

I think that's a vocoder working on it.

これはボコーダーの音かな

Okay, so let me just go ahead and walk you through doing this yourself -

では今やった方法を解説します

making one of your own effects chain. So I've got a Frequency Shifter.

自分でもやってみましょうこれは Frequency Shifterです

And I think the first thing to do is instead of putting the Beat Repeat in there, put the effect that you want to try out on the drums, right? So this is uh...

まずは Beat Repeatではなく使いたいエフェクトを試してくださいこちらは――

So this is an LFO on a Frequency Shift or kind of moving the frequency up and down, right?

Frequency ShifterのLFOで周波数を変化させています

So that's kind of fun, right? We've got this...

楽しいですよね　こんな音です

And so then all I would do is - after that point - I would go in and grab my Beat Repeat

ではここに Beat Repeatを加えます

and I would set that before the effect.

エフェクトの前に加えますね

And then I'm just going to scramble some of the settings. I like to put Variation up

設定を変えていきましょう

because what Variation is going to do is it's going to alter the grid.

［Variation］ではグリッドが変わって

Meaning that it'll do different styles of repeats over and over again.

反復のスタイルが毎回変わります

And I like to decay the volume a little bit. It makes for fun effects.

そして［Decay］で音量を減衰させるとおもしろいですよ

Make sure the Chance is all the way up and then just set it to Gate.

［Chance］は最大［Gate］は有効にしましょう

Okay, so now we're just going to record the output of this new effects chain right?

ではこのエフェクトチェーンを録音します

Into this... Let's just make a new audio track.

録音先は…… 新しいオーディオトラックを作成してと……

The input is Drum Loop. Hit record.

入力を“Drum Loop”にして録音します

Okay, so now we've got that much more to deal with and remember all of these tracks are in time.

さらに素材ができましたどの素材もテンポと同期しています

So, one of my favourite things to do in Ableton (and the way that I work with composition)

僕が Abletonの制作で気に入っているのは

is I like to take these... and because they're all locked to this grid - they're in time -

どのクリップもテンポと同期しているので

I can actually just slide these over here, just get them out of the way.

こうやって動かしても大丈夫なところです

And what I'm going to do is I'm going to deal with a shorter section of time.

次は扱う部分を短めにしましょう

Let's just say we're going to do four reps of this drum beat. Okay.

ドラムのクリップ4つ分にします

So the next section that I want to do is I want to listen here to these sounds.

それでは録った音を聞き返して

Okay, and I want to find parts of these sounds that I like, right?

気に入る部分を見つけていきます

So let's listen to this first one.

1番目から聞きましょう

So that's kind of a cool like wah-wah kind of effect. What you want to do is make sure that you're not messing with the automation mode so that when you select this

ワウっぽくてかっこいいですねここで気を付けたいのはオートメーションモードで作業しないこと

you don't end up accidentally only taking the automation as opposed to the whole thing.

選択範囲を移動するとき音声が移動しなくなります

So I'm just going to select this area.

ではここを選択して

I'm going to copy it and now I can just kind of paste it somewhere right?

どこかに複製しましょう

Let's try it right here. Okay, so now I can unmute and I can listen.

ここにしますミュートを解除して聞いてみます

Oh, I got to turn off my effects here.

エフェクトを無効にしてと……

So now I can just listen to the results. So what do we get?

どんな音になっているでしょうか？

Maybe this would be better here?

こっちがいいかも

And I can take this out... I'll just select this part and hit backspace so now I got -

この部分を選択して［Backspace］キーで削除すると……

So there's one edit, okay? I can find another section here. I'll find another...

これが 1つ目です次を探しましょうどこがいいかな……

That's kind of fun, right? I'll put that right here.

おもしろいですねここに複製します

Right, so that's right there.

Maybe I'll repeat one of these kind of faster ones later on...

ああいう小刻みな音を今度は後半に置こうかな

Somewhere else, kind of later on in the in the track. So maybe right here.

後半のどこか……　ここかな

So now I've got that put into the beat. This is in the section that I'm working on.

ビートの一部になりましたね今はここを作業中です

So now I can mute this track and I'll go to this track. What's going on in here?

このトラックをミュートします次は何だったかな？

I kind of like this this glitch right here, right? That's fun.

おもしろいグリッチがありますね

This is now a new element.

これを使いましょう

I copied it and let's just go ahead and find another spot to put this.

コピーして貼り付ける場所を探しましょう

I think on this snare. That'll be fun.

このスネアの上がいいかも

And maybe the next thing I'll do is I'll duplicate this

次はこれを複製します

and lead into another snare drum by just double clicking on the audio and hitting reverse. So now I've got -

別のスネアの上に移動して波形を反転させると……

All right, so what I'm going to do now is I'm just going to speed up the video

こんな感じでグリッチを足していきます

and I'm just going to populate this beat with some of these glitches. Okay?

その間は動画を早送りしますね編集中は僕のやっているEarthCryの完成曲でこの方法の使用例をお楽しみください編集中は僕のやっているEarthCryの完成曲でこの方法の使用例をお楽しみください続きを見る場合は 10:13に進んでください

Okay, so now I've got all these effects assembled and I've got them kind of you know,

ということで録った音を配置しました

some of them named - trying to keep somewhat organised. It doesn't really matter that much.

名前のないトラックがありますが大丈夫です

At the end of the day it's pretty easy to tell what your drum beat is and what all your wacky effects are.

作業していれば何が入っているかわかりますよね

So this is what it sounds like.

こんな感じです

Okay. So what's cool about this is these are all sounds that are generated by the kit itself.

ここにあるのはドラムからできた音ですよね

So the next step here is, I mean...

次はミックスです

obviously a lot of this isn't mixed and I would do a lot more there'd be a lot more going

本来ならクリップを移動する以外に

on here than just, you know, dragging these clips over here. There's more editing to be done.

いろんな編集をやります

You could pitch them you could do granular stuff. You could stretch them.

ピッチ変更　グラニュラー　ストレッチ

You can do all kinds of fun things.

いろいろできます

But what I want to show you is, you know, I want this to be applicable to your mixes into

でもここでは今回の目的にあったミックスを紹介します

the things that you're trying to do. So the next step, what I'll normally do, is I'll create a group.

ではグループを作成します

Okay. I'm just going to click on the first glitch track all the way up to the sixth one (the last one) and I will right click and turn them into a group.

最初のグリッチのトラックから最後のトラックまでを選んで右クリックのメニューでグループ化

So now I have a mix bus of just the effects right? So -

録った音だけのバスができます

So they're just hanging out in this, you know... I could call this like... Glitches, right?

この中にまとまったので名前は“Glitches”にします

So now all the glitches are hanging out in this group. The next thing that I like to do

次はこのグリッチにサイドチェインをかけます

is sidechain the drums in there. And why would I do that? Well, basically there are parts where the snare hit also has this kind of glitch with it. What I want to do is make sure that I'm not going to push the master too hard with the drum sitting at the same time as the effects.

元のスネアにもグリッチっぽい部分があるので録ったエフェクト音がその邪魔にならないようにするためです

And also the effects will duck nicely when the actual drum hits are happening. It just kind of makes it nicer. So, the classic turn your sidechain on, feed it the drum loop -

原音が鳴るときにエフェクト音が小さくなっていい感じになります［Sidechain］を有効にして “Drum Loop”を選択します

We'll make the ratio all the way up because we just want this to happen instantly.

［Ratio］を最大にすれば音がすぐ変化します

The attack is going to be pretty low. And now let's just check out what we got...

［Attack］は低めにしてどんな音か聞きましょう

And we need to pull the threshold down to make sure it ducks, but now we have -

必ず［Thresh］も設定しましょう

So now all those effects are sitting in there nicely. Okay. So that's kind of my method.

これでまとまりがよくなりましたね以上が僕の方法です

Now the second way is... I discovered an incredible video (which I'm going to link here at the top) from Ned Rush

次の方法は―― Ned Rushの動画で紹介されていたものです

who was using Follow Actions to allow Ableton to generate all kinds of amazing glitch effects.

フォローアクションを使ってすごいグリッチを作ります

And if you want to watch this in more explicit detail, you check out that video.

詳細を見たい場合はリンクをチェックしてください

I'm just going to do kind of like a derby quick style of it.

ここでは簡潔に紹介します

But to start out, let's just go ahead and listen to what potentially the end result of this effect will be like. So check it out. It goes like this -

まずはどんな結果になるのか聞いてみましょうこんな感じです

Pretty sweet, right? Okay. So let's just go ahead and... I'm just going to create this from scratch.

いいでしょ？ではこれを最初から作っていきます

So I'm just going to grab one of these drum loops and I'm going to slap it into... now we're going to use Session View. Now, don't worry.

このドラムループの一部を―― セッションビューに貼り付けます

You can still use Session View to record your output of Session View into Arrangement view.

セッションビューの音はアレンジメントビューで録れます

You can still use the same kind of method I was talking about before but in this case, what we want to do is, we want to have the trigger mode become legato

さっきの方法も使えますよでは［Legato］を有効にしましょう

and we want to open up the... If you don't see that hit the L

この［L］を押せば

and that'll open up this Launch section.

この“Launch”が開きます

And so now we can look at this and we can say okay,

ではこの部分で――

we want to have the Follow Action of any of these clips jump to any of the other clips.

［Follow Action］を“Any”にすると別のクリップに切り替わります

Now if you've watched any of my videos on Follow Actions in order to have Follow Actions work,

以前の動画で紹介したとおりフォローアクションでは

you need to have a group of clips together.

クリップのグループが必要でしたね

Like, If I had a Follow Action on this one, it wouldn't go anywhere.

そうしないと何も起きません

But if I had a Follow Action on this one, it would choose any of these. They have to be grouped together.

“Any”ではグループ内のクリップのどれかに切り替わります

So I'm just going to delete all these guys and all I need to do is make sure that Legato is on

ここでは必ず［Legato］を有効にして

and that the Follow Action is going to Any. You can also choose Other.

［Follow Action］を“Any”にします

Basically the idea here is that you want it to skip around.

“Other”も可能です要はクリップが切り替わればOK

So what we're going to do now is we're going to look at each one of these clips.

それでは今からクリップごとに――

And what we want to do is we want to make each one of the clips a little different

少しずつ変化をつけておもしろくなるようにしましょう

in fun and interesting ways. So I also don't want this loop to play all the way through.

クリップ全体を再生する必要はないので

I'm going to maybe make it like, you know, we'll make this 0 and this will be two bars long.

そうだなぁ　小節は“0” 拍は“2”にしようかな

Now every single time this time is up, it'll switch to another clip.

すると設定した長さでクリップが切り替わります

So I'm just going to duplicate this clip and it's important that you duplicate so you don't lose your Other or Any.

次にクリップを複製します複製すると設定が引き継がれます

And so now what I want to do on this clip is I'm just going to like, pitch it up.

複製したクリップのピッチを高くしましょう

And I'm going to make its Follow Action last a lot shorter, so maybe just two.

長さはもっと短くします “2”にしようかな

Okay, two beats. So now this is what we have -

つまり半拍ですこんな感じです

Oh, you know what I didn't do? Got to make sure we loop them!

あっ　必ず［Loop］を有効にしてくださいね

All right, so now they're looped check it out.

では聞いてみましょう

Hear that one little hit that was higher?

ピッチが高くなりましたね

Right. Okay. So that's the first little thing and this is just the method.

こんな感じで作り込んでいきます

I will copy and paste that first loop again. And this time I'm going to really scramble it up.

ふたたびクリップを複製して今回はぐちゃぐちゃにします

I'm going to turn it on Texture mode.

モードを“Texture”にして

I'm going to maybe take the pitch down and I'll let this one last a little bit longer.

ピッチを下げます

Maybe just one bar. And the other I'm going to do is I'm just going to loop a different section of it.

今回は長さを1拍にしましょうさらに違う箇所をループさせます

So maybe this section right here. Okay. So now we have -

ここの部分にしましょうそうすると……

So there's so much more here we can do. Let's go ahead and start another one. And what I want to do is just loop one hit.

よし　どんどんやってみましょうクリップを複製して今度は 1音だけにします

So now in this loop by itself... Now the other method is you want to pull these clips down so that they're not triggering other ones for a little bit so you can work on what they're doing.

これだけのループですこのクリップを離しておけば再生しながら作業しても切り替わりません

So in this clip, what I could do is I could go in there and I could say well, let's do some clip automation.

ここではオートメーションを使います

And what we can do is we can say all right, let's take the transposition

変更するのは “Transposition”です

and kind of move it around right so we could go up like this.

こんな感じで上昇させます

Okay, and the next thing we can do is we can unlink... If you unlink this section,

次にこの部分を［Unlinked］にすると

you can have clip automation that's super long.

長いオートメーションを描けます

How long do we want it? You know, let's make it a full...

どのくらいにしようかな……

I don't know however many bars that is, who cares. Now, what we can do is

何小節でもいいです

we can kind of make some different automations and then over time we get this -

これでオートメーションを描くと毎回音程が変わります

Now because that's happening, I can set the Follow Action to one bar

この設定で［Follow Action］を 1拍にすると

and wherever this ends up it's always going to have a different pitch

どのクリップになっても音程が変化します

or these different three pitches, right? So now we have -

3つの音程ですねこんな感じです

Right, so we're just making glitches left and right. I'm going to copy this again.

いろんなグリッチですこれを複製します

And this time instead of doing transposition, if you change these Warp modes to Texture,

音程の代わりにワープモードを“Texture”にして

we can do kind of the same thing over an interesting section.

おもしろい音を使えば同じような効果が得られます

So maybe maybe this section right here

このあたりにしようかな

and we'll make this kind of that long - an odd length, right?

奇数の長さにしましょう

And what we're going to do is yet again, we're going to change the grain size...

次にここで“Grain Size”を選びます

in an unlinked fashion. So let's make this, you know, really long.

［Unlinked］にして尺を長くします

Okay, maybe we can make this, I don't know four bars long.

そうですね…… 4小節かな

Okay, we'll make this four bars long and then we're going to take this envelope and we're going to scramble it up right?

このオートメーションをぐちゃぐちゃにしましょう

So maybe we'll go...

そうですね……

low to high... and then come down into the middle.

上げてから真ん中まで下げます

And now we get this. I'm going to pull this out.

これでクリップを離すと……

And again, in order to get any effect I have to transpose this. So maybe go up high -

ここでもピッチを変えましょう高くします

That's going to go back up.

ここから変わりますよ

And we can watch that here.

見ることもできます

Doesn't matter. Have fun. Go hog-wild. Okay, now I can drag this up in here

好きなように描いてみましょう次はクリップを隣接させて

and I can make this last for a short period of time. Kind of an odd period of time. And now we get this -

［Follow Action］は短めにします奇数の長さにするとこうなります

These are just little elements that are being added to this original beat.

細かい音が原音に加わっています

So again, I want you to go over to Ned's channel and check out his thing because he goes a lot more in depth with this. But what I'm going to show you

Ned Rushの動画ではこの方法を詳しく紹介しています

is just how to capture this. So, I know that this is in Session View but the cool thing is

僕が紹介するのはこれの録音です今はセッションビューが開いていますね

that I know that this track name is Follow Actions. So I can open up my handy dandy Glitches group (right here) and I'm going to add an audio track.

このトラック名は “Follow Actions”ですさっきのグループ“Glitches”を開いてオーディオトラックを加えます

So within this audio track I want to make sure that it's in that group. So I'm now going

必ずグループ内に加えてください

to just record the output of Follow Actions into this track.

ここに“Follow Actions”の音を録って

And I'm going to make myself some more mixable elements.

ほかの音と混ぜていきましょう

So now these first two tracks are muted.

このトラックふたつはミュートして

Okay, so I'm ready to roll now, so -

録音開始です

So what we're doing is we're having Ableton do the the editing work for us.

では今から編集作業をやっていきます

All we're doing - we're kind of like the selector, we're finding our favourite loops...

まずは使う音を選びましょう好きなループとか

our favourite glitches and sounds.

グリッチや音を選びます

And we're dragging that back into our main composition.

その部分を曲に混ぜていきましょう

So this area over here being the sounds

右側に録音した音の素材を集めます

and this area being the song.

左側では曲を作っています

If I run out of space in my composition,

スペースがなくなったら

all I got to do is select this area go to my Edit menu

この部分をクリックしてから［作成］を開いて

and we're going to create silence or command I.

無音時間を挿入します［Cmd + I］でも可能です

So what this does - we can just say, I need eight more bars of space - hit eight, boom.

8小節のスペースが欲しいときは “8”と入力します

And I've pushed all this stuff over here.

すると集めた音が後ろに下がります

This is just a way to be extremely efficient when it comes

こうすれば画家の絵の具みたいに

to having a collection of sounds or a palette (and you could think of it as a painter)

素材を脇に置いておけるので便利です

you have a palette of sounds and then this is your song or your composition, right?

すぐ横は作業中の曲です

So all I have to do is now go in here and listen to this.

では録った音を聞きましょう

I love that right there. So this is now something that I can add to my other section.

ここがいいですねこれを曲に加えましょう

So I want to find a snare hit that I like,

スネアの箇所を探して

so now I can add this to a snare drum section that I like.

そこに素材を足しましょう

Here we go. This is perfect.

ここがよさそうですね

いいですね

So as you can imagine I could just keep grabbing stuff out of this recording of Follow Actions Love it. Okay. So as you can imagine I could just keep grabbing stuff out of this recording of Follow Actions

こんな感じで“Follow Actions”の録音から音を引っ張ってきて

and I could keep working on my composition over here.

曲を作り込むことができます

Let's move on to the third way. I'm just going to delete this Follow Actions track. I don't need it.

では次の方法にいきましょう “Follow Actions”は削除します

Now, the last one is called Midi Fills.

この方法は“MIDIフィル”といいます

So up until this point we've been working with audio.

ここまでは音声を使ってきましたが

Now in this Midi Fills section, this is kind of interesting.

今回はMIDIです　おもしろいですよ

What I can do... I have a choice.

やり方はふたつあります

I can either play with my keyboard, the notes that these drum rack samples are sitting in

ドラムラックに入っているサンプルをキーボードで鳴らす方法か

or I can just have a MIDI clip that plays those, which I happen to have over here.

MIDIクリップで鳴らす方法です今回はこれにします

Let's listen to what it does first and then we'll break it down as to how to make it.

解説に入るまえにどんな音なのか聞いてみましょう

So here's this track -

こちらです

Kind of fun, right? So let's listen to this in context.

おもしろいでしょ？全体で聞いてみましょう

Now we've got the 16th kind of sound going on. Now what is happening here?

16分刻みの音みたい

This is kind of complex. But I mean, I think it's actually pretty simple if I break it down.

複雑なことが起こっていますが中身は結構シンプルです

So I'm going to move this back over here to a section

ではこの部分を移動して――

where we're not dealing with our composition.

曲の作業をしていない場所へ移動します

Because right here this is our song or our composition.

この場所で曲の作業をしています

So let's just loop this guy right here.

ではこのクリップをループにします

Now if we look at the clip, what's cool is if you have a drum rack

クリップでDrum Rackを使うとき

and you populate it with samples, it will show you those samples in the piano roll. Super useful.

読み込んだサンプルがピアノロールに表示されるので便利です

So what have here is we have an arpeggiator that's playing sixteenth notes.

ここでは Arpeggiatorで 16分音符を鳴らします

If I turn off these other devices, this is what we've got going on.

他のデバイスが無効だとこんな音です

Right. It's just playing through those samples.

ここのサンプルを鳴らしているだけです

And what it's doing if I put it on the standard mode Up

［Style］を“Up”に設定すると

it'll just play through the samples in an up fashion. So -

サンプルが昇順で鳴りますね？

I can make it go down.

“Down”にすると……

What I'm going to do is I'm adding layers of complexity to this

これを使ってさらに複雑なリズムにしていきます

so that I'm using Ableton's muscle to make edits for me and I'm just playing selector. What is my favourite thing that Ableton did.

ここでも Liveの機能で編集しますまずは音を選びましょう僕のお気に入りの機能です

So in that regard, the first thing I'm going to do is I'm going to change the Arpeggiator to Random.

そのためにはまず［Style］を“Random”に変更して

So now it's just going to play at random.

不規則にします

It's picking random of these samples to play, right?

サンプルが不規則に鳴っていますね

Now if you want to see how to do this, I'm just going to go ahead and make this again.

どうやって設定したか今からお見せします

So shift-command m-makes me a new MIDI track, right? I don't even have to make it that long. It could be this long, it doesn't matter.

［Shift + Cmd + M］キーで MIDIクリップを作成します長さは自由です　短くてもOK

And instead of going in here and making a MIDI drum beat like you're used to,

ここでは通常のドラムの打ち込みと違って

what I'm doing is I'm now just going to take each one of these samples and stretch them to the actual length of this clip.

各サンプルのノートをクリップの長さにまで引き延ばします

So what is this is basically just like it's like having a chord,

コードの打ち込みみたいに見えますが

but it happens to be that the samples in here are populating my piano roll.

ここで使っているのはドラムのサンプルです

So now I have this clip made. Okay, and what this is, is I can just duplicate this.

ではクリップができたので複製しましょう

It's the same thing, right? Okay.

同じものが並びます

So we're playing random notes. Now the next thing we need to do is we need to add more Random.

これをもっと不規則にします

So the next thing I'm going to do is I added a Velocity. And now in this Velocity as you can see from the centre (I have a whole video on Velocity if you don't know already)

そこで Velocityを使います Velocityをテーマにした動画もあるので　ぜひ見てみてください

but I can set this random amount to make it so that

では［Random］を設定して

each hit has a different random velocity. So now we've got -

毎回異なるベロシティにします

See how they're jumping up and down in volume?

音量が変わっていますね？

So that's adding another layer of complexity - like a drummer hits a drum with different loudnesses.

ドラマーが力を変えて叩くみたいに複雑な変化になります

Now we have that going on. The real cream of the crop here is up until this point

ここまでに聞いてきたリズムは

everything is just kind of going ta ta ta ta ta ta and never having a break right? So, the way that I did this is I dropped a Random

休みなく一定に刻まれていましたそれを変えるにはここへ Randomをドラッグして

- I don't change anything else other than just - I drop a random on here and I increase the Chance.

［Chance］を上げますそれ以外はそのままです

What this means is that now, not only are there four different percussion sounds to make,

ここには 4つのサンプルが入っていますが

if I increase the chance it will jump up out of this range of notes,

［Chance］を上げると MIDIノートのピッチが変化するので

and every once in a while miss a note and it will play one of these squares that has nothing in it.

そのピッチにサンプルが入っていない場合は音が鳴りません

So, what do we get now? We get random rolls, right?

つまり不規則なパターンができます

You feel me? Okay. So how is this cool?

わかりますか？これのいいところは

Well, the thing is, is that like... in the same way that we used the Beat Repeat before with those effects, I can just grab one of these effects drop it on to the Midi Fills... And I can open it up. Turn it on.

実をいうと Beat Repeatと同じようにエフェクトが使えますこのエフェクト・ラックをトラックにドラッグしてここで開いて有効にします

Let's see what we got going on here. I'm going to scramble some of the controls.

中身はこんな感じです設定を変えましょう

Maybe we'll turn the depth up, we'll change the intervals and we'll just do something different.

［Depth］を上げて［Interval］を変えます

Now we've got this new situation where... I'm going to turn the mix back on so we can hear the whole thing. But now we've got -

［Mix］を有効にして原音と一緒に聞いてみましょう

How cool is that? Now we can record the audio out of this

すごいでしょ？これを録音していきます

and now we've got MIDI fills for days - making us interesting results.

このクリップで何日でも続けられますよ

I could even turn this up and get -

ここを上げると……

glitchier sounds... super fast ones...

さらにグリッチに高速だと……

That's pretty weird. Or I could make it more practical, leave it at 16

奇妙な音です［Rate］を“1/16”にして

and maybe only make the Dry/Wet of this like halfway up. So now I get -

こちらの［Dry/Wet］は真ん中くらいにすると……

Okay, so that's a usable sound. I'm just going to make a new Audio track, pick Midi Fills, record the output. Let's go ahead and get that.

使える音になりましたこのクリップの音を新しいオーディオトラックに録りましょう

All right, there it is. So now I can just grab this guy.

ではこの録音を使っていきます

The very first thing that happened is really cool. It's like -

頭の部分がよかったですね

Right? That's kind of fun. So I'll grab that, put it somewhere in my composition,

ほらおもしろいこれを曲のどこかに入れます

make sure that I can hear everything. And now I've got more elements to drag and drop

ソロを解除しておきましょうグループ“Glitches”の要素が増えました

into my Glitches section. So this is now going to be the Midi Fills

名前は“Midi Fills”にします

that it's in the Glitches, right? So -

グループ内ですね

Oh I love it. That's so cool. Okay. So what I've got assembled here is now...

いいですね　かっこいい今ここにあるのは

after I've done all this work, what I've got assembled is this drum loop

これまでの作業で作った音です

that has all these different elements in it, being generated by Ableton.

Liveで作ったいろんな音をドラムループに混ぜました

Word. So anyway, I hope you enjoyed this video. If you like this kind of thing - like, comment, subscribe.

いかがでしたか？評価　コメント　登録をお願いします

Really excited about the the growth of this channel, and I really appreciate everyone's support.

おかげさまでこのチャンネルは順調です

Go check out Ned's channel. It's really awesome what he's doing, much love everybody.

Ned Rushの動画もお忘れなく

See you next time. Thanks.

ではまた　ありがとう

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