Swarm Intelligence Push 2 Performance Walkthrough Ableton Japanese English

Swarm Intelligence Push 2 Performance WalkthroughYouTube↗ IA↗(long shot)
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こんにちはSwarm Intelligenceとして活動しています今日はパフォーマンスについて説明します

Hi, I'm Simon. I produce as Swarm Intelligence. And I'm here to explain a bit about how I perform.

セット構築では大好きなアーティストのパフォーマンスを

When building my live set, one of the things I drew inspiration from

観る体験からインスピレーションを受けることも多いです

was the experience of seeing some of my favorite artists perform.

演奏を観る上で一番重要なのは

One of the most important things for me there when I saw them play

何かに気付くこと聞こえたままではなく

was that I would be able to recognize something. But this wasn't exactly as I'd heard it,

新しい　違った何かがインプロヴァイズされ

it was something new, maybe something else had been improvised on top of it,

よりエキサイティングで違ったものになっている

tt was a bit more exciting and different.

自分のセットでは　そういったことを実現できるよう心がけています

And that was something I was really striving to achieve myself in my own live-set.

それを行うには　まず

So in order to do this, the first thing I did was

トラックの個々のパートを全て書き出します

I rendered out all of the separate parts of my tracks.

ベースステムとリードステムは一緒に

So I rendered out the bass-stems and the lead-atmospheric stems together.

その後個々のパートに分けますたとえば　イントロはこのように

And then I broke these into different parts. For example, here is the intro of the atmospheres.

中間はこのように

And then the middle parts.

ベースも同じです

And the same here for the bass.

メインのベースパートでは

On the main bass parts.

間にブレークダウンを

Break-down in between.

その後このドラムも全て分割します

And then I also have all the drums here separately.

パートに分ける際

So when breaking these into parts

トラックのセクションを抽出して 16または32小節になるようにします

I try and extract sections of the track, so these would typically be 16 or 32 bars.

インプロヴィゼーションを重ねる余裕が生まれ

This gives me some time to improvise on top

その一方で　キューまでに長い間待つこともありません

where as not too much time that I stand there waiting for my cue.

これらのループとパターンがセットの基盤となります

So all of these loops and patterns make up the foundation of the live-set.

ドラムについて説明していませんでした全てMIDIです

What I haven't mentioned yet, is that the drums are all midi.

このトラックを開くと実際にはグループトラックになっていて

So when I open up this track, it's actually a group-track,

2セットのクリップが含まれています

and contained inside are two sets of clips.

これらは… 私は "ドライビング" と

And what these actually are, are... one, I call them a driving

呼んでいます

and deep version of the drums.

パートごとにミュートを操作でき MIDIパターンがドラムラックに供給されます

So I can mute and unmute on part and these midi patterns will be feeding my drum rack.

これが "テクノボタン" です

Essentially what I call this is the "techno-button".

お見せした方が分かりやすいでしょう

So it's easier just to show it.

たとえばこれをトリガーすると

So say for example if I trigger these.

両方のパターンが同時にプレイされます

Both of these patterns are playing at the same time.

ここで "テクノボタン" をオンにして静かめの音をオフにして

And now I can activate my 'techno button' and turn off the quieter ones

よりテクノな音をオンにします

and turn on the more techno version.

つまり　対応するベースとアトモスフィアにそれぞれ2つのパターンをプログラムします

So this basically means programming two patterns for every single corresponding

非常に効果的です

bass and atmospheric part, but it's totally worth it,

オーディエンスとの触れ合いに最適で

it's a really great way to interact with the audience

その場に必要な音を提供できます

and give people what they need at that moment.

もうひとつ　レスポンスに最適なのは基本的なコントロールを

Another great way of responding to that is just having really fundamental controls

必要な時にいつでも使える状態にしておくことです

at your finger tips whenever you need them.

ドラムでは　いくつかのドラムパートをすぐミュートできるようにしています

Again, with the drums, I always have access to the 'mutes' for various drum parts.

別のパターンをトリガーする場合…

If I was to trigger another pattern...

これが "テクノボタン" です

that's my 'techno button'.

ハイハットを素早くミュートしたりキックを除いたりできます

I can quickly mute the hi-hats or take out the kick for a second there,

スネアも…　これで全て元通りです

and the snare... bring everything back in.

セットでのローンチコントロールの主な目的はこれです

So that's the main purpose that the launch control serves in the set.

必要な基本コントロールのほとんどに素早くアクセスできます

It gives me quick access to these most fundamental controls that I need.

セットのどの位置でも変わらない包括的なコントロールです

The kind of overarching controls that stay the same no matter where I am in the live-set.

Pushでは　ソングのパートをインプロヴァイズすることが多くなります

Over on Push, what I do a lot more is the more improvised parts of the song,

より集中的に

it's a lot more focused, more zoned-in.

使用するシンセは2種類ひとつはリードシンセ

I have two different synths that I use, one is more of a lead-synth,

もうひとつはパッド用で

and the other one I use a bit more for pads.

よりフレキシブルですよりアトモスフェリックなサウンドから

And these are quite flexible. I can take them from being kind of more atmospheric sounds

ダークな音まで…

to being a lot darker sounds...

こちらはパッドサウンド

And this one is kind of a bit more of a pad sound.

リバーブを増やすことで背景に下げることができます

And again, I can push this more into the background with a bit more reverb.

ノイジーにしましょう

Just make it a noisy thing up on the top.

ソングのパートを反復するのではなく

And here it's not so much about replicating parts of the song,

ジャムやインプロヴァイズで場の雰囲気に反応するのが重要です

it's more about jamming and improvising and responding to the moment.

そのために　シンセごとにコントロールを8つに限定しています

So to do this I limit myself to just having eight controls for each synth.

それぞれの機能と反応についてもしっかり把握しています

I really know what they do and how they respond when I use them.

同じように　このドラムラックでも 64パッドレイアウトを使用します

And similarly over here, I have a big drum-rack, I usually use the 64-pad layout for this,

このドラムラックは　他のMIDIクリップから供給されているドラムラックと同じですが

and this drum rack is the same drum rack that's getting fed by the other midi-clips.

インプロヴァイズを重ねられるようになっています色のおかげでどこにどのサウンドが

But then I can improvise on top. The colors really help here because I know exactly

あるのか分かるようになっていますたとえば…

where different sounds are, for example, I know...

どれがどのキックあるいはスネアなのか

exactly where my different kicks are, or my snares.

ハイハットはここにエフェクトはここです

I have different hi-hat sounds here, some effect sounds.

さまざまなパーカッシブサウンドを重ねることができます

And then the different percussive sounds that I can add in on top.

これもまた　オーディエンスに反応したりビルドアップを作成したり

This makes it really easy again to interact with people, to create build-ups,

一部を抽出してインプロヴァイズを重ねたり

and to take out some parts for a second while you improvise some other things on top...

するのに便利です高レベルのコントロールが可能になりリハーサルそのままのプレイを行うのではなく

bring it all back in. And this really gives this extra level of control that allows you to play with people

その場に合わせてステージを構築することができます

and build up the night, rather than just going through what you've rehearsed.

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