Blender Beginner Tutorial (OLD) - Part 5: ModellingYouTube↗  IA↗(long shot)
Education  1.3M views 22.4K likes 318 dislikes   20 Oct 2016
Blender Guru 3.4M subscribers United States YouTube↗


Please select the problem
You must specify your email and describe the problem in detail
Describe your problem in detail if it's not obvious

Contributed subtitles
Arabic UCg31XIFFFM3JYs5wvG8xCAQ
Click to Play Video Click to Play Video
Open Sesame I'm bored alright Welcome to part 5 of the Blender beginner series in this video
Bienvenido a la parte 5 de la serie de principiantes de Blender
We're going to be getting into some more intermediate modeling by making this coffee mug that you can see right here From scratch, and we'll be doing it basing it off a photograph
En éste vídeo vamos a hacer un modelado nivel intermedio haciendo esta taza de café
So we'll first go online get a mug photo stick it into Blender, and then we'll basically trace it in three dimensions To to make the mug, so we'll be using some very common tools. You're using modeling, loop cuts, insetting, extruding,
basándonos en una fotografía así que primero vamos a la web, obtenemos una foto de una taza la ponemos en blender y básicamente la haremos en 3 dimensiones usando herramientas muy comunes como inserciones en loop (rodeando toda la pieza), intrusiones, extrusiones, cosas así
you know, that kind of stuff that you can then use to make a whole bunch of objects in the future.
con las que vas a poder hacer un montón de objetos en el futuro
Anything you make in the future, you know we'll be using the tools I'm about to teach you. So um,
para cualquier cosa que quieras hacer en el futuro usarás las herramientas que estoy a punto de enseñarte
Look forward to that, and if you make it to the very end of the video
así que fíjate en el video, y si llegas al final
I'll be showing you how you can shatter your mug and make it look like it's just exploded, or you know, whatever, so uh Look forward to that. Alright. So this is where we finished up at the end of the last video, So we've got our donut done. Well done. Um,
te enseñaré cómo puedes destrozar la taza y que parezca que acaba de explotar Ok, ¡empezemos!. Aquí es dónde nos quedamos al final del anterior video
Now, we're going to get on to -- yeah, modeling the mug so we don't need this area over here on the right hand side anymore
ahora vamos a empezar a modelar la taza
so I'll clear that out of the way and Yeah, we can start modeling right here. If we wanted to we [could] you know model it next to the donut But it can kind of be annoying like you might [have] this thing blocking it or you might accidentally click something else while you're modeling It so it can be helpful to actually just have a clear
cierra ésté área que no necesitamos
Canvas whilst you're modeling something from scratch and so to do that. We'll talk about something. We haven't talked about before which is layers so Blender has layers, but they're in a place you probably wouldn't have even guessed that they're layers
vamos a limpiar el área de trabajo quitando todo lo que no necesitamos ver por el momento (el donut por ejemplo)y para eso vamos usar capas
It's right down here at the bottom of [your] screen these little tiny squares so right now
las capas en Blender están aqui abajo, son éstos cuadraditos
We are on layer one that that first square if you click layer 2 you can see that. We're here I Agree, they're not the best layer system. [I] I concur with you there [b]. Ten little dots [I] think they are planned to be in 2.8. They're going to revamp the whole layer system So that will be that'll be really cool
ahora mismo estamos en la capa 1, el primer cuadradito
But until then we have to deal with these little little squares
So you can see there's a dot on the first one and that means that there's something on [that] layer
puedes ver que hay un punto en el primer cuadrado, eso significa que hay algo en esa capa
So if I made a cube here, you can see I got a dot on this layer
si hago un cubo aqui, ves cómo hay un punto en ésta capa
[and] if you want to select more than one layer you hold down shift, okay?
y si quieres seleccionar más de una capa, pulsa "shift" seleccionando las que quieres ver
And if you want to move something to another layer, then you push, em, and then you choose [the] layer that you want it to go to
y si quieres mover algo a otra capa, pulsa "m" y eliges la capa a la que quieres mover el objeto
anyways, so let's just move to layer two now and let's talk about modeling hey, hey, so we could model just based on our memory like most people know what [a] Coffee cup looks like right. Yeah, probably got one sitting right next to you right now But the problem is is that generally when you model from memory? There's a bunch of things you get wrong
así que nos ponemos en la capa 2 y empezamos a ... ¡modelar! generalmente cuando modelas a través de la memoria, hay muchos detalles que no haces bien porque sobreestimas la capacidad de tu memoria
You know you you overestimate. How good your memory is and so as I've said before it's like It's like a fun game the 3D artists play even though they don't want to it's like they model something first like I know how
To model a doorknob. I use one every day and then you model it and you go doesn't look quite, right?
piensas que lo sabes hacer perfectamente porque es algo que ves todos los días (un donut, una taza) pero cuando la has modelado, no acaba de verse bien del todo
I better check an image and you so you go look at some photo references, and then you go are man I forgot about the ring. I forgot about the little n. Indent where the key goes [I] forgot the little scratches around the knob like you just forget things because your memory just it doesn't pay attention to little details And also if you want to get you know the perspective like the scale of this right in relation to the size of that
mejor que busque una foto entonces ves la foto y te das cuenta de todos los detalles que no pusiste
you need to model from A Photograph basically so I'll show you how to do that says [there's] a very common thing anyway So let's let's talk about doing that so we're [gonna] go to google and we're just gonna type in mug
realmente es mejor que modeles en base a una fotografía así que enseñaré a hacerlo vamos a ir a google y teclear "taza"
um mug, go to images and
vamos a imágenes...
the one that I'm gonna use is this one right here because [I] like the shape of it. I don't like these square ones. They kind of like [are] narrow they remind me of like? Rigid corporate structure, you know I like the smooth one has a nice nice shape to it
y la que voy a usar es ésta, porque me gusta su forma
And now it's vanished anyway view image
And save it To your hard drive. I've already done it so on my desktop. So once you've saved it go back to Blender And we're going to load this in now the way you load it in in Blender is by opening up the properties bar
guarda la foto en tu ordenador así que, una vez la guardaste, vuelve a Blender y vamos a traer la imagen al viewer la forma en la que la traes es abriendo la barra de Propiedades
Which I haven't actually mentioned before
algo que por cierto no he mencionado antes:
We've talked about the tool bar. Which is the one on the left hand side? I don't have my screen keys. Tool line let me do that. So you can see what I'm pressing. You know I jump I've recorded this entire tutorial Just like 10 minutes ago, and then I noticed that the whole time that [my] face
hemos hablado de la barra de Herramientas, que es la que está a mano izquierda
Was [on] the left hand side of the screen and so all the keyboard shortcuts as I was pressing them you couldn't see them Because my dumb face was in the way so then I have to re-record it and put my face over there fun times right anyways okay, so
To bring up the properties bar you push n
entonces, para abrir la barra de Propiedades, pulsas "n"
So N this one over here is different to the toolbar [toolbars] usually brings out You know tools you can add objects and things like [that] from here but n is usually
ésta ("n") es diferente de la barra de Herramientas. La de Herramientas es para abrir objetos, añadir cosas, etc
information about what you are currently looking at so
pero "n" es información acerca de aquello a lo que estás mirando ahora mismo (el objeto concreto sobre el que estás trabajando)
For example if you had a square, sorry [a] cube or a plane Whatever, you could actually choose the dimensions of your plane based on these values here in the properties bar, and if you turned on Metric units you can actually like measure it to an actual [real-World] size of something
por ejemplo, si sacas un plano, con "n" puedes cambiar sus dimensiones basándote en los valores de la barra de Propiedades, y si abres "unidades métricas", incluso puedes medirlo según las medidas del mundo real
[while] there's no z because it's a flat plane But anyways you get the point so [sew] it like this the property bar is usually
For in relation [to] what is selected on your screen currently? But as well as [that] it also has a few other things which you know They're not really sure where else to put it so you've got something for like background images. So that's one we're going to use so check the box and click add image and then open so
así que la barra de Propiedades modifica lo que tienes actualmente seleccionado en el visor así que aquí tienes una cosa llamada "imágenes para el fondo (BG)" y es lo que vamos a usar, asi que cliquea la caja y cliquea "añadir imágenes" y ábrelo
Find wherever it. Is that you saved it right down here? If you're wondering what that is by the way that was a like for the last video? I made the the radioactive donut so I like googled like 50s ad for like inspiration, then I came across that I posted on Twitter
y encuentra el sitio donde guardaste la foto
I'm like he says like just for real like this sort of advert existed in the 50s Like and then people got into an argument on Twitter Oh is nothing wrong with the advert people are too politically incorrect today like you have a [domestic-abuse] Yeah, I don't know I'm let's not get into it. That's a good idea. Let's move on
So when you've selected your image, you added in here, you won't see anything right? Where's the image gone well?
una vez seleccionaste la imagen y la abriste, puede que no la veas y te preguntes dónde está
it's viewable but only from selected views so if you go to the front view You will now be able to see if you don't see it by the way
bueno, pues se puede ver, pero sólo en ciertos visores específicos así que si vas al visor frontal, ahora podrás verla
[it's] also only viewable in orthographic mode, so if you are in perspective mode right now Then hit number Pad 5 to put it in orthographic orthographic is the squished like 2d version of the scene?
si todavía no la ves, también se puede ver en los visores en modo "ortográfico" así que si estás ahora mismo en modo "perspectiva", entonces teclea el número 5 en el teclado (en el "numberpad") y se te pondrá en modo ortográfico.
Like that [ok] so so you can view it in the front you could view from the side you can view it from the top
asi que puedes ver la imagen desde el modo frontal, lateral, desde arriba,
[yeah] now in our case. We're only viewing it we only with this image. Here is a view from the side, so so there's no point in having a viewable from the top or having it viewable from the right-hand side either because
en nuestro caso, la imagen es una visión desde un lado, con lo que no tiene mucho sentido tenerla en la vista top, o en la del otro lado por ejemplo
The the image really only matches the front so what you couldn't do is in your axes at the top here You can change it to front [and] although we won't do it. So now when you go to the top or the side you can't see it
porque la imagen sólo encaja en la vista frontal así que lo que puedes hacer es: en el ej ("axis") de tu imagen, cambia "todas las vistas" ("all views") por "front"
It's only viewable when you go to the front another thing you could do is actually like download like you could add another image I get another image off like if you went to google and typed in like
así que ahora sólo la puedes ver en la vista "front" otra cosa que puedes hacer es abrir otra imagen
like mug [Top] You could download an image like this Assuming that it was the exact same measurements as the mug that you've got here
si vas a google y tecleas por ejemplo "taza desde arriba", puedes bajarte una imagen como éstas, siempre que tenga las mismas medidas que la que has elegido para la vista frontal
You could add that one and then make that one only viewable from the top and then that way you've got one that's viewable at The top one that's cool from the side so it's very common if you're working like if you're modeling a car from like car blueprints And you've got the front the side the top all those views you can load them in these different places
y puedes añadirla también y tener tu imagen desde arriba
And then that way you can model it from all angles perfectly so it's an interesting way But honestly, it's something simple like this a front view is totally fine
y de esa forma tienes una imagen para la vista superior, otra para la lateral...y es la forma que se suele hacer cuando modelas algo desde un blueprint (bocetos con varias vistas dibujadas: superior, frontal, lateral...)
So don't need that anymore. Let's get on with the modeling
¡Así que! empezemos a modelar
So when you're modeling as I mentioned with the donut you want to start with something that most resembles The shape that you're trying to model like if you wanted to you could I mean you could start with any shape? There's really nothing There's nothing really wrong with it
entonces, como os dije con el donut, cuando modelas un objeto, sueles empezar con la forma que más se parezca a la del objeto que quieres modelar
But it would just take you longer with other shapes like you could start with a cube and then later on go like oh I got a Doing this [faster] You could see but you could make this actually look like a mug if you wanted to but you could see that like
por ejemplo, puedes empezar con cualquier forma, como un cubo, y empezar a modelarlo de forma que saques una forma redondeada
now you have to like make this look like a circle and like this side is slightly bigger than this one and You would have to try and figure that out, and that would just be annoying right, so I There's not like you can start with any shape you want, but it just to save you time
pero como ves, ahora tienes que estar intentando que esa forma parezca un círculo bien hecho, y mucho tiempo poniendo puntos en su sitio correcto y etc, y todo ésto sólo supone un incordio y pérdida de tiempo
It helps [you] if you start with something that's similar to what you what you've got so in this case very simple. It's a cylinder
para ahorrarte tiempo es mejor que empieces con la forma que más se parezca desde el principio a tu pieza así que en éste caso es muy simple: es un cilindro
So let's go ahead and add a cylinder Now I don't want to just keep stopping at every little point and drag everything out
así que añadimos un cilindro
But I do have to mention that at this point like if we were to build this right? Scale this up and did all this stuff
pero tengo que mencionar que en éste punto, si yo voy a modelar ésto,
Later on like when we see that smooth edge of the mug there that means we're going to be using the subsurface
más tarde, cuando tenga que hacer éste borde , ¿ves ese borde de la taza suavizado?
Modifier which is going to smooth out [our] mesh, and most objects you use will have a subsurf modifier
ahí es donde vamos a usar el "subsurface modifier" (modificador de superficie) que va a suavizar toda esa malla en la mayoría de objetos que hagas, usarás un modificiador de superfice
And what that does is that's going to multiply the number of vertices so see these these lines here?
y lo que hará será multiplicar el número de vértices
So these are edges right now, okay?
¿Ves éstas lineas? éstas son aristas (edges)
And so it's going to multiply these so if I were to turn this on don't follow this but just for example
así que vamos a multiplicar ésto así que si yo activo ésto
Let me just clear this so you can see what I'm talking about You can [see] that every time [I] increase this we've got more and more and [more] vertices on this Going around the middle of the mug, and we don't need that like that's overkill. That's way too smooth and
puedes ver que cada vez que incremento éste número, podemos ver más y más y más vértices en esta supeficie, y no necesitamos ésto (tantos vértices), ésto es demasiado suavizado
When we get to the rendering I'll explain it, but the more complex your scene is the more vertices you have in your scene
porque cuando llegamos al render, cuanto más compleja sea tu escena, cuantos más vértices tenga tu escena
The slower your render is going to be so if you're going to be Subdividing something later on and you know that you will be it helps if you start with a lower poly
más lento será tu render así que si sabes que vas a estar subdividiendo algo más adelante ayuda que empieces con una forma con pocos polígonos en su maya
Mesh so what I mean by that is we when we add this cylinder. Let's think ahead and And realize that now we should actually turn down the number of vertices here
a lo que me refiero es, cuando añades éste cilindro adelantémonos al futuro y démonos cuenta que es mejor bajar desde ya su número de vértices
so you remember that when I spoke about adding adding objects into blender that you can change the number of
recuerda que dije que cuando acabas de añadir una forma a la escena
Some of the settings when you just add it in if you moved it all those settings are gone
puedes cambiar sus valores iniciales justo cuando acabas de añadir la forma si la mueves, todos esos settings desaparecen
So the moment you move and start changing the object you can't change those settings again. It's only after you've just added it
así que el momento en el que puedes cambiar esos settings es justo en el que acabas de colocar la figura (antes de manipularla)
So that's why it's important after [you've] just added it. Let's change these these vertices so default was 32
es por eso que es importante que cambies los vértices justo en el momento que acabas de añadir la figura
I think a good one is to just have it and just go with 16 [a]
así que si los que vienen por defecto son 32 una buena medida es poner la mitad y que sean sólo 16
Little tip by the way a little a little fun thing you [don't] have to do the math in your head
una pequeña curiosidad es que no necesitas hacer las matemáticas en tu cabeza
Or get a calculator out because Blender actually has a really nerdy feature
o ir a por una calculadora porque Blender tiene una característica muy guay
You can actually do the math in the text box so like right here. If I want to have this I would just type
que te deja hacer la cuenta en la propia caja de texto así que aquí, si quiero la mitad del valor que viene por defecto (la mitad de 32)
- that's going to divide it by
sólo tengo que teclear "/ 2"
[216] how cool is that I could multiply it times it by 8 128 You know plus? 256 so you can actually do the math inside the boxes, so seems like it's a a tiny thing right now
eso va a dividirlo entre 2 = 16 mola, ¿eh?
But it's actually really cool because once you get to like you know changing the dimensions of your resolution and stuff like that
es una propiedad muy buena porque cuando te toca cambiar las dimensiones de las resoluciones, etc
It's like it's really helpful to just you know quickly type in math, and yeah, anyways blenders of nerdy program
es realmente útil que simplemente puedas hacer las cuentas tecleándolo ahí
But it's got really cool features like [that]. It's like I like that. I wish every software had that kind of feature
me encantaría que todos los software tuvieran ese tipo de utilidades
Anyway um cool. Yeah, we thought ahead. We got 16 vertices now. Let's start modeling so you just want to start by building the broad the broad strokes of The shape so you'll notice that our photo here isn't perfectly flat like our cylinders We're sort of viewing it over the lip that you can see like the perspective totally fine anything close is is better than nothing
¡Bien! ya tenemos 16 vértices, ¡sigamos! bueno, veis que la foto no es totalmente de perfil ya que se ve la parte de arriba de la taza no importa, cualquier cosa que se acerque y ayude a hacer la forma vale
[now] this this point down here I want to move this down, so I'm in edit mode we went to tab and I'm just going to drag this down To the by the base of the base the end of the base of the of the coffee mug right there
bueno, éste punto de aquí abajo, lo voy a mover hacia abajo así que nos ponemos en "edit mode" y arrastramos hacia abajo hacia la base de la taza
Okay, now, how can we create this sloped [effect] here now if we were to scale [down] this loop here
Ahora, ¿cómo crear este efecto de inclinación aqui? si fuésemos a escalar hacia dentro éste loop de aqui
by the way I was alt left clicking if you followed the the first videos that's how you're selecting a whole edge like this in one click alt click
por cierto, estoy dando a "alt + botón izquierdo del ratón" aqui, que es como seleccionas todo un loop de aristas como éste en un sólo clic
So if I was to scale this [down], so that it fits that you can see that the the base of it is now Right, but we don't have this This slope defect here, so I'm going to add in a loop for that
...escalamos ésta base de forma que encaje con la de la imagen, pero como veis falta ese efecto de inclinación en la taza todavía así que voy a añadir un loop aqui
That's how you you add in these effects you need to add more geometry to your mesh to do that you hit cTrl R
así es como conseguimos el efecto, añadiendo más geometría a la malla para hacerlo, clicas "control + r"
And when you do this, you'll get this little purple line that can appear over different parts of the mesh
y cuando lo haces, te aparece esta línea púrpura que puede aparecer en cualquier parte de la malla
So it'll appear anywhere where an Edge can actually go right now?
así que puede aparecer en cualquier lugar donde pueda ir una arista (edge)
So if you find the spot that you actually want it just click And then once you've clicked it'll now follow your cursor until you click it again to decide where it is You actually want on the mesh now Doesn't actually matter because you can quickly change it after like say you accidentally clicked it
así que cuando veas la línea púrpura, dale clic y la línea seguirá tu cursor a lo largo de la malla para que decidas el lugar donde quieres colocarla, y le das clic otra vez para dejarla donde has decidido
And it was up there if you double tap g It's going to slide it along Those that that edge there [alright] compare that with if you just tapped g once you can see that It's now moving like a standard object
imagina que dejas la línea ahí: si tu das doble clic a "g", la línea va a deslizarse a lo largo de esa malla compara con si sólo das 1 clic a "g": así se moverá como cualquier otro objeto standard
So that that's the difference double tap g will actually just slide that loop alone [ok] so
así que esa es la diferencia: doble clic a "g" hará que la línea de loop se deslice por la estructura
That's a really handy one it took me [years]. I didn't know that that you could do that. [I]
¡me llevó aaaaños!! yo no tenía ni idea de que podía hacer ésto...
Anyways, I wish I wish I had this video when I was a young beginner Now I probably should have watched more beginning videos when I started there probably was somebody talking about this But I just didn't watch the videos Because I was a moron
¡Ojalá yo hubiera tenido un vídeo como éste antes!....
[alright], so now. I want this tool to curve it out a little bit more so I'm going to hit s
¡Vale, ok!, ahora quiero curvar un poco ésta línea
and that's going to scale it and I like it to look about there, okay?
así que voy a clicar "s" lo cual lo va a escalar
So [some] pretty square is there and I [don't] want to be doing you know extra. Loop cut scale that one [another] loop Let's go that one. I could but it's never going to be as smooth as it could be if I just use the subsurf modifier
¡entonces! mira lo cuadrado que es todo...pero no quiero estar añadiendo geometría extra y tener que estar ajustándola y demás podría, pero nunca se va a ver tan suave y armonioso como puede quedar si sólo uso el modificador de "subdivisión de superficie"
And also like what I was talking about destructive versus non-destructive workflow
y también, como estuve mencionando sobre trabajo "destructivo" versus "no destructivo"
If there's a modifier [that] you can use that will do something for you [take] away some of the The work from yourself from modeling then you should use it. You know like if you've got the solidify modifier Which we used for the icing use it because then that way it'll save your time
si hay un modificador que puedas usar que te pueda ayudar en algo, quitándote de tener que hacer tu parte del trabajo de modelado... deberías usarlo por ejemplo, tienes el modificador "solidificador" y lo puedes usar para el glaseado del donut, úsalo porque eso te ahorrará tiempo
Later on so having like one Loop here is better than having to because then you'll have to tweak them both in the future anyway let's get let's just get to it, so modify panel
así que tener ahí un sólo loop es mejor que tener dos, porque eso te ahorrará tarea en el futuro
It's the shortcut. I'll just tell you the shortcut if you want to quickly add a subsurf modifier
hay un atajo: si quieres rápidamente añadir un subsurface modifier
control [1] or control 2 3 4 or 5
Control + 1 o "control" + 2, 3, 4 o 5
That will increase these levels of this the subsurf there So you can see that what I was doing [there] control 3 or 4 and these levels are the view count is increasing over there Yeah, it's such a common modify that it's like that shortcut control 1 yeah anyway
eso incrementará los niveles de subsurface aplicado
Cool. I'll just keep it at 2 or 3 now
bien, yo lo dejaré en 2 o 3
Looking at this this looks horrible I mean it looks cool like a pinched balloon animal or something if that's the That's what you're going for but this looks lawful as a mug so the reason this is happening is because of the way Subsurf works
ahora...mirando ésto, ésto se ve ¡terrible!. Parcece cualquier cosa menos una taza entonces, la razón por la que sucede ésto es por la forma en la que trabaja el modificador "subsurface"
Subsurf will blend [two] Sorry three points together to like their average sort of shape so to explain what I mean if you had and I'll turn on Don't do this by the way. This is just so that I [can] I can teach you something
"subsurface" dobla según el promedio de 3 puntos juntos para explicar lo que quiero decir:
So this is a grease pencil tool if you hold down D and then left click you can actually draw and then d right click And you can remove it, but anyway, I just want to I [just] draw something here just for education
(si presionas "d + botón izquierdo ratón", vas a poder dibujar en el viewport. Y si presionas " d + botón derecho ratón" puedes borrarlo)
so if you have like a match that went like this if
entonces, si tu tienes por ejemplo una malla que es así:
You turn on Subsurf. What would [actually] [happen] is What the I kind of can't oh, yeah, all right What would happen is it would go like?
si clicas en "subsurface"
Mmm different color it would look like this
lo que va a pasar es que se suavizará de esa manera (color rojizo)
Okay, so that that's how subsurf works
así es como "subsurface" trabaja
So it's going from three points that point this point and then this point, and it's averaging it out, okay
coje 3 puntos, y hace el término medio de ellos
So what what is happening here in our in our example?
así que lo que está sucediendo aquí, en éste ejemplo
Is we've got this point at the top like the very center of our our mesh there, then we've got another point Right here right that's where that one is and then another one right down there
es que tenemos éste punto en lo alto, en todo el centro de la malla y tenemos otro punto justo aqui y un tercero ahí abajo
Okay, so that's so this shape that it's creating here is the exact shape Okay that it that it should be so what we need to do is we need to reduce these points So I don't want a point. I don't want it to have to go all the way down there to smooth it I just want well the whole point of it [was] I wanted to make [a] smooth edge right there
así que la forma que está creando entre esos 3 puntos es ésta que se ve aqui entonces, si lo que quiero es tener ahi un ángulo más pronunciado (para el borde de la taza), en lugar de meterle más geometría (más loops),...
But now I want to tighten up this lip here, so the way I do this is by adding another loop like right here
So that then that that edge there would only be from that distance [does] that make sense? [I] hope so. I'll hide this now that looks awful. So I'll go into edit mode ctrl R and
añado un sólo loop aquí donde tiene que estar el borde superior, y el subsurface suavizará sólo ésta distancia, ¿os tiene sentido? entonces voy a "edit mode" > "control + a"
then click and drag upwards and
y entonces "clic" + arrastrar hacia arriba
Move the lip up towards the top and look at that. We've tightened up So you could call this a proximity loop. That's generally the name of this which is - yeah add
y muevo el borde hacia arriba, a lo más alto ¡ y mira ésto! ya tenemos el borde. Es lo que llamo un "loop de proximidad"
to tighten up the the Subsurf
que significa "apretar" la geometría de la supercicie (para sacar aristas pronunciadas)
[and] I'll do the exact same thing for the base of it as well Right down there now you'll notice looking at this that this edge here is kind of wonky right? It's this wonky little thing here And that is because there's something we haven't talked [about] and and that's the difference between faces tries and end
y haré exactamente la misma cosa para la base también si miráis éste borde...es como extraño, raro...¿no? y eso es porque hay una diferencia entre "caras", "triángulos" y "n-gones"
[gon's] so a face is the perfect face
They're the perfect it's what you should be aiming for which is when you have four vertices together like that That's what you want. You want a face [just] like this
entonces una cara es lo que tu tienes que buscar, es la superficie que hay entre 4 vértices. Eso es lo que tu quieres, tu buscas una cara.
Tries are when you have three, so if this was to be merged What is merge ultim like that that that is a try and that creates really awful? artifacts on your mesh likewise if you have more than one
triángulos son cuando tienes la superficie entre sólo 3 vértices ésto es un triángulo, y hace unas cosas horribles en tu malla
vertex, so if [you] if you have more than four vertex And you have like five or more then it's called an end gun and an end gone
de la misma forma, si tienes más de 4 vértices, por ejemplo 5 o más entonces se le llama "n-gone"
I think is fairly new to 3D like like 3D software didn't use to handle end guns at all so n. Guns is like
y un n-gone es bastante nuevo para el 3D. Los programas de 3D no solían ser capaces de manejarlos en absoluto
Actually, what is one of these this isn't an [n]. Gone, okay? This is an [angle] there we go
así que los n-gones son como...
Okay, so you can see actually? That's cruel. What's going on here? What's going on here okay? So that's an end going because we've now got five points [here] And you can see you've now got this little pinch there, okay?
ok. Ésto es un n-gone, por ejemplo (5 vértices en vez de 4)
so that's what I mean by [saying] like four is the amount you should be aiming [for] so if you have an End gone it usually doesn't look pretty but you can hide it like it's like we have to try and like make these four somehow [this] so this is like 16 Vertices, so it's it's ridiculous right now, but we can hide it
I'm going to hide it inside the mug right at the bottom okay very easily
so what I do is I'm going to inset this so if I hit I what this is doing is it's kind of like it's created another loop and it's as Scaling it inwards inside its face so that that's the inset
bueno, entonces lo que voy a hacer es meter ésto hacia adentro o sea, si doy a "i" estoy creando otro loop y escalándolo hacia dentro
So that's I to inset I? Click so this this thickness here is going to become the the the thickness of the actual mug by the way as well
ese es el "insert", el "i" así que el grosor que hay aquí ahora va a ser el grosor del borde de la taza
So look at that, so that Edge now is completely cleaned up because now that subsurf Function which was creating that distortion is now completely flat so it's no longer trying to curve it all the way inwards It's just going to there and then it's doing this sub stuff on the flat But you can't see any artifact there because it's totally flat [I] know this won't make much sense
así que mira ésto, éste borde ahora está totalmente limpio ahora el subsurface es totalmente plano, ya no necesita hacer el baremo entre 3 puntos muy distantes
But once you the only way to really learn is to experiment you'll you'll pick it up as you go anyways But that looks pretty good. I'm gonna do the same [thing] with the bottom right here. I
voy a hacer lo mismo con la base
to inset and
hago "insert"
That's it. That's all I need to do great all right now
y ya está, es todo lo que tienes que hacer
I want to create the I want to dig in words into the cup
ahora quiero crear el agujero, excavar hacia adentro de la taza
[and] the way to do that is to talk about another tool. I haven't mentioned yet Which is extrude and this is a really super common probably one of the most common things you'll do in modeling
y la forma de hacer eso es con otra herramienta llamada "extruir" y ésta es una cosa super común, quizás una de las más habituales que haces durante el modelado
so if you hit Ii We are now extruding. So what it does is it takes the face and it extrudes it outwards, and then it connects all of All of these faces as well okay, so this is extruding so you could extrude that out. I could rotate it
así que clica en "e" y ya estás extruyendo entonces tu puedes extruir ésto hacia arriba, rotarlo,
I could make a worm pretty quickly, right So this is extruding you can also even do it faster if you just hold down cTRL and then right click. It will actually extrude
hacer una lombriz... tu también puedes incluso hacerlo mas rápido si mantienes pulsado "control" y clic derecho del ratón
to wherever you click to Which is like so it's even quicker right it usually gets [pretty] messy like that I don't do that that often but anyways so that that is extrude
te extruirá hacia donde quiera que estés clicando
okay, the other thing you can do with extrude is if I hit e you can go up or
la otra cosa que puedes hacer con extrude es teclear "e" e ir hacia arriba o hacia...abajo
down so [now] I'm extruding into the into the shape itself so it's creating like a subtraction of the of the Mug Okay, so if I pull this all the way down to the bottom now Looks pretty fine, but you'll notice looking into it. We've got that awful
así que ahora estoy extruyendo hacia el interior de la propia forma
Balloon ish effect so I need to do the same sort of proximity loop cuts that I mentioned before? But for the inside of [it] as well, and you'll see it like if I go to wireframe view with zed okay, so I'm going to add in a loop cut
for the inner part of the mesh and I'm going to drag this all the way down to the bottom and I'm going to select both of these holding down alt and then right click [I'm] sorry left click because I changed my preferences, and then I'm going to scale this inwards because right now It's actually going through the mesh, so it looks awful, so I'm scaling it inwards
Until it goes through like that [alright], and if this was a glass or something So you could actually see through it. You wouldn't want this varied thickness like that because that [doesn't] look very realistic You want to keep it consistent?
So I'll probably add a loop cut to the inside [part] of the glass as well also you'll notice that. There's two There's there's two places that this loop cut can go because you're now on you're looking through the mesh So it could go if you clicked it here that wouldn't be right because you're now on the outside of the mesh So you want to make sure that it is on the inner parts of the smaller part the [purple] [line] so click?
And I'll move it to the same part as the rest of it and I'll scale outwards Till it's about that Look at that And I'll fix up that inner part there just by not that one [I]
Guess the one that's on the inside scale it in a little bit and then inset just like what I did for the other pot and There we go, so you can see like that that starry little pattern it's still going on But because it's happening completely flat because we inset it you can't see any artifacts so it's actually totally fine
So that's good nice job All right great now. Let's talk about something a little bit more difficult [I'm] going to save another copy of this by the way you want a cool little shortcut you see how like you know when you save files like multiple versions of files you like change the
The number at the end of it. [well] Blender has a shortcut for [that] if you use the plus or the minus keys I Guess just a number Pad it will [actually] do that for you so it detects where there's a number in the file and then it uh You can add or subtract and you can yeah do it so it's very common like if I'm saving something in Blender
I just hit F2 to save hit + enter done, so another little nerdy thing if you want more shortcuts, you can get it from the Shortcut guide click my little link there, and you can download that [alright], so we're going to make the handle
So there's a number of different ways you [could] actually make the handle let me get a drink first though Yeah, there's a number of different ways you could make the handle One of them don't do this by the way I'm just going to do this very quickly to show you an example
But like you could actually just add in a cube like [this] right and [then] you could I? Could extrude that or pull that out and scale that in I can maybe control click to extrude Okay, and now that looks like a handle right. Maybe extrude [that] down a little bit more Scale that up
Okay, that's a handle okay, but the problem with this is the intersection okay. There's a there's no Relation between these objects and they are simply overlapping each other now if this was a background object Something in a huge scene with a lot of stuff going on who cares right? You can't you won't notice that? But if we wanted to make a really nice mesh that we're going to see lots of detail up close
[it] little details like this can kind of help because look at this this is a mug [right]. This is actually based off That's the exact mug that we're using right now right? It's the same shape and everything that was deliberate [I] Like this mug, it's smooth so you can see if I get that really close to the camera
it's a Yeah, that edge there. You can see it, right It's it's [actually] like kind of melded together They're kind of like strunk there and there as well, so it's not like it's just like jutting together
So this you know, it's totally it's fine, but if you wanted to make a more proper Looking mesh, then you would do it a proper way, so I'm going to show you that right now so if we go to front view edit mode
what I want to do is I want to extrude part of this mesh outwards, so If I went to face select mode right now Right here, and [I] want [to] select this face here, and I was to extrude this out You can [see] this this whole gap here is is absolutely massive
And we don't want that obviously so we want it to be a little bit tighter [to] [be] around about this height of this this handle here, so I'm going to create two edge loops, so Ctrl R. And they create the first one right here. I'll move it at the top and I'll create the other one at The bottom [sort] of around you know roughly around about there, okay, and now if I select that face and extrude it out
You can see that It's now about the right width of a of a handle Okay now
The other thing is that if I was to start you know extruding this or whatever? You can see at this the angle of this face it's kind of like on an angle right there, and that's because we are looking at sort of Sort of [Edge-on] of the mug and so it's not going out completely to the right
it's sort of at an angle [and] if we were to [continue] this and Pull this all the way down And it would just be [uh] it Just makes modeling things very difficult so you want to try and keep it keep it completely completely straight
So the way I can do this is I can actually rotate the mug so that that is then completely flat like [that] Now I could go into top view like this and then rotate it till that fits right there But since you watched part two and we talked about the axes for rotating things you'll remember that we can rotate something on a specific axis so I can rotate on the [z] [axis] by typing z and now look at that I
can rotate until that face there is completely flat or close enough anyway, and There we go great So now I can extrude this out and look at that. We're starting to get our handle getting a handle on Awesome [alright] now. I'm going to scale this along the z axis to squash the height if I was to [just] hit s and scale
[it] would start to pinch it like pinch it like that ways as well with you out Which you don't want but if you scale [it] along the z [axes] and you can see that It's [just] squashing it height wise so that's good. So I'll do that, and then I'll extrude this out again you can just go really rough right now like you don't try and get it to match up because it won't until we get to
[do] some more fine-tuning with just the basic shapes of it right now [is] totally fine And I'll pull this down to about here All right now. We'll have to do some connection and stuff down there. We'll do that in a bit, but for now I just want to clean this up a little bit to try and make this match our reference a little bit better
So I'm just pulling this out And that as well great look at us. Go [modelling] it stuck now that looks like a little arty arty coffee cup Something you would see a little little hipster. [it's] got [this] little [pinky] out mmm, actually, no I I was like
Now I'm starting to become one of them like I'm like I want one of those glass mugs You know with like the air, and it's like it's a coffee mug But it's as air [that's] [a] space between where the coffee sits, and where you hold it with your hand So it's air, and it looks like a clear thing, and there's like coffee. Just suspended in this thing
I want one of those they look really cool anyway Okay, so what I want to do now is I want to connect this part down to here so for starters I need to put the same two edge loops that I put up here. I need to put them down here So that we have something to connect to so I'm going to do that by hitting cTRl R
Make an Edge loop there and control R. And make another Edge loop there So now let's talk about connecting. This is something like a lot of users like panic with like what am I doing? What am I doing alright, so? Looking at this so we've got we've got some faces that go all the [way] down the middle here
Sorry [ah] yeah, the inside of this handle here, right? So what we could do if we want to connect this we could create a connection From there to there now the way you create this connection is by creating a face Which [is] a flat thing which is what what these? Are that is [a] face these are faces
Every single one of them and the way you do that in Blender is you select? Your vertices hopefully for as you remember for like this and then you hit f Just like that f Okay, and then looking at this you can see we've got more faces going this way, right?
So I could create another one. Which is going to match up there There to there to there, and now I've got four right there okay, and then we've got another one which is going this direction Okay, [so] I'm going to create another one right there Here to here to here to here. I'm going to hit f and then you finally got one more that is right here
And I'm gonna hit f there as well. All right now. I did this deliberately because I want to show a problem This you can see that something is [not] quite right here, [and] you might get other normals [they're] in the wrong direction or something so I might try and clear the normals which is the way that [the] faces are facing So I'll recalculate those but there's still something not right
There's like a little pinch going on and there's a little pinch that's going on here as well and the reason for that is That on those areas [that] we did there's actually a face in side here So generally speaking like if I went inside the handle you can see that. It's a tunnel right
You want it to be completely sort of empty [inside]? right But right up to the end here. We've got a face, but now I look like I'm in a spaceship or something [yeah], you want it to be completely empty inside, so we need to delete just that face right there, so I'm going to hit x
Or delete and because we're an edit mode you get options for what you actually want to delete if I was to delete the vertices You would actually just delete that whole segment, and that's not what you want What you want to delete is your face? Delete your face
Just like that all right? [and] then we've got another one. Which is right here, because there was a face there when when we did that as well So I'm going to hit x and delete that face and now we have cleaned that up [so] yeah, I included that just cuz I wanted to talk about
Yeah about that problem. So you want to make sure that it is empty inside You don't have a face in Slike inside an object like that because it always creates conflicts because the software doesn't Know like you can't have a doesn't exist in the real world like [that] the flat plane inside the other thing Yeah, there's ways of doing that if you wanted to [actually] build a tunnel with a door or something
But that's not the way you would do it, [but] [anyways] let's stay on track So it looks pretty good, but [you] can see looking at this. It's very Sloped and it's you know although. This is quite sloped as well. It's not sloped to that degree And especially sort of like at the bottom there, right?
And it's because we have the same problem as I mentioned with [the] with the subserve It's because it's got these three points, and it is smoothing between them Like that that was a weird noise so
What we need to do is we need to tighten it up, so we could add We can add an Edge loop right here, and that would tighten that up But the problem is is that you sometimes and you can kind of see it here especially if you turn up the subserve Kind of make out like a faint line, so I don't know if I actually like that one right there
But I could make an edge loop on here instead, and I could tighten that area up right and now that looks pretty good so now it's uh You know it would still be going you know from the all the way down there to smoothing that part out
But because that is no longer all the way over here It's only just right here. It's now a lot It's a lot more subtle right yeah, but but what am I doing? What's actually going on here [oof] all right? Okay, so I'll do the exact same thing for [this] one down here, so I'm gonna hit ctrl R. Make a little loop cut
Now we've smoothed out that handle uh-huh Look at us go, on fire. All right. I mean, that's pretty much it It's not bad that came out very very well, so you should be proud of yourself She followed along
Should be proud of yourself [um] Cool now if you've got like I don't know maybe like a visible line or something like let's say this one Was a little bit higher than what I had it
You know you might have what something looks like a sort of a travel mug so just sort of smooth it out and just you know select an edge like [that] double tap G and Just sort of choose Where you actually want that to appear or you know g and then z to just move the whole thing vertically?
You know so just try and smooth it out as best. You can try and make it match [your] reference Modelling is one of those finicky things you know Some artists like it some artists hate it. I remember I interviewed um [Nick] campbell from Greyscale [Gorilla], who's a Cinema4d user. He hates modeling. He's like. I hate act. I her dad
[it's] so boring, but other artists like Jonathan Williamson who is another Very very good blender, and he's probably the [best] at modeling tutorial. So if you want some modeling tutorials He's he's quite. Good a blender cookie is where you can find him? [or] CG Cookie Forward-slash Blender
They changed their name I guess by the way what I'm doing right now is I'm just because I noticed that my cup wasn't quite the width of the Of the photo in the background, so I'm just making slight adjustments So yeah, but anyways that's that that's basically some modeling in a nutshell. So we did this step so that you can learn about
Yeah, cuz I didn't just want to have like this beginner series. Just be a [doughnut] because that's like a little too Simple just add a torus. It's a little simple so having this coffee cup just gives you something a little bit more Challenging to focus on one [thing] you want to you want to smooth out [your] mesh right now And that will present a few problems if you have them like it's easier to see like if we had a line right here
Like you can kind of now You can see like there's this noticeable little line there [so] [going] into smooth mode turning up the subsurf that can really start to present any problems that you might have in your mesh [if] you wanted to as well
You could also create another loop inside your mug if you didn't want the lip inside to be that far down you could You know bring it up make it look a little bit more squarish But I will leave that up to you now your homework. What homework [I] know I know it's but you're gonna learn right you got a line
and this is this is part of it like if you follow the Tutorial as always when you actually finally then go to make your own thing you'll be like and you freak out So this is this is a small little piece of homework. I want to give you And that is to model a plate go back to our layer one
We have a donut we want to put it on a plate because we're not we're not savages Just who puts a donut directly on a table. Huh, so give it a plate to sit on you could make any plate you want You could get one like there's [correll] plates like completely smooth. You can make the ones with a little lip on it You can make a fancy plate do whatever you want make yourself a plate now that we've made the coffee mug
The plate [should] be really relatively simple, so give it a shot [yourself] [now] at [the] start [of] the next video I will have my plate prepared And I will show you what my mesh looks like but I want you to try making it yourself now and please do try it If you really do want [to] learn and get better at Blender
This is one of those things like mental process start problem solving out yourself, and it'll really help you out So give it a shot yourself the other piece of homework is I want you to give this coffee mug a material [and] that should be very simple as well
basically the exact same material as I mentioned the icing it's the same basic thing [that] is on like [90] [percent] of my Objects you make diffuse gloss through a mix shader' [all] right, so I want you to set that up [for] the coffee mug as well as the plate as well so your homework
Model the plate then give materials to the mug and the plate itself and when we go to the next part Mine will already be prepared And I'll show you how they were done all right so um I
Oh yeah, we can also I guess whilst we're here Let's actually put this with the rest of the scene, so [I] was holding down shift to View two layers at the same time to do this I'll just scale that down so it's about the right height of the donut
Good job the other thing by the way this I don't know if I really want to mention this but if you scale or scale up and [down] a Mesh it helps if you clear this scale because these measurements can affect other modifiers and particles and things like that in your mesh So it's a good habit to clear the scale
So to do [that] you hit control a and then hit apply the scale and now these numbers [all] become one So just a little thing I know that won't make much sense now But you know I use it a lot in future tutorials, and I explain it better anyway So let's do that now um
The other final thing I mentioned I wanted to show you at the end of the tutorial is something fun Let's Smash this mug. Smash it smash it smash it [I] want to smash it so To do this we're going to use [a] feature in Blender. Which isn't official
It's kind of like I guess what you call like a fan-made tool And you can access this in blood There's a bunch of if you go to file user preferences and click on add-ons these
tools here are made by different people some of them are so well made that they eventually become part of Blender like turned on by [default] or whatever or part of the actual program? There's a bunch of them [like] this like this one to generate landscapes this one generates Ivs this one like Architecture is really cool
we've actually generated ones ourselves for from Blender Guru like Pro lighting studio for Like quick lighting setups for your scenes. So these are like you can download new ones online. There's a whole bunch of really cool ones [but] anyways the one that I want you to turn on type in Fracture or FraC and
And then click the one that says [self] fracture So if you just click that little button [there] and Then click on x you don't have to click 'save user settings otherwise that'll save it for your default scene or by the way
We don't need that Background thing anymore either so now to use this you have your mug Selected all the thing that you want to break and then just type in Frac and it'll bring up this so when you click this it's going to bring up a whole bunch of options
Which is crazy, and I'm not going to go over everything now. I actually have a full tutorial on making a bullet Go through glass Which is actually like an animation as well, so if you want to watch [that] you can but for this part I just want to briefly explain this here is the number of
Times it's going to shatter like how many pieces will be left over at the end of it So I don't know however many you want Let's try 200 right and then recursive is like Fracturing those individual pieces as well like a few of those so it'll fracture the small pieces [one-time]
Fracture them eight times per one small piece whatever and then just go ahead and click on [okay] now [what] this is going to do is it's going to you can see it's made a cube over the whole thing and now it's Subtracting those little pieces from the actual mug itself this is taking a lot longer than what it did Last time I did it what on Earth is going on 200. I guess is overkill
[it] should be a lot faster, huh? I should have saved Blenda. That was a mistake last time. I did it in like five seconds Well, I'll pause the recording and let's see how it looks when it finishes Hey, all right well back that took like two minutes, and I figured out why it's because the subsurf was turned up so dang high
So now oh, it'll place the pieces on a separate layer, [so] the next layer So it should be on layer three for you, and when you do that you get this [fractally] looking thing here. Which is which is cool. So now what you can do with this is if you turn on Proportional tool with O and then you push g and drag it out
You can see that it now looks as though. It is it's breaking up so although this won't be an animation Because that involves like rigidbody, and it's like a whole nother you know another challenge, but again I have a video on that if you were it's advanced Don't do it yet probably, but someday you know
You can you can do something with it. So you can make it look like [a] bullets contour Oh, it's just shattered let me hit the floor or something by just moving stuff about and uh you know
have fun with that basically so that is how you can shatter a mug and that is a Shadow that the work that [you] just did hard work on modeling a mug So thank you for watching and I will see you in the next part bye
Similar videos:

Blender Beginner Modelling Tutorial - Part 2
Zyber One
20.9K views 149 likes 6 dislikes 03 Jun 201883% match

Blender Intermediate Modelling Tutorial - Part 2: Boolean!
Blender Guru
763.7K views 25.7K likes 217 dislikes 28 Jul 201767% match
0 views 0 likes 0 dislikes 06 Jun 202665% match


Blender Intermediate Modelling Tutorial - Part 1
Blender Guru
1.8M views 37.9K likes 677 dislikes 26 Jul 201763% match
0 views 0 likes 0 dislikes 06 Jun 202659% match

Blender 2.8 Beginner Tutorial - Part 11: Particles
CG Boost
34.6K views 1.1K likes 6 dislikes 24 Sep 201957% match

Blender 2.8 Beginner Tutorial - Part 13: Lighting
CG Boost
33.3K views 1.1K likes 2 dislikes 03 Oct 201957% match
0 views 0 likes 0 dislikes 06 Jun 202650% match
0 views 0 likes 0 dislikes 06 Jun 202648% match

Blender Intermediate UV Unwrapping Tutorial
Blender Guru
1.1M views 30.9K likes 371 dislikes 31 Aug 201732% match

Really fun CSS hover effects
Kevin Powell
135.6K views 4.6K likes 48 dislikes 29 May 201929% match

Creating An Illustrator Puppet (Adobe Character Animator Tutorial)
Okay Samurai
114.6K views 2.1K likes 23 dislikes 16 May 201929% match

Sketch App Tutorial – Build a music app landing page in Sketch
Skillthrive
27.8K views 482 likes 4 dislikes 13 Jan 201828% match

Creating a Photoshop Puppet (Adobe Character Animator Tutorial)
Okay Samurai
108.5K views 1.8K likes 20 dislikes 20 Aug 201928% match

Triple Play: 3 Circle Magic Projects with Jenny, Natalie & Misty of Missouri Star (Video Tutorial)
Missouri Star
418.2K views 7.9K likes 203 dislikes 16 Jul 202027% match

Coding Challenge #5: Space Invaders in JavaScript with p5.js
The Coding Train
497.2K views 8.6K likes 137 dislikes 26 Apr 201627% match

The Boring Flutter Development Show [Pilot Episode]
Google for Developers
73.6K views 1.8K likes 19 dislikes 24 May 201827% match

Google Python Class Day 1 Part 1
Google for Developers
3.2M views 19.2K likes 413 dislikes 01 Mar 201026% match

Teal Swan Demonstrates 'The Completion Process' Live!
Teal Swan
98.5K views 1.8K likes 138 dislikes 28 Aug 201625% match

Sketch Tutorial – Create a web design in Sketch App
Skillthrive
117.1K views 1.5K likes 39 dislikes 25 Mar 201825% match

How to Bake Perfect Normals in Blender - Tutorial
Blender Guru
689.5K views 23.1K likes 213 dislikes 19 Sep 201723% match

Guide to Blender 2.8 BETA - Part 1: The Interface
Blender Guru
659.4K views 15K likes 227 dislikes 07 Dec 201821% match


Settings Privacy About Contact Donate