Blender Beginner Tutorial - Part 3: Edit Mode Blender Guru English Russian

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In this video, you'll learn how to change the shape of any object by using something called edit mode.

В этом видео

In this video, you'll learn how to change the shape of any object by using something called edit mode.

Вы научитесь менять форму Любого объекта Используя кое-что, что называется Edit Mode

So we'll talk all about what that is, how to use it, and how you can very quickly So we'll talk all about what that is, how to use it, and how you can very quickly

Так что, мы поговорим о том что это такое Как этим пользоваться

deform shapes to make any range of different objects.

И как вы можете, очень быстро

deform shapes to make any range of different objects.

Деформировать фигуры Чтобы сделать любой ряд самых разных объектов

It's a really, really common function that you use a lot in Blender, It's a really, really common function that you use a lot in Blender

Это очень очень распространенная функция Которая будет использоваться очень много в Blender

so we'll spend a little while explaining this, and we'll use it to create the

Так что, мы потратим некоторое время

so we'll spend a little while explaining this, and we'll use it to create the icing

Для того чтобы объяснить это И используем

icing which is going to rest on top of the donut. And also, just like before, to keep it interesting, if you make it

Чтобы создать начинку

which is going to rest on top of the donut. And also, just like before, to keep it interesting, if you make it

Которая будет лежать Поверх пончика А так же... Как и раньше

Для поддержания интереса

right to the end of the video, I'll show you how to very quickly create an infinite tower of donuts.

Если вы продержитесь до самого конца этого видео

right to the end of the video, I'll show you how to very quickly create an infinite tower of donuts.

Я покажу вам, как очень быстро Сделать нескончаемую башню Из пончиков

So, welcome! You've made it to part 3 of this beginner Blender series, so

Так что, добро пожаловать!

So, welcome! You've made it to part 3 of this beginner Blender series

Вы добрались до 3-ей части Этой серии "Blender для начинающих"

So congratulations, first of all. I know this stuff is pretty dense, pretty dry,

Поэтому, первым делом, поздравляю вас с этим

congratulations, first of all. I know this stuff is pretty dense, pretty dry,

Эм Я знаю, эти вещи

and it's probably not what you want to do right now.

Довольно густые и довольно сухие

and it's probably not what you want to do right now.

И наверняка, это не то, чем вы бы хотели заниматься сейчас

You probably want to go and create some characters or a car or a spaceship. You probably want to go and create some characters or a car or a spaceship.

Вам наверняка хочется создавать каких-нибудь персонажей Или машину

I totally get that. When I started I was exactly the same

Или космический корабль

I totally get that. When I started I was exactly the same -

Я полностью понимаю это

I just wanted to get to the fun stuff.

Когда я только начинал

I just wanted to get to the fun stuff.

Я был точно таким же Я сразу хотел приступить к "Веселой части"

But the trouble is is that if you jump immediately

Но проблема в том, что

But the trouble is is that if you jump immediately

Если вы прыгните сразу в это

to that, you won't really know what to do yet, and what to click on and you know all that stuff, so to that, you won't really know what to do yet, and what to click on and you know all that stuff, so

Вы не будете до конца понимать что делать Куда нажать И тд

But so if you can follow this stuff you can do this dry the boring stuff

But so if you can follow this stuff you can do this dry the boring stuff

Но Если вы поймете эти вещи Если вы сможете делать вот такие сухие, "скучные вещи"

Then you'll know exactly what to do and you'll be able to apply all these principles Then you'll know exactly what to do and you'll be able to apply all these principles

Тогда вы будете точно знать, что делать Вы сможете применить все эти правила

And you'll be able to make some really really cool looking [stuff] And you'll be able to make some really really cool looking stuff

И вы сможете сделать очень-очень классные, штуки

So yeah, if you can just stay with me right to the end. I'm sure you'll be way better off for it

So yeah, if you can just stay with me right to the end. I'm sure you'll be way better off for it

Да Если вы останетесь со мной до самого конца Я уверен, что вы будете намного лучше в этом

so

so

Yeah, this is where we ended at the end of the last video

Yeah, this is where we ended at the end of the last video so very quickly I mentioned Subsurf Subsurf modifier this thing over here

Это, где мы закончили к концу прошлого видео

so very quickly I mentioned Subsurf Subsurf modifier. this thing over here.

Очень быстро я упомянул о "Subsurf"

In the last video which is smoothing out

"SubsurfModifier" _ штука, которая здесь

In the last video which is smoothing out

В прошлом видео Которая может сглаживать предмет

the object and I mentioned that the object and I mentioned that

И я так же упоминал, что

This value here defined like how smooth that object becomes, but there's really two values here

Эта значение здесь

This value here defined like how smooth that object becomes, but there's really two values here

Насколько гладким становится объект

there's view and there's render so render is actually the one that counts because

Но на самом деле, тут два значения:

there's view and there's render so render is actually the one that counts because

View и Render Render это тот, который учитывается

View will only change what is visible to you

Потому что

View will only change. What is visible to you, right?

View указывает только на то, что вы видите на данный момент

Right now as you're working with it in the Viewport which is this whole thing. So, that's really all this is changing Now as you're working with it in the Viewport which is this whole thing so that's really all this is changing Render is what it will appear in the final render Render is what it will appear in the final render

прямо сейчас, когда вы работаете во Viewport с этим всем. Таким образом, это действительно все меняет.

So basically generally speaking most artists keep the view count very low So basically generally speaking most artists keep the view count very low, so [that] blender is smooth whilst they're working with it is not so that blender is smooth whilst they're working with it because there's so much geometry and they keep the render amount high so the final render has

so much geometry and they keep the render amount high so the final render has has a lot of like very smooth Polish sort of look so and has a lot of like very smooth polished sort of look so and And also these two buttons up here like if you turn off that one there that will disable it for the render

And also these two buttons up here [like] if you turn off that one there that will disable it for the render So it like this. It's like basically setting that value to zero So it like this. It's like basically setting that value to zero and if you disable that one, it'll disable it for the View port which so basically if you have both of those off

[and] if you disable that one, it'll disable it for the Viewport which so basically if you have both of those off It's like having nothing it because it's going to do absolutely nothing, but anyway It's like having nothing it because it's going to do absolutely nothing, but anyway I'm going to disable it for the Viewport just for this next thing because we're going to talk about

I'm going to disable it for the Viewport just for this next thing because we're going to talk about Edit mode, and it just helps [to] yeah if we don't have that Edit mode, and it just helps to yeah if we don't have that confusing stuff

confusing stuff Okay, so we've talked everything that we've done so [far] up to this point has [been] done in what's called Okay, so we've talked everything that we've done so far up to this point has been done in what's called Object mode which allows you to like you could select

Object mode which allows you to like you could select individual objects individual objects Move them about you can move an entire object you

Move them about you can move an entire object you Can you know do a whole range of different things but for the for the individual objects by themselves? Can you know do a whole range of different things but for the for the individual objects by themselves But if you want to actually change the shape of an object, then you need to enter into what's called edit mode

But if you want to actually change the [shape] of an object, then you need to enter into what's called edit mode So this is object mode and the way we enter into edit mode is by pressing Tab So this is object mode and the way we enter into edit mode is by pressing Tab Okay, and that puts us into

Okay, and that puts us into edit mode and if you enter out of that then and by hitting tab again that put you back into edit mode and if you enter out of that then and by hitting tab again that puts you back into object mode and if by the way if you forget the keyboard Shortcut

object mode and if by the way if you forget the keyboard Shortcut Well first of all you could get my pDf which will give you the printable shortcut. You can put on your wall Well first of all you could get my pDf which will give you the printable shortcut. You can put on your wall But [also] down here in the bottom corner

But also down here in the bottom corner You can change it to to edit mode just like that, and then switch it back to object mode as well You can change it to to edit mode just like that, and then switch it back to object mode as well You've also got other modes here, which we might get to as well, but generally these two are very common

You've also got other modes here, which we might get to as well, but generally these two are very common So it's very you know common thing in Blender like you know you do some do some editing So it's very you know common thing in Blender like you know you do some do some editing you move it about do some more [editing] or whatever and you just tapping that tab key to enter in and out of it, so

you move it about do some more editing or whatever and you just tapping that tab key to enter in and out of it, so In in edit mode you're only able to work on that specific object In in edit mode you're only able to work on that specific object So if I would had if I was in edit mode here with my donor, and I wanted to select my my plane

So if I would had if I was in edit mode here with my donut, and I wanted to select my my plane you can see that. I can't do that like nothing is nothing actually happening. I can't select it. I would have to exit edit mode [you] can see that. I can't do that like nothing is nothing actually happening. I can't select it. I would have to exit edit mode Select another object and then enter into edit mode again, so edit mode is like. It's like isolated mode

Select another object and then enter into edit mode again, so edit mode is like. It's like isolated mode We're just looking specifically at this object. You can't do anything else with the rest of your scene We're just looking specifically at this object. You can't do anything else with you rusty is seen So most of the time if you're working with an in scene, you're working with object mode

So most of the time if you're working with an in scene, you're working with object mode But then when you want to change the shape of something you're in edit mode okay, and I'll just okay But then when you want to change the shape of something you're in edit mode okay, and I'll just okay This is the default value, okay, we'll talk about that in a second I

This is the default value, okay, we'll talk about that in a second I Record I've actually recorded this tutorial like four times now every time I've done that something's gone. Wrong like Skype Record I've actually recorded this tutorial like four times now every time I've done that something's gone. Wrong like Skype Ramped my microphone volume up, so [it] was like really

Ramped my microphone volume up, so it was like really Distorted I didn't even know it did that oh, so annoying, but anyways um yeah, so some of the values Distorted I didn't even know it did that oh, so annoying, but anyways um yeah, so some of the values I yeah that they change from the default

I yeah that they change from the default Anyways, you don't really care about that. Let's talk about edit mode, so what is it now? Anyways, you don't really care about that. Let's talk about edit mode, so what is it now? You look at this. It's sort of what looks like a cage. That's appeared over the top of the donut here right and

You look at this. It's sort of what looks like a cage. That's appeared over the top of the donut here right and If you click on it If you click on it, You'll see that you can actually like it's selecting these little dots

You'll see that you can actually like it's selecting these little dots So these dots are what are called vertices, so vertices are the point where? So these dots are what are called vertices, so vertices are the point where? They're like tiny like like end of it into

They're like tiny like like end of it into Invisible points that I used to make up yet the shape of the mesh Invisible points that I used to make up yet the shape of the mesh So if you have two vertices that are connected together that that gap in between it is what's called an edge, okay?

So if you have two vertices that are connected together that that gap in between it is what's called an edge, okay? And if you have four of them that are connected that makes up, what is called a face? And if you have four of them that are connected that makes up what is called a face So it's sort of like this flat plane object, okay?

So it's sort of like this flat plane object, okay? so, so this this mode that we are in right now. We are selecting the vertices now if we hold down shift [so] so this this mode that went right now. We are selecting the vertices now if we hold down shift We can select more than one

We can select more than one or if we hold down alt I can select an entire row of edge of or if we hold down alt I can select an entire row of edge of Yeah of Edges, so this is an Edge loop so I can select that Edge loop that edge

Yeah of Edges, so this is an Edge loop so I can select that Edge loop that edge Loop that. Edge loop so I'm doing that by selecting in between these two vertices. Which is now detecting Loop that. Edge loop so I'm doing that by selecting in between these two vertices. Which is now detecting I want to select the entire Edge row and if I selected in between here, you can see oops

I want to select the entire Edge row and if I selected in between here, you can see oops Sorry was it will get to that that mode in a second as well? Sorry was it will get to that that mode in a second as well? but you can see it's now creating loop around the middle of the doughnut so you can see you can select there's different ways of

but you can see it's now creating loop around the middle of the doughnut so you can see you can select there's different ways of Selecting and working with it Selecting and working with it Okay, so that's vertice mode you can also down here in the the bottom panel

Okay, so that's vertice mode you can also down here in the the bottom panel You've got Edge select mode okay? You've got Edge select mode okay? So if you change it to that that allows you

So if you change it to that that allows you To what you're no longer allowed [to] click that that individual one there those are hidden. You're now just working with the edges To what you're no longer allowed to click that that individual one there those are hidden. You're now just working with the edges Okay, now if you don't know like why you would use one over the other yet. Don't worry

Okay, now if you don't know like why you would [use] one over the other yet. Don't worry It's it'll it's really it when you need it. You'll know to use it It's it'll it's really it when you need it. You'll know to use it It's like if you're working on a complex object like I can't do this thing you probably switch to Edge mode or something like that

It's like if you're working on a complex object like I can't do this thing [you] probably switch to Edge mode or something like that Another really common one I use this more than I use the the edge one is face select mode and that allows you to select Another really common one I use this more than I use the the edge one is face select mode and that allows you to select The plane that the face that makes up those things there and again holding down alt I can select a whole edge

The plane that the face that makes up those things there and again holding down alt I can select a whole edge Around it holding on alt and shift is what will allow me to do that here? Around it holding on alt and shift is what will allow me to do that here? Like that okay, so you can see there's different ways of selecting now when you've when you've actually selected something if you push g

Like that okay, so you can see there's different ways of selecting now when you've when you've actually selected something if you push g It allows you to move it okay, and all of those keyboard shortcuts that we learnt before rotate scale all that stuff It allows you to move it okay, and all of those keyboard shortcuts that we learnt before rotate scale all that stuff That works in edit mode as well. Which is the really cool thing so I can rotate this

That works in edit mode as well. Which [is] the really cool thing so I can rotate this Okay, I can scale it. I can move it Okay, I can scale it. I can move it Okay, [and] it's really good because you don't have to think about what workspace

Okay, and it's really good because you don't have to think about what workspace You're in and like what up like I have to enable this tool and then come over [here] You're in and like what up like I have to enable this tool and then come over here And do this thing like you know you can use the exact [same] shortcuts that you've learned and that you're using

And do this thing like you know you can use the exact same shortcuts that you've learned and that you're using Everywhere else, so it's a very it's a very nice way of working now Everywhere else, [so] [it's] a very it's a [very] nice way [of] working now Let's say you wanted to make like some little bumps across the donut like it's looking too smooth right now

Let's say you wanted to make like some little bumps across the [donut] like it's looking too. Smooth right now I want to make some bumps well if you were to you know you're in vertex select mode and you select this one I want to make some bumps well if you were to you know you're in vertex select mode and you select this one And then maybe this one, maybe this one this one makes a little bumps, right?

And then maybe this one, maybe this one this one makes a little bumps, right? Well that looks awful right because this Well that looks awful right because this Doesn't have any relation to the [information] around it like this is just like bumps that are sticking out [it]

Doesn't have any relation to the information around it like this is just like bumps that are sticking out it Just looks awful. It looks very very handmade Just looks awful. It looks very very handmade So what you could do is if you push the (O) key on your keyboard that will enter you into

So what you could do is if you push the oh key on your keyboard that [will] enter you into proportional editing mode now if you move proportional editing mode now if you move Like this you can see that

Like this you can see that You've got this circle that appears around your selection, and if I use the scroll wheel on my mouse You've got this circle that appears around your selection, and if I use the scroll wheel on my mouse [I] am now affecting a larger or smaller

I am now affecting a larger or smaller area of influence as I do that, and this works across again all of that stuff area of Influence as I do that, and this works across again all of [that] stuff

So rotating I can make some really cool looking shapes like that. You know So rotating I can make some really cool looking shapes like that. You know Okay, then I could scale. Scaling does the same thing Okay, then I could scale scaling does the same thing

You know, you can very quickly just with these tools You know you can very quickly just with these tools you You can make some weird I don't know why this is like an abstract building. It's probably a museum Can make some weird I don't know why this is like an abstract building. It's probably a museum

[I] Always have the weirdest looking buildings I always have the weirdest looking buildings Okay, let's pull that back

Okay, let's pull that back. You know blender didn't used to have an undo function like when I started blender like I redownloaded it blender You know blender didn't used to have an undo function like when I started blunt like I redownload it blended 2.3 or something the other day just to get some screenshots or whatever and I was trying to use it

2.3 or something the other day just to get some screenshots or whatever and I was trying to use it There's no, undo function. Just like if you made a mistake. It was like There's no, undo function. Just like if you made a mistake. It was like Suo fault man

It's yo fault man You deal with it and like You deal [with] it and like Blender uses at the time were actually against it

Blender uses at the time were actually against it That's the craziest thing people will like like people like we want an undo function That's the craziest thing people will like like people like we want an undo function I know like you shouldn't need an undo function real artists don't need it

[I] know like you shouldn't need an undo function real artists don't need it don't need undo functions, so the craziest things like a punishing workflow like ah don't need undo functions, so the craziest things like a punishing workflow like ah Yeah, just removes all trust of the program

Yeah, just removes all trust of the program You know anyways, that's it's it's another story, so anyway, so if you wanted to make like bumps along your donut You know anyways, that's it's it's another story, so anyway, so if you wanted to make like bumps along your donut You could just use this proportional fall-off

You could just use this proportional fall-off Just make some little bumps in that cool Just make some little bumps in that cool And there's also different modes of proportional fall-off as well like by default it's set to smooth down here

And there's also different modes of proportional fall-off as well like by default it's set to smooth down here but you could change it to sharp which will create like [peaks] like but you could change it to sharp which will create like peaks like that

[that] Or you could change the like to sphere. Now, It creates like these sort of like bubbles Or you could change the like to [steer] now. It creates like these sort of like bubbles Or there's even there's like these even like constant so it's like

Or there's even there's like these even like constant so it's like Very very weird, you can do some fun stuff Very very weird, you can do some fun stuff And then random which although it seems like that would be a really bad one. It's actually it's actually a good one

And then random which although it seems like that would be a really bad one. It's actually it's actually a good one We're actually gonna use it on the icing in the next part I think We're actually gonna [use] it on the icing in the [next] part I think But put anyways so yeah, so that's that now okay?

But put anyways so yeah, so that's that now okay? So I've talked I've spoken about how you can select by you know holding down alt and clicking So I've talked I've spoken about how you can select by you know holding down alt and clicking But that there's there's other ways to select as well, so if you want to select like let's say

But that there's there's other ways to select as well, so if you want to select like let's say I want to select half of this mesh right now will that be really annoying to go like I want to select half of this mesh right now will that be really annoying to go like [that] well thankfully if you push b. B on your keyboard and [then] Left-click drag

Well thankfully if you push (B). B on your keyboard and then Left-click drag That's now that's called box select ok and if you with the same tool if you push b That's now that's called box select, okay? and if you with the same tool if you push B but instead of left Click select you Middle Mouse Middle mouse scroll wheel Middle mouse

but instead of left Click select you Middle Mouse Middle mouse scroll wheel Middle mouse It now D selects that ok so again so left click allows you to select different parts of it It now de-selects that, okay? so again so left click allows you to select different parts of it And then middle mouse deselect it okay

And then middle mouse deselects it, okay? So that's a really fast way [of] working and as well as that So that's a really fast way of working and as well as that did I mention I probably didn't even mention deselect hopefully you've been able to read that I'm pushing a

did I mention I probably didn't even mention deselect hopefully you've been able to read that I'm pushing a Sorry, I did not mention that it's a lot to remember for this tutorial Sorry, I did not mention that it's a lot to remember for this tutorial but a

but (A) Selects all and then pushing it again select Selects all and then pushing it again select(not) Id selects everything very sorry I didn't mention that, but I'm hoping that the able to read it there at least so yes

de-selects everything very sorry I didn't mention that, but I'm hoping that the able to read it there at least so yes You make a whole mess of everything and then you just push pay You make a whole mess of everything and then you just push (A) Yeah, so you just tap that a lot while still working you do some stuff and then get out of it you know and that

Yeah, so you just tap that a lot whilst still working you do some stuff and then get out of it you know and that That by the way, that works in every mode just like that That by the way, that works in every mode just like that

anyways, so okay so that that's box select [anyways], so okay so that that's box select Box select sorry I entered that if that mode again, sorry Box select sorry I entered that if that mode again, sorry

I should have done that we'll get to that in a second I should have done that we'll get to that in a second [but] as well as that there is C and C. Is circle select and that allows you to like paint over the mesh but as well as that there is C and C is circle select and that allows you to like paint over the mesh

like this and like this and If you push middle mouse button again, just like before you're now deselecting parts of it If you push middle mouse button again, just like before you're now deselecting parts of it

So it's like painting deselect so it's actually a really like it sounds extremist at first like oh my gosh So it's like painting deselect so it's actually a really like it sounds extremist at first like oh my gosh I have to remember left Click Middle Mouse I have to remember left Click Middle Mouse

But once you get used to it But once you get used to it you're it's a really fast way of working because like other software you you know there's a tool for selecting and as maybe a you're it's a really fast way of working because like other software you you know there's a tool for selecting and as maybe there's a

Tool for deselecting you've got a hold down shift and you know click click each one or you know but Blenders Tool for deselecting you've got a hold down shift, and you know click click each one [or] you know but Blenders It's like yeah, it feels a little weird at first like got to remember everything but once you've done it It's like yeah, it feels a little weird at first like got to remember everything but once you've done it

You can work really really fast like you can you know be? You can work really really fast like you can you know be? Select that area Select that area

deselect that you know it's a it's a fun way of working fun, fast whatever [deselect] that you know it's a it's a fun way of working fun. Fast whatever [okay], now the other thing might have noticed like if I'm in this like this view and I paint this you can see that if okay, now the other thing might have noticed like if I'm in this like this view and I paint this you can see that if

I'm if I rotate around there's parts of this mesh that it hasn't selected okay I'm if I rotate around there's parts of this mesh that it hasn't selected okay? So you've got this ring here in this part over here and the reason for that is that from this view So you've got this ring here [in] this part over here and the reason for that is that from this view

Um it can't see those vertices over there. So these are solid faces, and you can't actually select them Um it can't see those vertices over there. So these are solid faces, and you can't actually select them So there are two ways of getting to that one actually let's [just] turn this off So there are two ways of getting to that one actually let's just turn this off

so we're not in proportional for if you click down here to so we're not in proportional for if you click down here to change it from Limit change it from Limit

Selection to visible if you click that you'll now it's kind of like an x-ray like you're able to see through the mesh and now Selection to visible if you click that you'll now it's kind of like an x-ray like you're able [to] see through the mesh and now When I paint I'm selecting everything on both sides of the mesh there, okay? When I paint I'm selecting everything on both sides of the mesh there, okay?

So you can see it doesn't matter about where the faces are if you're looking through it or whatever so that So you can see it doesn't matter about where the faces are if you're looking through it or whatever so that Little box there allows you to select through it, but as well as that Little box there allows you to select through it, but as well as that

There is what I've been pushing accidentally without telling you There is what I've been pushing accidentally without telling you this mode that we're in right now is called Solid view mode, but if you change it from Solid view mode to wireframe mode [this] mode that we're in right now is called Solid view mode, but if you change it from Solid view mode to wireframe mode

[it] removes all the faces, and it's like you're just seeing the skeleton of the of the original [mesh] it removes all the faces, and it's like you're just seeing the skeleton of the of the original mesh So so from this view like I could very quickly So so from this view like I could very quickly

Like make my selections of what I want to do Like make my selections of what I want to do You know so it's very common to our to enter into this this wireframe mode, so there's a shortcut You know so it's very common to our to enter into this this wireframe mode, so there's a shortcut

Which is [zette] and that enables you to very quickly see? Which is (Z) and that enables you to very quickly see Through the mesh and see the data without any of the face information in between it Through the mesh and see the data without any of the face information in between it

so so So that's it so it's tabbed to enter in and out of object mode you know okay. There's no the by way So that's it so it's (Tab) to enter in and out of object mode you know okay. There's no the by way

There's no edit mode for cameras or lights. It's just the actual meshes or a few other objects as well There's no edit mode [for] cameras or lights. It's just the actual meshes or a few other objects as well [and] then when you're [in] edit mode or also by the way if you're in object mode you can push this edge and that

and then when you're in edit mode or also by the way if you're in object mode you can push this edge and that Removes the faces as well, but then yeah when you're in here you can see through it by pushing z or z if you're American Removes the faces as well, but then yeah when you're in here you can see through it by pushing z or z if you're American [let] me get another drink here. Oh

let me get another drink here. Oh That is bitter. [oh] That is bitter OOOOOH

I sound bold I guess [Asam] bold I guess you do some stuff and then get out of it you know you know

you know It's not uh not false advertising by golly It's not uh not false advertising by golly I think I [left] [a] teabag in there for like ten [minutes] is probably why holy moly oh

I think I left a teabag in there for like ten minutes is probably why holy moly oh that is a stringent that is a stringent [ah] Anyways, so this is how you work in edit mode. I hope I'm not dwelling on this too long

Anyways, so this is how you work in edit mode. I hope I'm not dwelling on this too long Let's talk about what we came here to do which was to make some icing Let's talk about what we came here to do which was [to] make some icing For the top of our donut, okay now

For the top of our donut, okay now There's a number of ways that you could do this you could make it you know you could start with a completely separate object There's a number of ways [that] you could do this you could [make] it [you] know you could start with a completely separate object Like you know don't follow this

Like you know don't follow this I'm just going to show you as an example like you could start with a cube. [you] [know] which is crazy I'm just going to show you as an example like you could start with a cube. you know which is crazy Go into edit mode and then um you know I haven't showed you this yet, but this is this is called extruding

Go into edit mode and then um you know I haven't showed you this yet, but this is this is called extruding Which is like you extrude part of the mesh Which is like you extrude part of the mesh at like you could do this and then

at like you could do this and then [like] you know add a [subsurf] and like [like] you know add a [subsurf] and like like it looks kind of like icing

like it looks kind of like icing But that would be a really bad way [of] work because you could see like it doesn't match the donut very well But that would be a really bad way of work because you could see like it doesn't match the donut very well and

and so so Really like it's it's a it's a way that you'll start to think like when you're making stuff like if you've got two objects that

Really like it's it's a it's a way that you'll start to think like when you're making stuff like if you've got two objects that Are going to be interacting together which in the case of like you've got a donut right like that Are going to be interacting [together] which in the case of like you've got a donut right like that And then you got icing well the icing is going to be matching the exact shape of the donor almost exactly right?

And then you got icing well the icing is going to be matching the exact shape of the donut almost exactly right? so you should be able to so you should [be] able to Steal the Data take some data from the object that you want to match

Steal the Data take some data from the object that you want to match To create the other object so what we're going to do is To create the other object so what we're going to do is is we're going to take the top half of this donut here

[is] we're going to take the top half of this donut here? We're going to duplicate make it its own separate object, and then we're going to make it look like icing We're going to duplicate make it its own separate object, and then we're going to make it look like icing Hopefully within the next five minutes

Hopefully within the next five minutes let's do everything at the last minute so there's a number of ways [let's] do everything at the last minute so [there's] a number of ways [you] could do it like for one you could hold down alt shift, and then just select these edges like [this], okay?

you could do it like for one you could hold down alt shift, and then just select these edges like this, okay? But that involves a lot of clicking okay? But that involves a lot of clicking okay? what I would suggest

[what] I would suggest Which is a quicker way of working is if you're just in Which is a quicker way [of] working is if you're just in Front view mode like this if you go and enter into wireframe mode by hitting z then if you push b

Front view mode like this if you go and enter into wireframe mode by hitting z then if you push b Drag the box tool over the top and you've now selected the top half of that mesh there Drag the box tool over the top and you've now selected the top half of that mesh there So now what I'm going to do is I'm going to duplicate it and the way you do that in Blender this works for

So now what I'm going to do is I'm going to duplicate it and the way you do that in Blender this works for Duplicating objects as well as in edit mode shift D Duplicating objects as well as in edit mode shift D Shift D. Now we drag it out

Shift D. Now we drag it out You can see we have got the the original object there You can see we have got the the original object there and if you want to keep it in its original place if you hit escape now, it's uh

and if you want to keep it in its original place if you hit escape now, it's uh Yeah, it snapped it to that donut there back to sorry back to its original position now if you were to leave this here this Yeah, it snapped it to that donut there back to sorry back to its original position now if you were to leave this here this Would actually be one of the worst things you could do because what you've got if I exit out of this

Would actually be one of the worst things you could do because what you've got if I exit out of this Don't do this by the way Don't do this by the way But if I did this what you've actually got is you've got vertices on top of vertices

But if I did this what you've actually got is you've got vertices on top of vertices You've actually got duplicates You've actually got duplicates And this is really bad because you've got a face now on top of another face when it comes to rendering

And this is really bad because you've got a face now on top of another face when it comes to rendering It doesn't know which face to render. So you'll get this flickering It doesn't know which face to render. So you'll get this flickering thing that happens in the render(bugs)

thing that happens in the render And that's that the absolute worst thing that can happen you never want that to happen okay now if you were in this And that's that the absolute worst thing that can happen you never want that to happen okay now if you were in this like say you hit escape and now you've lost it. Okay now when you click here like which one

But it's a you hit escape and now you've lost it. Okay now when you click here like which one Are you selecting which part of the mesh are you actually selecting here? Are you selecting which part of the mesh are you actually selecting here? It's very hard to tell

It's very hard to tell so there's two things you could do one you could you know try and undo it go back to where you were and get the so there's two things you could do one you could you know try and undo it go back to where you were and get the original thing

original thing or or You could if you push elk

You could if you push (L) What [that'll] do is. It will select any mesh which is linked to it. So in this case What that'll do is It will select any mesh which is linked to it. So in this case We've selected the donut so now we're able to extract the other one on top of it, but what I'm hoping to do instead though

We've selected the donut so now we're able to extract the other one on top of it, but what I'm hoping to do instead though Let's see I select that one control. L. There we go now Let's see I select that one control. L. There we go now I've selected just that one okay, so this is really this is kind of advanced stuff really

I've selected just that one okay, so this is really this is kind of advanced stuff really I didn't really expect to get to this I didn't really expect to get to this But I know that you know if we repeated that again like if we hit like this then we hit escape

But I know that you know if we repeated that again like if we hit like this then we hit escape Some people might accidentally click something else, and then they're stuck. It's like what am I supposed to do now? Some people might accidentally click something else, and then they're stuck. It's like what am I supposed to do now? How do I get that back again?

How do I get that back again? because you don't know now what you're actually selecting so you could select you know one thing here hit (Control L) [because] you don't know now what you're actually selecting so you could select you know one thing here hit cTrl. L You've now got that one there

You've now got that one there Which you know in this case, you could maybe click that Which you know in this case, you could maybe click that Actually, I wouldn't know man

Actually, I wouldn't know man Or you could select like one of those then hit ctrl. L. And now I've got that one there again, okay? Or you could select like one of those then hit ctrl. L. And now I've got that one there again, okay? So that's what you would do all right um

So [that's] what you would do all right um By the way if you ever found in your final round this is another sign By the way if you ever found in your final round this is another sign Oh just to take up even more of your time. If it was flickering in your random and for whatever reason

Oh just to take up even more of your time. If it was flickering in your random and for whatever reason You don't know why that is if you hit remove doubles? You don't know why that is if you hit remove doubles? Blender will actually perform an action where it it analyzes the mesh like I'll just do it now

Blender will actually perform an action where it it analyzes the mesh like I'll just do it now And it removes duplicates, so if you've got vertices on top of vertices, it'll remove it for you And it removes duplicates, so if you've got vertices on top of vertices, it'll remove it for you But yeah that that's like as a last resort. I guess okay anyway

But yeah that that's like as a last resort. [I] guess okay anyway Sorry, let's get on with it. so we've got the top of our little donut here Sorry, let's get on with it. [so] we've got the top of our little donut here Okay, so [we] got at the top of this donut

Okay, so we got at the top of this donut Now I want to make this its own separate object Now I want to make this its own separate object We could keep it as it's own object here

We could keep it as its own object here But it's very hard and as I mentioned it's very hard to But it's very hard and as I mentioned it's very hard to Select one or the other so I want to make it it's own object the way you do that in Blender is by pushing (P)

Select one or the other so I want to make it its own object the way you do that in Blonde is by pushing p P and this will bring up separate by what and the most common one you always use is by selection P and this will bring up separate by what and the most common one you always use is by selection So it's taken that selection and if I edit

So it's taken that selection and if I edit Exit out [of] object mode now if I click here you can see that Exit out of object mode now if I click here you can see that It's now it's own

It's now is own Separate object so we now no longer have that problem of like which half of the donut am I selecting because now they're their own Separate object so we now no longer have that problem of like which half of the donut am I selecting because now they're their own Separate separate object okay now

Separate separate object okay now We've made them their own separate objects, but there is still a conflict and if we would have rendered this right now We've made them their own separate objects, but there is still a conflict and if we would have rendered this right now We would have that problem. I mentioned where faces are hitting on other faces

We would have that problem. I mentioned where [phases] are hitting on other faces So you never want to have the exact same mesh or the same vertices So you never want to have the exact same mesh all the same vertices Or it's mostly just the same face in the exact same position

Or it's mostly just the same face in the exact same position Like what we've got right now because it's a like it's a physical impossibility in the real Like what we've got right now because it's a like it's a physical impossibility in the real Two things can't exist in the same space

Two things can't exist in the same space so the digital program doesn't know how to deal with this so you want to fix this so in our case [so] the digital program doesn't know how to deal with this so you want to fix this so in our case We want to make this we want to take this from being

We want to make this we want to take this from being If we look at it from this side like you can see it's hollow underneath there If we look at it from this side like you can see it's hollow underneath there Right so you want to take it from that space?

Right so you want to take it from that space? and you want to make it an actual thick a thick object [and] you want to make it an actual thick a thick object so we want to we want to give this some thickness a

so we want to we want to give this some thickness a Couple of ways you could do that still one is if you went into edit mode you could extrude now. Don't worry about this Couple of ways you could do that still one is if you went into edit mode you could extrude. Now, Don't worry about this We're going to get to this later on and this isn't the method we're going to use for this

We're going to get to this later on and this isn't the method we're going to use for this But if I hit e I can extrude this and then I would maybe hit a scale it out a little bit or something But if I hit (E) I can extrude this and then I would maybe hit (S) scale it out a little bit or something Okay, like that. That is now. It's giving it some thickness coats of Weirdness going on in there

Okay, like that. That is now. It's giving it some thickness coats of Weirdness going on in there But it's it's done the desired effect, but you can see if I go into edit mode now. I've now got a duplicate. I've got But it's it's done the desired effect, but you can see if I go into edit mode now. I've now got a duplicate. I've got Vertices underneath it and I got vertices over here

Vertices underneath it and I got vertices over here And if I later on realize like oh that thickness is too much on And if I later on realize like oh that thickness is too much on This this don't idea that that thickness is too much. I would have to individually go here and

This this don't idea that that thickness is too much. I would [have] to individually go here and like like Select just this part not the rest of the mesh

Select just this part not the rest of the mesh and it will be very very annoying so as I mentioned before about keeping a destructive or and it will be very very annoying so [as] I mentioned before about keeping a destructive or Non-destructive workflow like when you do stuff in editing stuff like that

Non-destructive workflow like when you do stuff in editing stuff like that you don't have a lot of control over it later on so whenever possible you want to try and use a you don't have a lot of control [over] it later on so whenever possible you want to try and use a modifier and it just so happens that we have one in the modifier stack, err and it is called the

modifier and it just so happens that we have one in the modifier stack, err and it is called the solidify modifier down here, so if you click that you solidify modifier down here, so if you click that you Won't have notice much has changed because it has probably

Won't have notice much has changed because it has probably yep, so if you're going in wireframe mode you'll see that there's actually like this is before and this is after so it's actually it's yep, so if you're going in wireframe mode you'll see that there's actually like this is before and this is after so it's actually it's Created a thickness to [it] it's it's done what I just did before it's extruded it

Created a thickness to it it's it's done what I just did before it's extruded it But you now have [control] over you can change this thickness here now But you now have control over you can change this thickness here now It's actually placed it on the wrong side so we can't see it

It's actually placed it on the wrong side [so] we can't see it so if we change this offset to be all the way to 1 now [so] [if] we change this offset to be all the way to one now It's pushing it out rather than sucking it in so now increase this thickness

It's pushing it out rather than sucking it in so now increase this thickness We can change how thick we want that. I seem to be I got a really thick dollop We can change how thick we want that. I seem to be I got a really thick dollop Like really caked on there

Like really caked on there. Oh [be] done' people pay a lot of money for I (???) people pay a lot of money for Imagine that'd be like a trend. I [could] see that as like a trend in New York or something

I Imagine that'd be like a trend. I could see that as like a trend in New York or something I don't know why I think New York but like I imagine that'd be it like like you could quote like caked doughnuts I don't know why I think New York but like I imagine [that'd] be it like like you could quote like [caked] doughnuts doughnuts that are like caked in icing with like like a kilo of

doughnuts that are like caked in icing with like like a kilo of Icing on top of your doughnut or something I could see that becoming a trend Icing on top of your doughnut or something I could see that becoming a trend Anyway, so you can have like really really super thick or you can change it here so later on when you're working in your scene

Anyway, so you can have like really really super thick or you can change it here so later on when you're working in your scene You go like oh, I don't like the thickness of that icing just change it You go like oh, I [don't] like the thickness of that icing just change it Super easy [because] you've got this

Super easy because you've got this Modify here now the other thing to note if I turn on the subsurf tool again the modifier here, so everything looks a little smoother Modifier here now the other thing to note if I turn on the subsurf tool again the modifier here, so everything looks a little smoother um

um you uh you uh You can change the order of your modifiers

You can change the order of your modifiers So by [Topa] so so what it does is it reads it from top to bottom [okay]? So where it is right now So by so so what it does is it reads it from top to bottom okay? So where it is right now It's starting with the subserve and then it's adding the solidify on top of it

It's starting with the subserve and then it's adding the solidify on top of it So we're starting with the smooth mesh, and then it's doing the solidify after that and pushing it out So we're starting with the smooth mesh, and then it's doing the solidify after that and pushing it out but if I push this up arrow

but if I push this up arrow It's now pushed that solidify modifier on top of the subsurf which means that now It's now pushed that solidify modifier on top of the subsurf which means that now The Edge of this icing has become smoother because it's performed the smoothing action after the solidify

The Edge of this icing has become smoother because it's performed the smoothing action after the solidify Action if that makes sense so now when I turn this up you can see we've got like this smooth edge to it Action if that makes sense so now when I turn this up you can see we've got like this smooth edge to it Okay, which you know it looks a little weird underneath there. Let's go into

Okay, which you know it looks a little weird underneath there. Let's go into perspective mode perspective mode Yeah, you've got a bit of a gap there, but you know from this angle. You can't really see it

Yeah, you've got a bit of a gap there, but you know from this angle. You can't really see it So you [know] it's really up to you so that this I'm really just saying is to demonstrate it as an order So you know it's really up to you so that this I'm really just saying is to demonstrate it as an order to the to the subsurf modifier

to the to the subsurf modifier [okay], so it read it again top to bottom oh okay, so it read it again top to bottom My goodness what a long video must be sick of it. All right. Let's do something fun

My goodness what a long video must be sick of it. [all] right. Let's do something fun Which is what I mentioned at the start of the video Which is what I mentioned at the start of the video Which is make a tower of [Donuts], and this is to demonstrate?

Which is make a tower of Donuts, and this is to demonstrate? another really common another really common Modifier in Blender, which we won't really have a use [for] in this tutorial, but it's called the array modifier

Modifier in Blender, which we won't really have a use for in this tutorial, but it's called the array modifier So if with this donut here the bottom one selected if I go add modifier, and I select array So if with this donut here the bottom one selected if I go add modifier, and I select array You can see that. It's created another donut next to it and if I here if I increase this count

You can see that. It's created another donut next to it and if I here if I increase this count you can see we've got lots and lots of donuts, and it's the position that it's placing this donut is uh you can see we've got lots and lots of donuts, and it's the position that it's placing this donut is uh it's

it's Stipulated [I] sound like a lawyer Stipulated I sound like a lawyer stipulated in the relative offset settings

stipulated in the relative offset settings Right here, so this is the x value so if I set like if I set the y value to one now Right here, so this is the x value so if I set like if I set the y value to one now It's like it's gone diagonal because it's both x and it is also. Why I?

It's like it's gone diagonal because it's both x and it is also y Can make them all go that way by just making that or if I set them both to zero and then this one to one? Can make them all [go] that way by just making that or if I set them both to zero and then this one to one? This is the z-Axis so it's now placing them directly on top of each other and now if I now increase this count I'll actually

This is the z-Axis [so] it's now placing them directly on top of each other and now if I now increase this count I'll actually This is a situation where you want to turn off the subsurf because otherwise, it'll go really slow in your Viewport This is a situation where you want to turn off the subsurf because otherwise, it'll go really slow in your Viewport but now if I drag this up I

but now if I drag this up I have an have an Infinite tower as big as your computer can actually handle

Infinite tower as big as your computer can actually handle okay? so now the array modify. You can actually do some really cool stuff with it like [ok] so now the array modify. You can [actually] do some really cool stuff with it like It's used a lot like them like you could actually make another array after it and go like now

It's used a lot like them like you could actually make another array after it and go like now I'm going to make two towers, and I'm going to space them like that. I'll make three towers of I'm going to make two towers, and I'm going to space them like that. I'll make three towers of Donuts, and you can make array after array of doing all this weird stuff

Donuts, and you can make array after array of doing all this weird stuff And you'll also and you know this is overkill. Which is why I won't really explain And you'll also and you know this is overkill. Which is why I won't really explain you know what's going on here, but if I was to down here if I made a

you know what's going on here, but if I was to down here if I made a Empty which is just an object which you can use to like move around doesn't show up in your renderer or whatever and then here Empty which is just an object which you can use to like move around doesn't show up in your renderer or whatever and then here If I set instead of relative offset if I set the object offset to be the empty

If I set instead of relative offset if I set the object offset to be the empty Now this empty defines Now this empty defines Where those donuts go so and check this out if I rotate it? Oh?

Where those donuts go so and check this out if I rotate it? Oh? What is going on so you can make some really cool What is going on so you can make some really cool? cool looking shapes this looks like a daydream

cool looking shapes this looks like a daydream ah You're gonna get mad this if this looks like something for like a simpson Scott doing like homer would be flying through here You're gonna mad this if this looks like something for like a [simpson] [Scott] doing like homer would be flying through here and then be like

and then be like [10] Maybe trying to eat them Maybe trying to eat them yeah, anyways, so

yeah, anyways, so So that is that's how to make a little tower with your [donuts] there So that is that's how to make a little tower with your donuts there So that was just a little bit of random fun. Just just for the ending there

So that was just a little bit of random fun. Just just for the ending there Alright. Thank you for making it through to the end of this very long video apologies Alright. Thank you for making it through to the end of this very long video apologies It's so long, but we did cover a lot as I'm sure you would agree

It's so long, but we did cover a lot as I'm sure you would agree so so in the next part we're gonna make this icing look a little bit more like icing and less like a

in the next part we're gonna make this icing look a little bit more like icing and less like a yarmulke(?) yarmulke [so] we'll make it look more like icing

so we'll make it look more like icing so go ahead and so go ahead and Join me in the next part and if you like this video go ahead and give me a like that really helps

Join me in the next part and if you like this video go ahead and give me a like that really helps Helps my ranking in Youtube and helps me to make more tutorials as well Helps my ranking in Youtube and helps me to make more tutorials as well So that's it. Thanks for watching see in the next part.

So that's it. Thanks for watching [see] in the next part

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