Blender Beginner Tutorial (OLD) - Part 4: Material Nodes Blender Guru English Turkish

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Education 1.6M views 36K likes 396 dislikes 19 Oct 2016 Show Contributors 5

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English Daniel

Japanese Fluffy Jinza

Korean 김동현

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Welcome to part 4 of the blender beginners series in this video you will be learning about

Blender başlangıç serisinin 4. videosuna hoşgeldiniz ! Bu videoda Materyaller hakkında olacak

Materials very very important topic which [is] all about adding color shading and life

Materyaller renk ekleme,gölgelendirme ve nesneleri gerçekçi göstermede aşırı önemli bir konu

actual life to your objects so they actually start to resemble something you would see in the real world on something you'd see on a

Bilgisayar ekranında objelerinize canlılık eklemek yani objenizi gerçek hayatta göreceğiniz bir nesneye benzetmek

Computer screen, so we'll be talking all [about] that materials and how to use the material node editor Which is [a] new part of Blender?

Yani biz bu materyeller hakkında ve blenderin yeni bir parçası olan node editörün nasıl kullanıldığı hakkında konuşacağız

We haven't explored yet

Daha bunun hakkında hiç konuşmadık.

but it's very common something that you'll be using a lot in the future whenever you're making a character an object or anything at all everything always uses materials and the material node editor and

Fakat bu aşırı yaygın bir şey ve gelecekte obje veya karakter yani ne var ne yok tasarlarken bunu kullanacaksınız

Since I know this one is a little long

Bu videonun biraz uzun olduğunu bildiğim için

[if] you make it to the end as something completely fun and as a bonus

Eğer sonuna kadar izlerseniz tamamen ekstra ve eğlenceli bir şey göstereceğim

I'll show you how to make the icing on your [donut] look like radioactive

Size donutunuzu nasıl radyoaktif maddeye benzeyen şeker kaplaması ile kaplayacağınızı göstereceğim

Yapış yapış

So here. We are this is where we left off in part 3 now everything that we've done up into this point has been I

Evet burdayız.3.Videoda en son burada kalmıştık

Just related to 3D objects like this 3D Viewport [this] area that we're in right now

Just related to 3D objects like this 3D Viewport [this] area that we're in right now

But now that we talk we're going to get into materials. We need to talk about

Fakat şimdi materyalleri öğreneceğiz. ve Rendering(İşleme'den) bahsetmemiz lazım

Rendering because we haven't mentioned that yet

çünkü bundan daha önce hiç bahsetmedik

so if you've been wondering like when are we actually going to start making this thing look cool like When can I make an image out of it that I can post on Facebook or whatever it is I? Do that as well by the way you can share your stuff online? You don't have to feel guilty about that um that is a that's called rendering

yani eğer bunun görünüşü ne zaman güzel yapacağımızı merak ediyorsnuz

So this area where this this Viewport moving stuff around

Şu anda gördüğünüz bölge yani viewport

This is just so that you can build your scene

Burası sadece sahnenizi oluşturmak için var

To actually make it look pretty to make it look like the final image you need to render it

Bunun güzel görünmesi için yani final resmi için bu resmi işlemeniz gerek

So rendering is when you take all the [information]

ve işleme yaptığınızda

You've got here these 3D objects and it calculates

Burada 3D objeler ve hesaplamalar olacak

The lighting it calculates the materials the textures all that stuff and it builds

Işıklandırma,materyaller, kaplamalar, her şeyi hesaplayacak

The final image that looks pretty and everything so that is called rendering now. You might have noticed though. There's a button here

Final resmi çok güzel gözükecek. Burada bir buton olduğunun farkına varmışsınızıdr. Burda

We haven't pressed yet, and it says render, so let's go ahead and click that

Daha basmadık, Render(İşleme) yazıyor, hadi bu butona basalım

Great look awful right what an awful looking image?

Güzel berbat gözüküyor de mi ne berbat bir resim

Really the only thing that's changed got shadow here. We haven't got textures or materials or anything yet, so that's that's why it's there

Değişen tek şey şurada bir gölge oluştu. Henüz kaplamalarız veya materyallerimiz yok,

So this is this is what it looks like when you have rendered [an] image

Ve bir görüntüyü işlediğinizde buna benziyor

Now something excuse me first let me get a little drink

Ve şimdi pardon, izin verin biraz içeyim

Not drink as in like alcohol, but it's not whiskey [it's] it's oh gray [now]. I go hard for my tutorials

içmekten kastım içki değil, bu viski değil bu gray.Dersler için sağlam olmam lazım

Okay, so so what it's done here

Evet şimdi burada ne oldu

calculated the lighting and the shadows that's that's basically it and a little bit of [reflection] on that now doing this it has used a

İşleme Motoru ışıklandırma ve gölgelendirmeyi hesapladı sadece bir miktar yansıma var bir de

Rendering engine, so if you remember at the start the introduction to 3D stuff, we spoke about 3D software

Eğer 3D'e Girişi hatırlıyorsanız, 3D Programları hakkında konuşmuştuk

3ds max Maya Blender all that kind of stuff so blender is the 3D program which is used to make the stuff that

3ds max Maya, Blender bir şeyler yapmak için kullanılan 3D bir program

Yet to make and design the scene like we've been doing currently, but when it comes to rendering making the final image

Şu an yaptığımız gibi bir sahne oluşturmak veya dizayn etmek için kullanılan ,fakat konu görüntü işlemeye gelince

That's actually a separate piece [of] software

Bu aslında programın ayrı bir parçası

so

It's kind of like what you first like get into 3D you make all this decision about choosing your software and then later on you

Bu bir tür ilk 3d de neyi öğreneceğiniz ile ilgili hani programı kullanacağınıza karar veriyorusunuz

Discover like I also have to choose my rendering engine

sonra fark ediyorsunuz ki "kendime bir render engine(işleme motoru) seçmem gerek"

[and] I don't want you to get overwhelmed here But there's a lot of rendering engines if you if you look on Wikipedia that it

Canınızı sıkmak istemiyorum ama Eğer Wikipedia'ya bakarsanız bir sürü İşleme Motoru olduğunu görürsunuz

I think this probably over 100. It seems like every week

Sanırım 100'ün üstünde var. Sanki her hafta

[there's] a new rendering engine or boasting some new feature and a lot of them fade away, but some of them stick around

Yeni bir motor çıkıyor, Çoğu unutulmuş bazıları hala duruyor

But anyway, I say this because there's actually more than one rendering engine in Blender

Bunu anlattım çünkü Blender'da birden fazla işleme motoru var

And I want to talk about the difference [between] them

Ve bunların farkı hakkında konuşmak istiyorum

And why you should choose one over the other so [you] can see that at the top of our screen here?

Ve hangisini seçmeniz gerektiği Ekranın üstünüdeki şurayı görebiliyor musunuz ?

We've got something that says blender render. That is the rendering engine that is that it is using currently?

Burada Blender Render yazan bir şey var. Bu şu an kullandığımız İşleme Motoru

Now this one here blender render. It's real name actually is the internal rendering engine?

Burada blender render yazıyor. ama bunun asıl ismi internal rendering engine (Dahili İşleme Motoru)

I don't know why it's called Blender render there, but anyways that that's the one that it's using right now

Burada neden Blender Render demişler bilmiyorum, her neyse bu bizim şu anda kullandığımız motor

But if you click the drop down, you can see there's actually two others like there's one as blender game which I've never touched before

Fakat bunu açarsanız, 2 tane daha motor olduğunu görürsünüz birisi benim hiç kullanmadığım blender game(Blender Oyun Motoru)

[Asuma's] for making games

Oyunlar yapmak için var

[and] the other one is the cycles rendering engine so the cycles rendering one is the new engine

ve diğeri Cycles Engine(Çevrimsel İşleme Motoru) Cycles Engine yeni bir işleme motoru

That came out [about] five years ago. So the render this this one at the top [is] in turn rendering engine

5 yıl önce çıktı. Üsteki Dahili İşleme Motoru

It's been with Blender since the very start [so] since like the 90s

90'lardan beri var yani blenderin çıkışından beri

[and] it uses an older style of of calculation whereas this cycles one uses a new star

ve cycles'a göre eski hesaplama yöntemlerini kullanıyor

So let's just change two cycles

Cycles'ı seçelim

And I'll just switch to a new render slot render slots by the way are a good way of comparing renders

Ve yeni bir render slotunu(İşleme Boşluğu) seçeceğim İşleme Boşlukları İşlenen resimleri kıyaslamanın güzel bir yolu

so if you've done a render

Eğer işlediyseniz

And then you want to see like change a setting and see what else it will look like if you change the render slot

Ortamda nasıl bir değişken olduğunu görmek için render slotunu değiştirip görebilirisiz

Or a shortcut for that by the way is J

J ile de değiştirebilirsiniz

[download] my keyboard shortcut if you don't want to have to remember all these keyboard presses

Bütün kısayıl kombinasyonları ezberlemek istemiyorsanız benim addonumu indirebilirsiniz

Now if we do another render, take a look at that

Şimdi başka bir işleme yapalaım ve şuna da bakın

This is the render that we get with cycles, okay?

Bu cycles ile aldığımız işleme, tamam mı ?

I promise we'll get to the materials soon by the way like I know that

Bu arada en kısa zamanda materyal konusuna geri döneceğiz

This is like come on, but we do materials

Bu şunun gibi " hadi ama bu materyal dersi"

We will okay, so this is the internal and then this is cycles now

Neyse halledecez, bu Blender Render ve şimdi de cycles

You might prefer one over the other in my God this one looks, too

Hangisini daha iyi olduğunu seçebiliyorsunuzdur "Tanrım bu daha iyi gözüküyor"

Washed out and contrasty, and this one looks better because it's [contrasty]

Bu daha bitkin ve soluk gözüküyor, bu daha iyi gözüküyor çünkü daha kontrastlı

But really that's just a difference in light value, but that maybe is having that effect

Fakat cidden tek fark parlaklık değeri, bu belki bu effekt sahip olabilir

But in this internal one you'll notice that the shadows are completely black and if you actually mouse over it

Fakat Blender Render'da fark ettiyseniz gölgeler siyah ve farenizi gölgenin üstüne getirirseniz

It's solid black now. That's actually physically impossible in the real world

Bu simsiyah . Gerçek dünyada fiziki olarak bu imkansız

In especially in this lighting set you wouldn't have solid black

Hele ki bu ışık düzeninde simsiyah olmaması gerek

There's oil light that would bounce off this table here, and it would hit the doughnut

Işık geri dönmüyor ışığın yansıyıp donutu vurması lazım

[so] this this old style of rendering will not calculate bounce lighting

Bu eski nesil işleme ışığın geri yansımasını hesaplamıyor

So if you want to create anything that looks photorealistic [or] even slightly realistic

Eğer fotogerçekçi bir şey ya da bir miktar bile gerçekçi bir şey yapmak istiyorsanız[

Cycles this one here is a much better choice because cycles calculates that

Cycles çok daha iyi bir seçim çükü cycles bunu hesaplıyor

Cycles does a lot of other things differently as well. It has like more accurate volumetrics

Cycles daha bir çok farklı şey yapıyor .Daha kesin hacimsellik gibi

It has like subsurface scattering which I guess is more accurate

Daha doğru olduğunu tahmin ettiğim yüzey dağıtımı

Translucent like it's it's a newer approach, so the old approach doesn't calculate any of that stuff so cycles was a completely new rendering engine rewritten from the start to use newer styles of rendering

Bu yeni bir yaklaşım, eskisi hiçbirini hesaplayamıyor yani Cycles yeni işleme teknolojisini kullanan yeniden yazılmış bütünsel olarak yeni bir İşleme Motoru

Okay, so that's that's the difference between them, so the main one the one that you should be [using] from now on is

Yani bu aralarındaki fark, Yani kullanmanız gereken Cycles

Cycles now some people will say [oh]

Şimdi bazıları şöyle diyecek

What about you know what's wrong with internal a lot of people still use internal rendering

"Yanlışın var hala bir sürü kişi blender render kullanıyor"

What maybe like two to five percent of the Community Props still use it?

Neden hala topluluğun %25'i blender render kullanıyor ?

Because there is some advantages like one you'll notice that the cycles render here took six seconds six and a half seconds

Çünkü bazı avantajları var cycles işlemeyi 6 saniye + yarım saniyede yapıyor

Whereas the internal rendering engine I took half a second

Dahili işleme ise yarım saniyede

so if you're rendering a lot of frames [a] lot of people especially people in like TV if they work for a TV station doing

Eğer çok fazla kare işliyorsanız bir çok insan özellikle TV gibi Eğer onlar televizyon istasyonları için çalışıyorsa

Commercials or something like that some people still prefer the internal rendering engine

Reklam yapımı veya onun gibi şeyler insanlar hala Dahili İşlemeyi seçebiliyor

Because it's it. It's very good if you're on a tight [deadline]. You just want [a] quickly render

Çünkü kısa teslim tarihi için iyi. Hızlı bir render istiyorsanız tabi

But cycles like if you're going to be following tutorials, especially online

Fakat Cycles üzerindeki dersleri takip ederseniz,özellikle çevrimiçi olanları

Everybody nowadays uses cycles so switch to cycles. That's my whole point switch. De cycles and

Herkes genel olarak cycles kullanıyor. sonuç olarak cyclesi seçin

And then you can actually follow along [alright]

ve sonra biraz bekleyin tamam mı

Gosh golly whoo [all] [right]?

[I've] recorded this tutorial like six times now trying to explain that bit on rendering engines

Bu dersi 6 kez çekmiş gibiyim. Şimdi işleme motorlarından bir miktar bahsediyorum

I hope that was that on that sort of explain it a little better [alright], okay, so

Umarım bu seferki daha iyi olur neyse evet yani

Now that we've done that now we can actually get into the materials okay, so to demonstrate the first material [I]

Şimdi tamamız Materyallerin içine dalabiliriz evet, ve ilk materyali göstereyim [I]

Want to just do it for the donut underneath okay?

Şimdi bunu sadece donutun alt kısmına yapmak istiyorum tamam mı ?

and I just want to see just the donut I want to hide the icing and I'm not sure if I've mentioned this before but

Sadece donutu görmek istiyorum kremayı gizlemek istiyorum ve bundan daha önce bahsetim mi emin değilim

Hiding in in blind it can be done by selecting an object and pressing h

objeyi gizlemek için objeyi seçin ve h ye basın

Okay, now when you do that. It's hidden, and you [can] do it for multiple objects

Tamam bunu yaptığınızda. o gizlenecek, bunu çoklu objeye yapabilirsiniz

And then if you want to bring it back you can push alt h okay, and it brings everything back

ve geri getirmek için alt + h ye basabilirsinizcan ve bu her şeyi geri getirecek

So now there are layers down here, which [will] we'll talk about in the [future] but for now

bu aşşağıda gelecekte konuşacağımız katmanlar var, fakat şimdi

This is just a temporary way of hiding something okay, and while we're out as well

Bu bir şeyi gizlemenin geçiçi bir yolu

Let's move the lighting

Işığı hareket ettirelim

Let's just position it directly over the [top] of our donut there so that we can actually see it better

Let's just position it directly over the [top] of our donut there so that we can actually see it better

Okay, now if we want to change if we want to set a material for our donut

Tamam, eğer değiştirmek istiyorsak donuta bir materyal atamak istiyorsanız

You would go over here to the right in the properties bar, and then click on material right there, and then let's just select new

Sağdaki Properties Bar'a gideceksiniz, ve sonra material sekmesine tıklayın, ve sonra New'i seçelim

Okay, now. It's added some you know default settings here. So where it says color let's change that to be

Tamam, şimdi.Varsayılan ayarları ekledi. burada renk yazıyor hadi değiştirelim

Orange hello ish

Sarımsı turuncu

Like that like a [donut]. I guess I haven't seen a donut in a while. I assume. They're still orangey yellow

Donut gibi.Sanırım hiç donut görmedim. farz edelim ki. bu hala sarımsı turuncu

Anyway, now you'll notice that it hasn't actually changed its color you might be like oh come [on]

her neyse,fark ettiyseniz rengi değişmedi herhalde şöyle olmuşsunzudur "hadi ama

What's going on here, [and] that's because we are still in the 3D Viewport

buda ne", bunun sebebi hala 3D Görüşündeyiz

We haven't actually engaged the rendering engine yet, so to do that

Daha işleme motorunu devreye sokmadık , hadi yapalım

You know you could go over to the rendering engine and you could push render?

Biliyorsanız İşleme Motoru sekmesine tıklayın ve işlemeye basın

Now it's actually added the icing back because that action pressing h and hiding objects that only works in the Viewport

Kremayı geri getirdi çünkü h ye basıp objeleri gizlemek sadece 3D Görünümünde çalışıyor

So when you go to render it it will be like you haven't hidden anything, but anyways now okay?

So when you go to render it it will be like you haven't hidden anything, but anyways now okay?

So that that's one way of doing it

So that that's one way of doing it

But that's very slow. It's a very slow wave world and if you're going to be making lots of you know small

But that's very slow. It's a very slow wave world and if you're going to be making lots of you know small

Excuse me if you're going to be making lots of small changes

Excuse me if you're going to be making lots of small changes

[that's] very annoying if you had to go like an and

[that's] very annoying if you had to go like an and

What am I looking at? You know that's very very annoying, so

What am I looking at? You know that's very very annoying, so

[we] have you can actually change the the mode that you're looking at right [now], so [down] here in the bottom

[we] have you can actually change the the mode that you're looking at right [now], so [down] here in the bottom

You've got a little thing, that's that's white

You've got a little thing, that's that's white

And if you click this you can see that we can change the the shading type and if we go to the top one rendered

And if you click this you can see that we can change the the shading type and if we go to the top one rendered

We're now looking at it through the eyes of the renderer

We're now looking at it through the eyes of the renderer

Which is the eat, and it's the exact same image that you'll see when you actually render it

Which is the eat, and it's the exact same image that you'll see when you actually render it

so if I actually go to view from the cameras point of view which is what it's doing when you actually hit render by the

so if I actually go to view from the cameras point of view which is what it's doing when you actually hit render by the

Way, I didn't explain that so our camera is here. So when we hit render

Way, I didn't explain that so our camera is here. So when we hit render

It's going to render it from the point of view of the camera

It's going to render it from the point of view of the camera

And if I want to see through the eyes of the camera I can press number Pad

And if I want to see through the eyes of the camera I can press number Pad

0 again if you don't want to remember these shortcuts get the keyboard Shortcut Guide, [I]

0 again if you don't want to remember these shortcuts get the keyboard Shortcut Guide, [I]

Got to plug it. That's my bread and butter

Got to plug it. That's my bread and butter

[now] it's free anyway

[now] it's free anyway

so if I yeah so from this point of view if I go to the rendered mode

so if I yeah so from this point of view if I go to the rendered mode

It's the exact same render that I would get when I actually hit render except that the icing is back obviously as I mentioned

It's the exact same render that I would get when I actually hit render except that the icing is back obviously as I mentioned

So I say this just to say that this mode here is a very great representation of how it's going [to] look when you do

So I say this just to say that this mode here is a very great representation of how it's going [to] look when you do

The final render so it's really great to from this mode whilst you're dealing with the with the materials

The final render so it's really great to from this mode whilst you're dealing with the with the materials

Okay, now first things. I haven't also mentioned about

Okay, now first things. I haven't also mentioned about

Shading okay, so you might have noticed [like] this is very blocky looking like little squares on it

Shading okay, so you might have noticed [like] this is very blocky looking like little squares on it

[and] you might be wondering when are we going to actually make it look smooth, okay?

[and] you might be wondering when are we going to actually make it look smooth, okay?

Because I don't want you to turn this up okay. Which was I remember that mistake when I first started using software

Because I don't want you to turn this up okay. Which was I remember that mistake when I first started using software

I'm like oh, I guess I have to turn this up [to] crazy high amounts

I'm like oh, I guess I have to turn this up [to] crazy high amounts

but if you zoom in the squares are still there

but if you zoom in the squares are still there

But they're just even tinier okay what you [actually] want to do is you want to click smooth shading?

But they're just even tinier okay what you [actually] want to do is you want to click smooth shading?

Which is over there in the toolbar if [you] click that now?

Which is over there in the toolbar if [you] click that now?

We've got smooth shading, okay?

We've got smooth shading, okay?

By the way, I haven't mentioned the [toolbar] yet

By the way, I haven't mentioned the [toolbar] yet

usually you don't have it open because it just takes up part of your screen so most of the time you work in Blender with

usually you don't have it open because it just takes up part of your screen so most of the time you work in Blender with

It off and you can do that by pushing t

It off and you can do that by pushing t

Some people will get that ah yeah, which just enables it or disables it, so that's so most artists

Some people will get that ah yeah, which just enables it or disables it, so that's so most artists

You know they work over here

You know they work over here

And then they need a little feature they push t they click it and then they turn it off again

And then they need a little feature they push t they click it and then they turn it off again

Just letting you know that so we've enabled smooth shading so smooth shading like if you've got if you haven't got enough

Just letting you know that so we've enabled smooth shading so smooth shading like if you've got if you haven't got enough

Geometry and you've got smooth shading it's it's going to look weird, so you still need to have enough

Geometry and you've got smooth shading it's it's going to look weird, so you still need to have enough

Geometry so that it smooths out enough

Geometry so that it smooths out enough

Basically it performs like an operation where pretends like there's a lot of vertices there [it] kind of smoothes off those corners

Basically it performs like an operation where pretends like there's a lot of vertices there [it] kind of smoothes off those corners

So it's like you can't see them. But still if you looked at it from an angle you would see that

So it's like you can't see them. But still if you looked at it from an angle you would see that

It's kind of blocky so it's kind of like faking the view but yeah, that's that's smooth shading invented by pixar

It's kind of blocky so it's kind of like faking the view but yeah, that's that's smooth shading invented by pixar

I believe as pretty much all of this stuff actually is

I believe as pretty much all of this stuff actually is

It is a little fun little thing see in this subsurf over here

It is a little fun little thing see in this subsurf over here

And there's different different modes of subserve catmull that is named after

And there's different different modes of subserve catmull that is named after

the co-founder of Blender, Ed Catmull who [I] believe actually came up with this method of

the co-founder of Blender, Ed Catmull who [I] believe actually came up with this method of

Subsurface, so like I guess clock was the other guy. I don't know who made that little thing anyways

Subsurface, so like I guess clock was the other guy. I don't know who made that little thing anyways

Okay, so we've got smooth shading all right stay on track. Let's talk about the material all right now

Okay, so we've got smooth shading all right stay on track. Let's talk about the material all right now

Let's bring in the icing okay, because this is looking like a donut. We've done well so far

Let's bring in the icing okay, because this is looking like a donut. We've done well so far

Bring in the icing alt h to bring it back

Bring in the icing alt h to bring it back

[let's] turn on smooth shading for the icing as well

[let's] turn on smooth shading for the icing as well

so we're going to go to the materials [gonna] give it a new material and let's change this color to look slightly pink and

so we're going to go to the materials [gonna] give it a new material and let's change this color to look slightly pink and

oh

oh

sorry, I haven't been mentioning the shift-z okay shift [z] is the shortcut for switching between

sorry, I haven't been mentioning the shift-z okay shift [z] is the shortcut for switching between

or whatever mode that you're currently in and

or whatever mode that you're currently in and

The rendered mode so it just switches you yet in or out of it like that

The rendered mode so it just switches you yet in or out of it like that

So it's a quick way [of] just previewing just going flicking between the two

So it's a quick way [of] just previewing just going flicking between the two

Sorry ship zed [alright]. So looking at the donut looking nice. Got some color there

Sorry ship zed [alright]. So looking at the donut looking nice. Got some color there

But you'll notice that

But you'll notice that

This the ice kind of looks fake like it. You know

This the ice kind of looks fake like it. You know

It's definitely icing like I mean it looks kind of like icing

It's definitely icing like I mean it looks kind of like icing

but mostly because it's pink and

but mostly because it's pink and

It but it looks kind of like solid like that like concrete and the reason for that is that there is currently no reflection

It but it looks kind of like solid like that like concrete and the reason for that is that there is currently no reflection

Okay, and that's because this type of default material is called diffuse and diffuse

Okay, and that's because this type of default material is called diffuse and diffuse

Simply means that diffuse and there is no reflection that comes off diffuse

Simply means that diffuse and there is no reflection that comes off diffuse

Which is actually physically impossible in the real world every single object even the roughest surface. You can imagine like a brick wall

Which is actually physically impossible in the real world every single object even the roughest surface. You can imagine like a brick wall

it still has reflection, so

it still has reflection, so

Diffused by itself. It doesn't have any [reflection], so we want to have some reflection to it

Diffused by itself. It doesn't have any [reflection], so we want to have some reflection to it

Well if you change the surface here, you can see it. We've got other types

Well if you change the surface here, you can see it. We've got other types

we've got one that says glossy, so if we tried that

we've got one that says glossy, so if we tried that

You can see we've got something that [looks] quite

You can see we've got something that [looks] quite

Like it's actually got some reflection if we turn off the roughness you can see it, but you can see that

Like it's actually got some reflection if we turn off the roughness you can see it, but you can see that

That's not right either because this looks like metal, and that's because the glossy shader by itself should only be used for metal

That's not right either because this looks like metal, and that's because the glossy shader by itself should only be used for metal

Okay, so okay. So you've got diffuse which obviously shouldn't be used because you need to have some gloss

Okay, so okay. So you've got diffuse which obviously shouldn't be used because you need to have some gloss

But then [gloss] shouldn't be used because gloss should only be used for a solid metal object, so what do you do?

But then [gloss] shouldn't be used because gloss should only be used for a solid metal object, so what do you do?

Well, you need to combine the two [you] need to have both diffuse and gloss working together

Well, you need to combine the two [you] need to have both diffuse and gloss working together

And that makes up probably 90 [percent] of the materials that you make diffuse and glossy together

And that makes up probably 90 [percent] of the materials that you make diffuse and glossy together

And the way that you do that the best way to do it is to use the node editor

And the way that you do that the best way to do it is to use the node editor

Okay, so everything that I have done so far has [been] over here in this little material panel over here

Okay, so everything that I have done so far has [been] over here in this little material panel over here

But this offers you a very limited view of working all these little options here

But this offers you a very limited view of working all these little options here

They're great, but you can't really do anything fancy

They're great, but you can't really do anything fancy

So when you start adding and combining shaders and stuff like that it starts to get a little bit confusing so [the] best way to

So when you start adding and combining shaders and stuff like that it starts to get a little bit confusing so [the] best way to

Do it is to switch to the node Editor [jump-cut]?

Do it is to switch to the node Editor [jump-cut]?

Not sure if you noticed so down here in the bottom left hand corner. You can't see it because my mug is in the way

Not sure if you noticed so down here in the bottom left hand corner. You can't see it because my mug is in the way

[but] down here. We've got this little cube right and if you click the cube brings up these options [and] this is

[but] down here. We've got this little cube right and if you click the cube brings up these options [and] this is

Basically a bunch of different ways that you can change this window right here, so right now

Basically a bunch of different ways that you can change this window right here, so right now

We're looking at the 3D Viewport, but you can see we've got a bunch of stuff. We haven't even discussed uv/image editor

We're looking at the 3D Viewport, but you can see we've got a bunch of stuff. We haven't even discussed uv/image editor

Video sequence Editor, you can actually use it to edit videos in Blender. Which is

Video sequence Editor, you can actually use it to edit videos in Blender. Which is

Ridiculous, and then up [here] we've got one that says node editor

Ridiculous, and then up [here] we've got one that says node editor

And that's the one that we're going to be talking about so go ahead and click on node Editor

And that's the one that we're going to be talking about so go ahead and click on node Editor

and you can [zoom] in using the mouse wheel just like in the 3D view and

and you can [zoom] in using the mouse wheel just like in the 3D view and

Middle Mouse to click and drag [just] like in the 3D view

Middle Mouse to click and drag [just] like in the 3D view

If you've got this thing here by the way, you can hide that by hitting in

If you've got this thing here by the way, you can hide that by hitting in

There we go and let me just move this down here

There we go and let me just move this down here

So now we're just looking at the nodes okay? So what the hell right look at this like oh boy

So now we're just looking at the nodes okay? So what the hell right look at this like oh boy

What are we getting ourselves into now so nodes look very intimidating [and] it's one of those things like

What are we getting ourselves into now so nodes look very intimidating [and] it's one of those things like

Whenever my [wife] comes and visits me while I'm working in Blender or whatever

Whenever my [wife] comes and visits me while I'm working in Blender or whatever

If I'm working with nodes, she's like. Oh wow how can [you] possibly read that?

If I'm working with nodes, she's like. Oh wow how can [you] possibly read that?

Because it's very common in in Blender to have really crazy node setups

Because it's very common in in Blender to have really crazy node setups

And the reason it's [not] complex just for the sake of like to make something cool. It has to be complex. It's complex

And the reason it's [not] complex just for the sake of like to make something cool. It has to be complex. It's complex

it's as as complex as [you] want it to be okay, so

it's as as complex as [you] want it to be okay, so

So right now. We've got these two boxes. Okay. They're connected with a piece of string

So right now. We've got these two boxes. Okay. They're connected with a piece of string

[and] what knows allow you to do is

[and] what knows allow you to do is

is

is

Is Define like I can between here and here I can add something I can customize and I can change it

Is Define like I can between here and here I can add something I can customize and I can change it

Which you couldn't really do with menus like over here. So the like the old like Blender internal. It was all menus

Which you couldn't really do with menus like over here. So the like the old like Blender internal. It was all menus

It was very compact and when you start doing stuff with textures and fiddling stuff and make this one control this thing

It was very compact and when you start doing stuff with textures and fiddling stuff and make this one control this thing

It's very very hard to do, but no delay to do it

It's very very hard to do, but no delay to do it

So it's intimidating at first, but I promise you if you can get get the hang of it, and you will very quickly

So it's intimidating at first, but I promise you if you can get get the hang of it, and you will very quickly

I'm sure once you start using it

I'm sure once you start using it

It'll make [a] lot of sense so right now what we've got. It's a very basic [set] up

It'll make [a] lot of sense so right now what we've got. It's a very basic [set] up

We've just got one here that says material output, and then one here that says diffuse now if you look at it

We've just got one here that says material output, and then one here that says diffuse now if you look at it

This is actually the information that we added over here. So we've got you know the pink color. We've got diffuse be sdf

This is actually the information that we added over here. So we've got you know the pink color. We've got diffuse be sdf

We've got Roughness. You know

We've got Roughness. You know

It's all the same thing [and] and it's linked right now if I change this to red you can see that one changes to red

It's all the same thing [and] and it's linked right now if I change this to red you can see that one changes to red

[and] that's just that that's this area over [here] the properties is

[and] that's just that that's this area over [here] the properties is

It's like a simplified version of this over here

It's like a simplified version of this over here

So you can just you know if you wanted to just stick to this area over here

So you can just you know if you wanted to just stick to this area over here

But once you start wanting to do more complex stuff

But once you start wanting to do more complex stuff

This is too limiting. So that's yeah

This is too limiting. So that's yeah

We just work with one or [the] other so I'm just going to put that over to the side there just so that we can

We just work with one or [the] other so I'm just going to put that over to the side there just so that we can

just look at the nodes right now, so

just look at the nodes right now, so

The basics of nodes okay, so the the material right now if I actually if we just load this up here

The basics of nodes okay, so the the material right now if I actually if we just load this up here

So [we] can see the preview because there's a little preview box here, and that's that's the material right now that material

So [we] can see the preview because there's a little preview box here, and that's that's the material right now that material

That's our our icing that is being controlled by whatever is put into this surface

That's our our icing that is being controlled by whatever is put into this surface

Slot right here this little connection here okay, so right now. We've got a diffuse shader. That's what this little b

Slot right here this little connection here okay, so right now. We've got a diffuse shader. That's what this little b

Sdf means, what does it stand for I don't know what b sdF stands for I keep I?

Sdf means, what does it stand for I don't know what b sdF stands for I keep I?

Shouldn't say forget because I don't think I ever remembered it it put it stands for something technical

Shouldn't say forget because I don't think I ever remembered it it put it stands for something technical

Someone will post it on the YouTube comments probably [a] hundred people well anyway b. Sdf, so that's what that's doing

Someone will post it on the YouTube comments probably [a] hundred people well anyway b. Sdf, so that's what that's doing

So we've got eight de few Shada and we've got the color

So we've got eight de few Shada and we've got the color

We've got roughness and all that stuff and that is being fed into our material

We've got roughness and all that stuff and that is being fed into our material

Output so that is how [our] material is looking now. We can add new nodes to this, so if we hit shift a

Output so that is how [our] material is looking now. We can add new nodes to this, so if we hit shift a

You can see we've got a bunch of different options here

You can see we've got a bunch of different options here

No shift a remember is the same keyboard shortcut as the 3D Viewport when you want to add a new object to the 3D view

No shift a remember is the same keyboard shortcut as the 3D Viewport when you want to add a new object to the 3D view

Shift a okay, so you don't have to remember another thing

Shift a okay, so you don't have to remember another thing

It's just yeah, it's the same shortcut. So that's good to know now underneath shader

It's just yeah, it's the same shortcut. So that's good to know now underneath shader

We've got a bunch of different shaders here

We've got a bunch of different shaders here

you can choose the exact same ones that were here by the way, so if we hit shift a

you can choose the exact same ones that were here by the way, so if we hit shift a

Let's try adding in

Let's try adding in

the Glossy shader, so the Glossy shader

the Glossy shader, so the Glossy shader

[by] the way, I mentioned before the gloss is

[by] the way, I mentioned before the gloss is

It's only used for metallic objects. I [mean] to say it's only used by itself for metallic objects

It's only used for metallic objects. I [mean] to say it's only used by itself for metallic objects

They glossy is a very very common shader

They glossy is a very very common shader

It's used in a lot [like] probably 99% of all materials have some form of gloss

It's used in a lot [like] probably 99% of all materials have some form of gloss

But if you just use gloss by itself, it's only it can only look like metal anyways, sorry. This is getting complex now

But if you just use gloss by itself, it's only it can only look like metal anyways, sorry. This is getting complex now

we've got two nodes here diffuse and glossy now if I was [to] try to

we've got two nodes here diffuse and glossy now if I was [to] try to

Like let's say, I want to blend these two now you would probably think like okay

Like let's say, I want to blend these two now you would probably think like okay

I'll just drag the output from our bSt f and I'll connect it to this material output

I'll just drag the output from our bSt f and I'll connect it to this material output

When you do that, what happens the diffuse is not disconnected so you go hang on a minute. I thought I connected that

When you do that, what happens the diffuse is not disconnected so you go hang on a minute. I thought I connected that

Wait a minute. What's going on here right? And it's very annoying

Wait a minute. What's going on here right? And it's very annoying

[it's] it keeps deleting it when you want it, and you go. Why can't it. You know do what I'm thinking um

[it's] it keeps deleting it when you want it, and you go. Why can't it. You know do what I'm thinking um

The reason this doesn't work is that?

The reason this doesn't work is that?

The the left side of a node which is these little inputs over here

The the left side of a node which is these little inputs over here

Those are called inputs these little dots here, and you can only ever have one input

Those are called inputs these little dots here, and you can only ever have one input

You can't have two like that. You can only ever have one so when you try to put two together it assumes

You can't have two like that. You can only ever have one so when you try to put two together it assumes

You just want to override the one that's already there, so

You just want to override the one that's already there, so

What gives how are you supposed to combine these two things like this?

What gives how are you supposed to combine these two things like this?

Well, you need a way of telling blender

Well, you need a way of telling blender

How much to use of one and how much to you of the other?

How much to use of one and how much to you of the other?

What is called a mix shader' which is a specific node that you use when you want to blend two different types of shaders?

What is called a mix shader' which is a specific node that you use when you want to blend two different types of shaders?

so if we go to shift a then underneath shader find mix shader' if we add this and

so if we go to shift a then underneath shader find mix shader' if we add this and

Drop this in right here

Drop this in right here

You can see when I did that by the way if you drag it over an existing connection

You can see when I did that by the way if you drag it over an existing connection

And then let it go you can see that it's yellow and then I release [it] and it will automatically connect it into the appropriate

And then let it go you can see that it's yellow and then I release [it] and it will automatically connect it into the appropriate

appropriate points

appropriate points

Now one thing to note. Oh, and let's just put that into there for the mix shader' now

Now one thing to note. Oh, and let's just put that into there for the mix shader' now

They are combined over there on the left hand side, [so] [that] [is] how you connect two different Shaders together

They are combined over there on the left hand side, [so] [that] [is] how you connect two different Shaders together

So you have to power through a mixture you can't have them both going?

So you have to power through a mixture you can't have them both going?

Into one input it just doesn't work like that because otherwise you would have a hundred percent of both material that doesn't work, okay?

Into one input it just doesn't work like that because otherwise you would have a hundred percent of both material that doesn't work, okay?

So as you add them like that

So as you add them like that

[now] I I want to explain a couple of other things about the node editor

[now] I I want to explain a couple of other things about the node editor

which I think a lot of beginners sort of fall into is like some people would go into the node editor and

which I think a lot of beginners sort of fall into is like some people would go into the node editor and

they would go like

they would go like

Okay, pretend that. We didn't do this. So they've got just

Okay, pretend that. We didn't do this. So they've got just

The material output over here, right they're like. Oh, you know what I want. I want a texture on my on my model, right?

The material output over here, right they're like. Oh, you know what I want. I want a texture on my on my model, right?

I'm going to give it a texture, so let's go noise texture, and I'm gonna give it some texture

I'm going to give it a texture, so let's go noise texture, and I'm gonna give it some texture

I don't see a texture. That's black. Okay. If it's black it means generally speaking you've done something wrong. So what has happened here. Well

I don't see a texture. That's black. Okay. If it's black it means generally speaking you've done something wrong. So what has happened here. Well

This noise texture has a color output. Which is yellow now this material output has a surface

This noise texture has a color output. Which is yellow now this material output has a surface

Input which is green

Input which is green

Generally speaking

Generally speaking

You should only connect from one color to

You should only connect from one color to

[another] so the yellow should only be connecting to a yellow input [green] should only receive green inputs

[another] so the yellow should only be connecting to a yellow input [green] should only receive green inputs

Same with blue same with [gray] generally speaking yellow can sometimes go into gray or you know other things like that

Same with blue same with [gray] generally speaking yellow can sometimes go into gray or you know other things like that

But generally speaking. That's that's how it works

But generally speaking. That's that's how it works

So this isn't working because this material output is looking for a shader, and there's no shader information

So this isn't working because this material output is looking for a shader, and there's no shader information

So you need to have a shader information in order to to do anything?

So you need to have a shader information in order to to do anything?

[so] if you wanted to correct this you would then add in a

[so] if you wanted to correct this you would then add in a

Diffuse shader now, you're taking the color information

Diffuse shader now, you're taking the color information

You're putting it into the color input of your diffuse shader

You're putting it into the color input of your diffuse shader

And you're now feeding it you're converting it from color information giving it shading

And you're now feeding it you're converting it from color information giving it shading

information and then feeding it into the

information and then feeding it into the

Material okay, so now it's actually able to read the material and go hey, you know. I know what to do okay?

Material okay, so now it's actually able to read the material and go hey, you know. I know what to do okay?

So that's that's a [very] common one

So that's that's a [very] common one

You need to need to sort of be aware of that the color it can really only go from one color to another

You need to need to sort of be aware of that the color it can really only go from one color to another

Anyways now one other thing looking at this. It's like you know having this little preview box here. That's you know

Anyways now one other thing looking at this. It's like you know having this little preview box here. That's you know

it's okay, but it would be nice to see how it looks on our model and

it's okay, but it would be nice to see how it looks on our model and

Right now we can't do that. We can either look at the nodes or we can look at the model

Right now we can't do that. We can either look at the nodes or we can look at the model

So that's annoying because you would have to come over here and do that

So that's annoying because you would have to come over here and do that

And then go back and then do that

And then go back and then do that

And that would just be frustrating what you want to do instead is you want to split your layout okay?

And that would just be frustrating what you want to do instead is you want to split your layout okay?

[so] this is another feature of Blender

[so] this is another feature of Blender

I haven't mentioned yet, because I want [to] reveal things slowly

I haven't mentioned yet, because I want [to] reveal things slowly

And that's that you can change the layout of blender - um [to] what you need

And that's that you can change the layout of blender - um [to] what you need

So if you want to split this view here to make it one part of node editor if you go to the top left hand

So if you want to split this view here to make it one part of node editor if you go to the top left hand

[corner] of any Little Box window thing here

[corner] of any Little Box window thing here

You'll see there's these three lines and when your mouse goes over it

You'll see there's these three lines and when your mouse goes over it

It changes to like a little crosshair if you click and you hold and then you drag it into itself like that

It changes to like a little crosshair if you click and you hold and then you drag it into itself like that

You've now split the view okay now these become completely independent views I could make this one the top view

You've now split the view okay now these become completely independent views I could make this one the top view

And I can make this one

And I can make this one

I could do so that way I can do like my editing over here

I could do so that way I can do like my editing over here

And I can like drag this out

And I can like drag this out

And I can see now [how] it looks in the top view as well as from this view

And I can see now [how] it looks in the top view as well as from this view

So this is a really great thing [for] modeling. So it's very common to have multiple things so it's not only like that

So this is a really great thing [for] modeling. So it's very common to have multiple things so it's not only like that

You can do this as many times as you want you can also create horizontal

You can do this as many times as you want you can also create horizontal

Layouts so I could actually make something like that, and then I could have another one here

Layouts so I could actually make something like that, and then I could have another one here

You know you can do a lot of stuff. So if you drag [from] the bottom Left-hand Corner

You know you can do a lot of stuff. So if you drag [from] the bottom Left-hand Corner

that creates a horizontal cut and if you drag from the top right that

that creates a horizontal cut and if you drag from the top right that

Creates a vertical cut now if you want to collapse them like look at this like this is getting crazy like I even do like

Creates a vertical cut now if you want to collapse them like look at this like this is getting crazy like I even do like

Really crazy stuff, right?

Really crazy stuff, right?

so if you want [to] collapse them this is how you do it right if you click and drag and you drag it into

so if you want [to] collapse them this is how you do it right if you click and drag and you drag it into

Another window and you release it now. [it's] collapsed it

Another window and you release it now. [it's] collapsed it

So you click down drag it into another one?

So you click down drag it into another one?

And now it's going to collapse it [down] so I just do that as many times now you'll notice when I get to here I

And now it's going to collapse it [down] so I just do that as many times now you'll notice when I get to here I

Know this seems like a tangent for the node stuff, but we're going to use it so we can do no stuff

Know this seems like a tangent for the node stuff, but we're going to use it so we can do no stuff

But if I click and drag this down, I can't drag it down and that's because this this area. Here is a huge

But if I click and drag this down, I can't drag it down and that's because this this area. Here is a huge

It's got many layouts in it. It's got these down here. So you first need to collapse these

It's got many layouts in it. It's got these down here. So you first need to collapse these

Then collapse this and now you can collapse that down again, okay?

Then collapse this and now you can collapse that down again, okay?

[this] will probably make a lot more sense when you start working on your own scene

[this] will probably make a lot more sense when you start working on your own scene

And you want to see stuff from different views but I'm just saying this now so you so you know now

And you want to see stuff from different views but I'm just saying this now so you so you know now

I don't actually want this timeline down here

I don't actually want this timeline down here

This timeline is used for animations, so I don't want that so even though we've had it open for the whole

This timeline is used for animations, so I don't want that so even though we've had it open for the whole

Tutorial I've you know deliberately done that so that we can real layout stuff later on, but anyways, I don't need it

Tutorial I've you know deliberately done that so that we can real layout stuff later on, but anyways, I don't need it

So I'm just going to drag that down

So I'm just going to drag that down

Again if you can't do that make sure that you collapse it

Again if you can't do that make sure that you collapse it

So you've just got one window and then drag it down and I also don't want this this up here

So you've just got one window and then drag it down and I also don't want this this up here

This is called an outliner look outliner and let's use to select the different objects because you can read what different objects are there I?

This is called an outliner look outliner and let's use to select the different objects because you can read what different objects are there I?

Personally don't use them

Personally don't use them

I'm more of a visual person. [I] just like to be able to to see what it is and then just click on it

I'm more of a visual person. [I] just like to be able to to see what it is and then just click on it

But I know other people from 3DS max my I love it. I hate it

But I know other people from 3DS max my I love it. I hate it

So I'm just going to collapse that so that now I've just got a nice clean. This is my favorite view of blender

So I'm just going to collapse that so that now I've just got a nice clean. This is my favorite view of blender

Just having this properties on the side nothing else blocking my way. No toolbar nothing nice and clean

Just having this properties on the side nothing else blocking my way. No toolbar nothing nice and clean

Anyways now I can split this

Anyways now I can split this

Make this a node editor, and now I can do both at the same time

Make this a node editor, and now I can do both at the same time

All that shouldn't be over there. Let's put that back

All that shouldn't be over there. Let's put that back

great all right

great all right

So I mentioned that if you want to combine the diffuse and [the] glossy you've got to power it through a mix shader'

So I mentioned that if you want to combine the diffuse and [the] glossy you've got to power it through a mix shader'

Which is cool now, but what it what we've got here. We've got this value here which says fak fak

Which is cool now, but what it what we've got here. We've got this value here which says fak fak

0.5 and what this is doing is it is considers telling Blundell how much of each shader [-] to give it right?

0.5 and what this is doing is it is considers telling Blundell how much of each shader [-] to give it right?

Drag this all the way back to zero it's now using 100% of the top input

Drag this all the way back to zero it's now using 100% of the top input

Which [is] the diffuse if I drag it all the way to the right?

Which [is] the diffuse if I drag it all the way to the right?

it's now using a hundred [percent] of the bottom input which is [gloss] and to prove it [if] I just take this and connect the

it's now using a hundred [percent] of the bottom input which is [gloss] and to prove it [if] I just take this and connect the

Glossy directly to there. It's identical so it really is it really is the same

Glossy directly to there. It's identical so it really is it really is the same

so

so

We can now shoot we can use this creatively as artists to go like how shiny do. I want my donut to look

We can now shoot we can use this creatively as artists to go like how shiny do. I want my donut to look

Okay, so I might just go like - there

Okay, so I might just go like - there

You know and now we're using 90% of our diffuse and about 10% because it's point one of our

You know and now we're using 90% of our diffuse and about 10% because it's point one of our

Glossy so it's just a subtle amount of reflection, and this is a pretty common amount like a lot

Glossy so it's just a subtle amount of reflection, and this is a pretty common amount like a lot

This is a kind of another new mistake. It's like we like reflections because we see it. We go like [ooh] shiny reflection

This is a kind of another new mistake. It's like we like reflections because we see it. We go like [ooh] shiny reflection

it's just interesting to

it's just interesting to

[us] but to like

[us] but to like

we

we

Generally speaking objects are way less reflective than we imagined them to be in 3D

Generally speaking objects are way less reflective than we imagined them to be in 3D

So you know tone it tone it down a bit all right?

So you know tone it tone it down a bit all right?

The other one that you can use to control

The other one that you can use to control

How your donuts going to look is over here for the glossiness? You've got a roughness shader here

How your donuts going to look is over here for the glossiness? You've got a roughness shader here

So yeah, so that's um that enables us to sort of make it look more matte

So yeah, so that's um that enables us to sort of make it look more matte

So the more I set this up the smoother those

So the more I set this up the smoother those

reflections are going to be let's just turn that up so I can see it and if I set that to zero it's going to

reflections are going to be let's just turn that up so I can see it and if I set that to zero it's going to

Be like it's a mirror. Which you should never do should always have some amount of reflection because it's not impossible

Be like it's a mirror. Which you should never do should always have some amount of reflection because it's not impossible

Sorry Roughness because it's not possible for it to be 100%

Sorry Roughness because it's not possible for it to be 100%

All right, let me dial that back set that to there

All right, let me dial that back set that to there

And let's give it a pink color you can make your icing any color by the way. I'm sure you will

And let's give it a pink color you can make your icing any color by the way. I'm sure you will

A

A

little bit a little bit shiny

little bit a little bit shiny

That is pretty good that doesn't look pink to me

That is pretty good that doesn't look pink to me

looks kind of Fleshy I

looks kind of Fleshy I

Swear I've looked at this scene for so long I've recorded this tutorial so many times today

Swear I've looked at this scene for so long I've recorded this tutorial so many times today

[I] don't know. What color. This is anymore. That looks purple to me

[I] don't know. What color. This is anymore. That looks purple to me

And that looks like Flesh

And that looks like Flesh

What am I doing?

What am I doing?

[alright], whatever. I'll figure it out for the next part I guess [umm] anyways

[alright], whatever. I'll figure it out for the next part I guess [umm] anyways

So that's good now um now that we've got a basic understanding of nodes because this this is really basic stuff here

So that's good now um now that we've got a basic understanding of nodes because this this is really basic stuff here

And I'm keeping it like that in like when we get to doing the table

And I'm keeping it like that in like when we get to doing the table

Adding a texture to that, we'll get right into textures bot mapping all that kind of stuff. We'll start creating a little bit more

Adding a texture to that, we'll get right into textures bot mapping all that kind of stuff. We'll start creating a little bit more

Adventurous sort of node stuff but for right now

Adventurous sort of node stuff but for right now

I want to just keep it basic if you want to experiment for yourself by the way have fun

I want to just keep it basic if you want to experiment for yourself by the way have fun

Do it do it right now like you could try like hey instead of a solid pink color. What if I gave [it] a

Do it do it right now like you could try like hey instead of a solid pink color. What if I gave [it] a

You know I gave it a texture. I make it look get a noise texture. I just plug this into here. [you] know I?

You know I gave it a texture. I make it look get a noise texture. I just plug this into here. [you] know I?

You know maybe I could I use the the noise texture to control how much?

You know maybe I could I use the the noise texture to control how much?

Gloss or diffuse is actually fed into it. You can use it like a mask which is really interesting

Gloss or diffuse is actually fed into it. You can use it like a mask which is really interesting

But anyways, so that's you can you can have fun with it, but for now

But anyways, so that's you can you can have fun with it, but for now

We're just going to keep it very basic, and we'll get to some more interesting stuff later on

We're just going to keep it very basic, and we'll get to some more interesting stuff later on

anyways look at that, so

anyways look at that, so

One final thing I'm gonna. I'm going to leave on because we have we've gone over time for sure is

One final thing I'm gonna. I'm going to leave on because we have we've gone over time for sure is

Making this look a little bit more like icing and then as well as that

Making this look a little bit more like icing and then as well as that

I'll just for the end piece to make it interesting [will] make it look like radioactive goo as well

I'll just for the end piece to make it interesting [will] make it look like radioactive goo as well

But for now just for the icing the icing like as a donut. This is cool, but that icing looks, so fake it looks like

But for now just for the icing the icing like as a donut. This is cool, but that icing looks, so fake it looks like

like even the most factory of Factory made [Donuts]

like even the most factory of Factory made [Donuts]

Would never have icing [that] is completely straight like this looks like you could cut your finger picking up this donut

Would never have icing [that] is completely straight like this looks like you could cut your finger picking up this donut

So we want to give it [some] variation make it look like a real donut because it has like a wavy

So we want to give it [some] variation make it look like a real donut because it has like a wavy

[sort] of edge to it so to do that if we go into edit mode if

[sort] of edge to it so to do that if we go into edit mode if

We just click one [of] these little points here, and if I just drag this down

We just click one [of] these little points here, and if I just drag this down

So hit G and then [z] what happened my screen keys tool turned off if I click and I just drag this down um

So hit G and then [z] what happened my screen keys tool turned off if I click and I just drag this down um

You can see that. It's making this little like dripping effect, right?

You can see that. It's making this little like dripping effect, right?

Which is kind of cool now. I could do that. [you] know one by one

Which is kind of cool now. I could do that. [you] know one by one

Cross the whole thing

Cross the whole thing

But that's time-consuming. We're lazy. You know we're artists. We we don't want to do everything by ourselves

But that's time-consuming. We're lazy. You know we're artists. We we don't want to do everything by ourselves

Uh-huh you could but it also starts to look handmade

Uh-huh you could but it also starts to look handmade

which is this is one of the things what's actually good to leave it up to the computer because a

which is this is one of the things what's actually good to leave it up to the computer because a

Computer could make it random all by itself and it and it would be good, so let's do that

Computer could make it random all by itself and it and it would be good, so let's do that

So there is a tool in Blender. Which I've actually already talked about

So there is a tool in Blender. Which I've actually already talked about

[if] you can remember it, it's the proportional fall-off tool

[if] you can remember it, it's the proportional fall-off tool

So if I hit o on the keyboard, and then you'll remember that there's different types of proportional fall-off

So if I hit o on the keyboard, and then you'll remember that there's different types of proportional fall-off

So the one we're going to use is the random so if I use that and then do the exact same thing

So the one we're going to use is the random so if I use that and then do the exact same thing

Kind of rebuild it g and then zed

Kind of rebuild it g and then zed

Now it looks horrible at the top looks like a sort of a bagel

Now it looks horrible at the top looks like a sort of a bagel

But if you look along the edge here, it's the exact wavy effect that we want

But if you look along the edge here, it's the exact wavy effect that we want

Which is really cool so [it's] doing that by yet controlling like how close it is to our main point down

Which is really cool so [it's] doing that by yet controlling like how close it is to our main point down

And so it's just basically dragging it all down at random amounts now if you look at the actual mesh of it

And so it's just basically dragging it all down at random amounts now if you look at the actual mesh of it

It's made the whole thing this lumpy sort of thing so how do we do that?

It's made the whole thing this lumpy sort of thing so how do we do that?

How do we how do we fix that sorry so we want to keep this end but we want this stuff to stay stationary?

How do we how do we fix that sorry so we want to keep this end but we want this stuff to stay stationary?

So the way, we do that is

So the way, we do that is

Go back if we select this top part of our icing there, and if we hide it by

Go back if we select this top part of our icing there, and if we hide it by

pushing h which is what I mentioned before hit h now we've got just [this] ring and

pushing h which is what I mentioned before hit h now we've got just [this] ring and

and if I just use that if I push [G] and then down

and if I just use that if I push [G] and then down

You could see [I] don't know if you can but you can see the way just changing

You could see [I] don't know if you can but you can see the way just changing

Just that ring there

Just that ring there

and if [I] go out of edit mode

and if [I] go out of edit mode

You can see the rest of the donuts still there, and we're just changing the edge of it now cause that

You can see the rest of the donuts still there, and we're just changing the edge of it now cause that

So I could do that a few times, maybe

So I could do that a few times, maybe

Whoops G. And if you use your mouse wheel it sort of changes how it looks

Whoops G. And if you use your mouse wheel it sort of changes how it looks

So to scroll through it, so I'll pull it up a little bit

So to scroll through it, so I'll pull it up a little bit

So that we don't go too far down otherwise

So that we don't go too far down otherwise

It'll start to look like I don't know like draped fabric or something [like] that if it's like down here. Just looks a little weird

It'll start to look like I don't know like draped fabric or something [like] that if it's like down here. Just looks a little weird

[and] now that I've done that

[and] now that I've done that

See it looks really good looks nice

See it looks really good looks nice

But you'll see that if you like look at it like edge on like the icing is sort of like separating from the donut

But you'll see that if you like look at it like edge on like the icing is sort of like separating from the donut

So I don't want that. So what I'll do is just select this ring here turn off proportional fall-off

So I don't want that. So what I'll do is just select this ring here turn off proportional fall-off

I'm going to scale it inward so hit s and then just scale it into itself release or click and

I'm going to scale it inward so hit s and then just scale it into itself release or click and

Then go back into object mode and now look at that

Then go back into object mode and now look at that

We've got ourselves a donut pom-Pom, but the thumb oh

We've got ourselves a donut pom-Pom, but the thumb oh

My goodness [alright] umm

My goodness [alright] umm

Now as I mentioned the start I want to show you how to how to just turn it into a radioactive goo

Now as I mentioned the start I want to show you how to how to just turn it into a radioactive goo

Just for the sake of it

Just for the sake of it

So this is a really [it's] [a] fun part of blender fun shader to to play around with I remember when I started it was

So this is a really [it's] [a] fun part of blender fun shader to to play around with I remember when I started it was

[a] it was cool to to muck around with but if you go

[a] it was cool to to muck around with but if you go

To your node editor over here, and then we just go shader. Sorry shift a to add and then shader and then we choose

To your node editor over here, and then we just go shader. Sorry shift a to add and then shader and then we choose

Emission is a type of shader

Emission is a type of shader

which will make the mesh itself glow, so if I take that

which will make the mesh itself glow, so if I take that

and I replace it over the instead of the diffuse here, and then I make this color like a

and I replace it over the instead of the diffuse here, and then I make this color like a

How about that we have ourselves a glowing doughnut?

How about that we have ourselves a glowing doughnut?

and I can ramp up the strength of that and if you actually if you hid

and I can ramp up the strength of that and if you actually if you hid

This lamp here now you would get just the donor

This lamp here now you would get just the donor

powering the lighting

powering the lighting

[is] uh it's kind of cool

[is] uh it's kind of cool

So anyways you can have some fun with this [guys] um you can make any sorts of really cool shapes

So anyways you can have some fun with this [guys] um you can make any sorts of really cool shapes

You know I remember when I started I got right into it. I'd add like a you know [torus]

You know I remember when I started I got right into it. I'd add like a you know [torus]

Shrink that old [s] which we haven't talked about but you know, it's just one of those things

Shrink that old [s] which we haven't talked about but you know, it's just one of those things

We can't talk [about] every feature in the beginner series, but yeah, I remember making some really

We can't talk [about] every feature in the beginner series, but yeah, I remember making some really

You can do some fun stuff you

You can do some fun stuff you

So so have some fun with it guys um

So so have some fun with it guys um

That is material nodes in in a nutshell know if you don't understand

That is material nodes in in a nutshell know if you don't understand

Material nodes. I I don't blame you. There's a lot you [know] um but you can

Material nodes. I I don't blame you. There's a lot you [know] um but you can

To put your mind at ease

To put your mind at ease

something that a lot [of] artists struggle with

something that a lot [of] artists struggle with

In fact I did a survey and this was the number one thing that people said that they didn't understand about Blender

In fact I did a survey and this was the number one thing that people said that they didn't understand about Blender

[so] once you get the hang of it more you use it the more you'll you'll understand. Oh, that's what that thing [is] for

[so] once you get the hang of it more you use it the more you'll you'll understand. Oh, that's what that thing [is] for

But right now when you're just beginning it I get like it you won't get it until you start using it so it's totally fine

But right now when you're just beginning it I get like it you won't get it until you start using it so it's totally fine

You'll get it as you as you go along

You'll get it as you as you go along

But yeah, anyways there you go now. We've got ourselves a radio wait donut you can make a little poster out of it try Donuts

But yeah, anyways there you go now. We've got ourselves a radio wait donut you can make a little poster out of it try Donuts

with radioactive jelly and uh

with radioactive jelly and uh

yeah, that's fun with that join me in the next video [and]

yeah, that's fun with that join me in the next video [and]

Thank you for watching give me a thumbs up if you liked it, and yeah see you there. Bye

Thank you for watching give me a thumbs up if you liked it, and yeah see you there. Bye

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